scholarly journals NARRATIVES ABOUT WORK IN CROATIAN CELEBRITY CULTURE

Traditiones ◽  
2020 ◽  
Vol 49 (3) ◽  
pp. 163-184
Author(s):  
Ozren Biti

This paper is based on research into narratives surrounding the work of (micro)celebrities in Croatia. The analysis comprises written materials dedicated, in various degrees, to different aspects of work as it is performed in Croatian celebrity culture, such as space, time, intensity, character, and value of the work in question; published in newspapers and weeklies or posted on web portals during 2018 and the first half of 2019. Micro-celebrities occupy a special place within celebrity culture, characterized not only by lesser fame and public recognition compared to traditional celebrities, but also by different avenues leading to the acquisition of this particular status.

2002 ◽  
Author(s):  
J. B. Kennedy
Keyword(s):  

Author(s):  
Roger Penrose ◽  
Wolfgang Rindler
Keyword(s):  

2018 ◽  
Vol 77 (4) ◽  
pp. 173-184
Author(s):  
Wenxing Yang ◽  
Ying Sun

Abstract. The causal role of a unidirectional orthography in shaping speakers’ mental representations of time seems to be well established by many psychological experiments. However, the question of whether bidirectional writing systems in some languages can also produce such an impact on temporal cognition remains unresolved. To address this issue, the present study focused on Japanese and Taiwanese, both of which have a similar mix of texts written horizontally from left to right (HLR) and vertically from top to bottom (VTB). Two experiments were performed which recruited Japanese and Taiwanese speakers as participants. Experiment 1 used an explicit temporal arrangement design, and Experiment 2 measured implicit space-time associations in participants along the horizontal (left/right) and the vertical (up/down) axis. Converging evidence gathered from the two experiments demonstrate that neither Japanese speakers nor Taiwanese speakers aligned their vertical representations of time with the VTB writing orientation. Along the horizontal axis, only Japanese speakers encoded elapsing time into a left-to-right linear layout, which was commensurate with the HLR writing direction. Therefore, two distinct writing orientations of a language could not bring about two coexisting mental time lines. Possible theoretical implications underlying the findings are discussed.


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