scholarly journals Prizes and Awards in Contemporary Art: Evaluation and Promotion in a Competitive System

2015 ◽  
Author(s):  
Sophie Cras
Keyword(s):  
Contemporary Art ◽  
Competitive System ◽  
Art Evaluation

scholarly journals The Problem Field of Ethico-Cultural Evaluation of Contemporary Art

2020 ◽  
Author(s):  
Karolina-Dzhoanna Gomes
Keyword(s):  
Contemporary Art ◽  
Hate Speech ◽  
Modern Art ◽  
Theoretical Framework ◽  
Comprehensive Approach ◽  
Critical Research ◽  
The Public ◽  
Public Reaction ◽  
Contemporary Practice ◽  
Art Evaluation

The challenges of contemporary art include its perception by the public and society in general. Modern art has long utilized provocative and deliberately disruptive acts and statements as one of the tools that allow it to produce public reaction. However, today such actions and statements increasingly face explosive responses from offended audiences, especially amongst the more conservative parts of society. Often such reactions do not limit themselves to the expression of public indignation but proceed to courts and demands to officially sanction offensive art. This article contributes to the polemic around offensive art by identifying problems in contemporary practice of art evaluation in Russia and its limitation, and suggesting ethico-cultural evaluation as a comprehensive approach to analyse the art event or work as insulting or morally dangerous. The identification of problems is based on analysis of existing experts’ statements on the artworks denounced as offensive. The theoretical framework of the research is provided by regulatory legal acts, critical research on vilification laws and the theory of humanitarian evaluation. Keywords: ethico-cultural evaluation, hate speech, religious feelings, Russia, Article 282, Article 148, religious offense, offensive art

Feminisms and Contemporary Art in Indonesia

2017 ◽  
Author(s):  
Wulan Dirgantoro
Keyword(s):  
Contemporary Art

Screen Presence

2016 ◽  
Author(s):  
Stephen Monteiro
Keyword(s):  
Contemporary Art ◽  
Social Contexts ◽  
Popular Media ◽  
Andy Warhol ◽  
Film Culture ◽  
Artistic Practice ◽  
Popular Film ◽  
Robert Rauschenberg ◽  
Mona Hatoum ◽  
Source Materials

Cinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Working from a media and cultural studies perspective, Screen Presence explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures – Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional cinema, these artists draw on overlooked forms of popular film culture that have been commonplace, and even dominant, in specific social contexts. Through analysis of a range of examples and source materials, Stephen Monteiro demonstrates the dependence of contemporary artists on cinema’s shifting applications and interpretations, offering a fresh understanding of the enduring impact of everyday media on how we make and view art.

Screening Statues

2017 ◽  
Author(s):  
Steven Jacobs ◽  
Susan Felleman ◽  
Vito Adriaensens ◽  
Lisa Colpaert
Keyword(s):  
Contemporary Art ◽  
Three Dimensional ◽  
Interdisciplinary Approach ◽  
Film History ◽  
Two Dimensional ◽  
Artistic Practice ◽  
Experimental Art ◽  
Broad Scope ◽  
Art Practices ◽  
Extensive Reference

Sculpture is an artistic practice that involves material, three-dimensional, and generally static objects, whereas cinema produces immaterial, two-dimensional, kinetic images. These differences are the basis for a range of magical, mystical and phenomenological interactions between the two media. Sculptures are literally brought to life on the silver screen, while living people are turned into, or trapped inside, statuary. Sculpture motivates cinematic movement and film makes manifest the durational properties of sculptural space. This book will examine key sculptural motifs and cinematic sculpture in film history through seven chapters and an extensive reference gallery, dealing with the transformation skills of "cinemagician" Georges Méliès, the experimental art documentaries of Carl Theodor Dreyer and Henri Alekan, the statuary metaphors of modernist cinema, the mythological living statues of the peplum genre, and contemporary art practices in which film—as material and apparatus—is used as sculptural medium. The book’s broad scope and interdisciplinary approach is sure to interest scholars, amateurs and students alike.

Transformative Encounters and Uncanny Intimacies: Biotechnology and Contemporary Art – A Practitioner's Approach and Perspective

Somatechnics ◽  
2012 ◽  
Vol 2 (2) ◽  
pp. 263-283 ◽  
Author(s):  
Svenja J. Kratz
Keyword(s):  
Tissue Culture ◽  
Human Skin ◽  
Contemporary Art ◽  
Skin Equivalent ◽  
Biomedical Innovation ◽  
Equivalent Models ◽  
Science Projects ◽  
Insight Into ◽  
Human Skin Equivalent

Abstract: Presented from an ArtScience practitioner's perspective, this paper provides an overview of Svenja Kratz's experience working as an artist within the area of cell and tissue culture at QUT's Institute of Health and Biomedical Innovation (IHBI). Using The Absence of Alice, a multi-medium exhibition based on the experience of culturing cells, as a case study, the paper gives insight into the artist's approach to working across art and science and how ideas, processes, and languages from each discipline can intermesh and extend the possibilities of each system. The paper also provides an overview of her most recent artwork, The Human Skin Equivalent/Experience Project, which involves the creation of personal jewellery items incorporating human skin equivalent models grown from the artist's skin and participant cells. Referencing this project, and other contemporary bioart works, the value of ArtScience is discussed, focusing in particular on the way in which cross-art-science projects enable an alternative voice to enter into scientific dialogues and have the potential to yield outcomes valuable to both disciplines.

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