scholarly journals Unseeing People: Towards a Clear View of Invisible Characters in Narrative Fiction

2021 ◽  
Author(s):  
Gero Guttzeit
Keyword(s):  
Narrative Fiction ◽  
Clear View

The Language of Flowers in the Victorian Knowledge Age

2013 ◽  
Vol 3 (2) ◽  
pp. 136-160 ◽  
Author(s):  
Molly Engelhardt
Keyword(s):  
Material Culture ◽  
George Eliot ◽  
Charlotte Bronte ◽  
Elizabeth Gaskell ◽  
Romantic Love ◽  
Narrative Fiction ◽  
Knowledge Age

The language of flowers is typically dismissed as a subgenre of botany books that, while popular, had little if any influence on the material culture of Victorian life. This article challenges this assumption by situating the genre within the context of the professionalisation of botany at mid-century to show how efforts to change attitudes towards botany from a fashionable pastime for the gentler sex to a utilitarian practice in service of humanity contributed to the revitalisation and popularity of the language of flowers. While scientific botanists sought to know flowers physiologically and morphologically in the spirit of progress and truth, practitioners of the language of flowers – written primarily for and by women – celebrated uncertainty and relied on floral codes to curtail knowing in order to extend the realm of play. The struggle for floral authority was centred in botanical discourses – both scientific and amateur – but extended as well into narrative fiction. Turning to works by Elizabeth Gaskell, Charlotte Brontë, and George Eliot, I show how Victorian writers expected a certain degree of floral literacy from their readers and used floral codes strategically in their fiction as subtexts for practitioners of the language of flowers. These three writers, I argue, took a stand in the gender struggle over floral authority by creating scientific botanists who are so obsessed with dissecting plants to reveal their secrets and know their ‘life truths’ that they become farsighted in matters of romantic love and unable to read the most obvious and surface of floral codes. The consequences of the dismissal of the superficial are in some cases quite disastrous.

SAFETY AND RISK ASSESSMENT AT AUTOMATED WORKPLACE

2018 ◽  
pp. 78-84
Author(s):  
Marek Vagas
Keyword(s):  
Risk Assessment ◽  
Industrial Robot ◽  
Industrial Robots ◽  
Added Value ◽  
Growing Up ◽  
Target Setting ◽  
Clear View ◽  
General Safety

Urgency of the research. Automated workplaces are growing up in present, especially with implementation of industrial robots with feasibility of various dispositions, where safety and risk assessment is considered as most important issues. Target setting. The protection of workers must be at the first place, therefore safety and risk assessment at automated workplaces is most important problematic, which had presented in this article Actual scientific researches and issues analysis. Actual research is much more focused at standard workplaces without industrial robots. So, missing of information from the field of automated workplaces in connection with various dispositions can be considered as added value of article. Uninvestigated parts of general matters defining. Despite to lot of general safety instructions in this area, still is missed clear view only at automated workplace with industrial robots. The research objective. The aim of article is to provide general instructions directly from the field of automated workplaces The statement of basic materials. For success realization of automated workplace is good to have a helping hand and orientation requirements needed for risk assessment at the workplace. Conclusions. The results published in this article increase the awareness and information of such automated workplaces, together with industrial robots. In addition, presented general steps and requirements helps persons for better realization of these types of workplaces, where major role takes an industrial robot. Our proposed solution can be considered as relevant base for risk assessment such workplaces with safety fences or light barriers.

A Criminology Of Narrative Fiction

2021 ◽  
Author(s):  
Rafe McGregor
Keyword(s):  
Narrative Fiction

The Riddle of the Sands

2017 ◽  
Author(s):  
Daniel Brayton
Keyword(s):  
Coastal Zone ◽  
North Atlantic ◽  
Intertidal Zone ◽  
Nation State ◽  
Narrative Fiction ◽  
Aesthetic Appeal ◽  
Secret Service ◽  
German Coast ◽  
The Aesthetic ◽  
Modern Nation State

The aesthetic appeal of coasts is due in part to the indeterminacy of the intertidal zone. The imagination finds room to play where land and sea meet. This chapter explores the coastal zone that lies at the heart of a novel considered by many to be the first modern spy thriller, Erskine Childers’s The Riddle of the Sands: A Record of Secret Service. Childers develops the notion of coastal indeterminacy as a figure for the boundaries, ambitions, and limitations of the modern nation-state. The journey of Childers’s characters through a north Atlantic archipelago that extends from the German coast draws a line of association between Europe and Britain, whose form depends on coastlines, estuaries, and shallows. In following this course, Childers creates a narrative fiction that shifts between charts, borders, and languages.

The Ontological Work of Genre and Place: Wuthering Heights and the Case of the Occulted Landscape

2021 ◽  
Vol 49 (1) ◽  
pp. 107-138
Author(s):  
Lauren M. E. Goodlad
Keyword(s):  
Crime Fiction ◽  
Trade Flows ◽  
Uneven Development ◽  
Sense Making ◽  
Narrative Fiction ◽  
World Systems ◽  
Wuthering Heights ◽  
Life And Death ◽  
History Of ◽  
Atlantic Slavery

This essay shows how genre and place enable the “ontological reading” of narrative fiction. Such sense-making dialectics enable readers to infer the terms of existence that shape fictional worlds. World-systems thinkers have theorized the critical premise of material worlds shaped though ongoing processes of combined and uneven development. Ontological reading is a comparative practice for studying the narrative work of “figuring out” those processes—for example, through the “occulted landscapes” of Yorkshire noir. Emily Brontë's Wuthering Heights () can be likened to a species of crime fiction in prefiguring the “hardboiled” pull from epistemological certainty to ontological complication. Whereas David Peace's millennial Red Riding series of novels and films palimpsestically layers multiple pasts and presents, Wuthering Heights’ photomontage-like landscape airbrushes the seams of combined and uneven histories. Both narratives evoke moorland terrains conducive to a long history of woolens manufacturing reliant on the energized capital and trade flows of Atlantic slavery. Both works body forth occulted landscapes with the capacity to narrate widely: their troubling of ontological difference—between human and animal, life and death, past and present, nature and supernature—lays the ground for generically flexile stories of regional becoming. Ontological reading thus widens literary study.

Grammatik der Narration

2020 ◽  
Vol 48 (3) ◽  
pp. 457-494
Author(s):  
Sonja Zeman
Keyword(s):  
Narrative Discourse ◽  
Linguistic Theory ◽  
Second Step ◽  
Narrative Fiction ◽  
The Status ◽  
Definition Of ◽  
Narrative Syntax

AbstractIs there a ‚narrative syntax‘, i. e. a special grammar restricted to narrative fiction? Starting from this question which has been investigated since early structuralism, the paper focusses on grammatical characteristics of narrative discourse mode and their implications for a linguistic theory of narration. Its goal is two-fold: In a first step, the traditional accounts by Benveniste, Hamburger, Kuroda and recent typological studies are brought together in order to support the claim that the distinction between narrative and non-narrative discourse mode is a fundamental one that has consequences for the use of grammar. In a second step, I discuss three central questions within the intersection between narrative micro- and macro-structures, namely (i) the definition of narrativity, (ii) the status of the narrator, and (iii) the relation between narration and fictionality. In sum, the article argues that investigations on the ‘grammar of narration’ do not just offer insights into a specific text configuration next to others, but are deeply linked to fundamental theoretical questions concerning the architecture of language – and that the comparison between linguistic and narratological categories offers a potential for addressing them.

scholarly journals Anisotropy of the Microwave Background and Biased Galaxy Formation

1988 ◽  
Vol 130 ◽  
pp. 43-50
Author(s):  
Nick Kaiser
Keyword(s):  
Galaxy Formation ◽  
Large Scale ◽  
Microwave Background ◽  
Galaxy Clustering ◽  
Clear View ◽  
Hot Gas ◽  
Density Perturbations ◽  
The Universe ◽  
Theoretical Developments

Fluctuations in the microwave background will have been imprinted at z ≃ 1000, when the photons and the plasma decoupled. On angular scales greater than a few degrees these fluctuations provide a clear view of any primordial density perturbations, and therefore a clean test of theories which invoke such fluctuations from which to form the structure we see in the universe. On smaller angular scales the predictions are less certain: reionization of the gas may modify the spectrum of the primordial fluctuations, and secondary fluctuations may be generated.Here I shall review some recent theoretical developments. A brief survey is made of the currently popular theories for the primordial perturbations, with emphasis on the predictions for large scale anisotropy. One major uncetainty in the predictions arises from the normalisation of the fluctuations to e.g. galaxy clustering, and much attention is given to the question of ‘biased’ galaxy formation. The effect of reionization on the primordial fluctuations is discussed, as is the anisotropy generated from scattering off hot gas in clusters, groups and galaxies.

The Negotiation of Literary Dialogue in Translation

Target ◽  
2000 ◽  
Vol 12 (1) ◽  
pp. 31-62 ◽  
Author(s):  
Alexandra Assis Rosa
Keyword(s):  
Historical Development ◽  
Power Relation ◽  
Target Language ◽  
Narrative Fiction ◽  
Social Environments ◽  
Robinson Crusoe ◽  
European Portuguese ◽  
Pragmatic Dimension ◽  
The Way

Abstract Focussing on the pragmatic dimension of literary dialogue in narrative fiction, this paper analyses: (a) the negotiation of power carried out by characters and the way it is relayed in the text as signalled by forms of address; and (b) the negotiation performed by the translator in order to reproduce a power relation when dealing with the cultural and social environments of the source- and the target-language texts. By analysing one hundred years of Robinson Crusoe translated into European Portuguese (189– to 1992) the paper will attempt to reveal a possible historical development of translational norms and the way in which the historical, cultural and social environments may have influenced them.

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