scholarly journals Books in Transition at the Time of Philip the Fair. Manuscripts and Printed Books in the Late Fifteenth and Early Sixteenth Century Low Countries, Edited by Hanno Wijsman

2012 ◽  
pp. 123
Author(s):  
Maria Colombo Timelli
Keyword(s):  
Sixteenth Century ◽  
Low Countries ◽  
Printed Books ◽  
Late Fifteenth

Mourning Madeleine and Margaret: Dress and Meaning in the Memorials for Two Scottish Queens, 1537 and 1541

2021 ◽  
Vol 100 (3) ◽  
pp. 359-377
Author(s):  
Perin Westerhof Nyman
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Political Discourse ◽  
Foreign Born ◽  
Low Countries ◽  
Central Aspect ◽  
Late Fifteenth ◽  
Royal Household

While the Scottish royal household participated in the wider development of mourning traditions in the late fifteenth century and employed mourning dress as a political tool from at least the turn of the sixteenth century, surviving evidence is extremely limited. Records for the funerals of Queens Madeleine de Valois ( d. 1537) and Margaret Tudor ( d. 1541) yield the earliest extensive material details for the employment of mourning displays in Scotland. These two funerals both honoured foreign-born queens, they took place only four years apart and they were organised within the same household—yet their use of mourning dress and material display diverged notably. Variations in the design and display of both formal and everyday mourning dress were used to transmit distinct messages and themes, in order to address the particular political circumstances and needs of each death. Comparison between the details of these Scottish funerals and examples from England, France and the Low Countries helps to place Scottish practice within wider traditions and highlights a common emphasis on mourning displays as a central aspect of political discourse and diplomacy at key moments of change and loss.

scholarly journals Printed Pages, Perfect Souls? Ideals and Instructions for the Devout Home in the First Books Printed in Dutch

Religions ◽  
2020 ◽  
Vol 11 (1) ◽  
pp. 45
Author(s):  
Anna Dlabačová
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Religious Practice ◽  
Reform Movement ◽  
Low Countries ◽  
Religious Instruction ◽  
Late Medieval ◽  
Religious Reform ◽  
Printed Books

This article studies the role of the earliest books printed in the Dutch vernacular in the religious practice of lay individuals and the devout home. Many of the texts disseminated in these early printed books have received little attention and scholars have tended to view them within the sphere of the Modern Devotion, even though often there is no direct link to this religious reform movement. This article attempts to show that the first books printed in Dutch offer an interesting lens through which to study domestic devotion in the Low Countries in the last decades of the fifteenth century. It argues that these books bridged the gap between catechetical instruction and the private home, literally bringing home many of the ideals and instructions that the clergy would have offered in church and thus increasingly ‘textualizing’ the lives of the late medieval laity. Printers such as Gerard Leeu and his contemporaries acquainted Christians to the use of printed books for personal and practical religious instruction and knowledge and thus paved the way for developments in the sixteenth century.

The hortus siccus (1566) of Petrus Cadé: a description of the oldest known collection of dried plants made in the Low Countries

2004 ◽  
Vol 31 (1) ◽  
pp. 30-43
Author(s):  
Maarten J. M. Christenhusz
Keyword(s):  
Sixteenth Century ◽  
Low Countries ◽  
Made In

ABSTRACT: A sixteenth century Dutch hortus siccus of Brabantian origin has been rediscovered and is described here. The plants preserved in it are identified and most of its history is revealed.

Islamic Monuments as Christian Trophies

2017 ◽  
Author(s):  
Antonio Urquízar-Herrera
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Thirteenth Century ◽  
Medieval Chronicles ◽  
Late Fifteenth ◽  
Historical Accounts ◽  
Rodrigo Jimenez De Rada ◽  
The Way

Chapter 3 approaches the notion of trophy through historical accounts of the Christianization of the Córdoba and Seville Islamic temples in the thirteenth-century and the late-fifteenth-century conquest of Granada. The first two examples on Córdoba and Seville are relevant to explore the way in which medieval chronicles (mainly Rodrigo Jiménez de Rada and his entourage) turned the narrative of the Christianization of mosques into one of the central topics of the restoration myth. The sixteenth-century narratives about the taking of the Alhambra in Granada explain the continuity of this triumphal reading within the humanist model of chorography and urban eulogy (Lucius Marineus Siculus, Luis de Mármol Carvajal, and Francisco Bermúdez de Pedraza).

Disordered Books and Dynamic Archives: Rabbinic Scholarly Practices in Early Modern Ashkenaz

AJS Review ◽  
2021 ◽  
Vol 45 (1) ◽  
pp. 48-75
Author(s):  
Tamara Morsel-Eisenberg
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Dynamic Activity ◽  
Modes Of Transmission ◽  
Printed Books ◽  
Modern Learning ◽  
Shed Light

This article examines early modern learning through Ashkenazic responsa. Beyond explicit evidence from published responsa collections, implicit insights dwell in what these publications lack. These missing features shed light on sixteenth-century scholarly practices. The works’ organizational inconsistencies must be understood in context of learned archives. Such an adjustment offers a corrective to the regnant narrative, which views the introduction of print as a sharp rupture from earlier modes of transmission. This article suggests instead that the culture of printed books coexisted with older approaches, and that print was complemented by more disorderly and unconstrained forms of transmission. Comparing rabbinic “paper-ware” with contemporaneous humanist practices highlights the rabbi's working papers, focusing on a culture's dynamic activity rather than its stable output. This shift in perspective allows us to see rabbinic writings not merely as a collection of books but as a mode of scholarship.

‘HOW HARD AN ENTERPRISE IT IS’: AUTHORIAL SELF-FASHIONING IN JOHN DOWLAND’S PRINTED BOOKS

2007 ◽  
Vol 26 ◽  
pp. 43-90 ◽  
Author(s):  
Kirsten Gibson
Keyword(s):  
Sixteenth Century ◽  
Title Page ◽  
The Other ◽  
Artistic Creation ◽  
Printed Books ◽  
The One ◽  
Intellectual Activities ◽  
Modern Sense

The naming of John Dowland as ‘Author’ on the title page of his publication The First Booke of Songes or Ayres (1597) suggests a proprietary relationship between the composer and his work. This proprietary relationship is, perhaps, reinforced with the alignment of Dowland’s intellectual activities as ‘author’ with the notions of ‘composition’ and ‘invention’ in the same passage. All three terms could be used by the late sixteenth century to refer to notions of creativity, individual intellectual labour or origination. While many early examples of the use of ‘author’ refer specifically to God or Christ as creator, such as Chaucer’s declaration that ‘The auctour of matrimonye is Christ’, by the sixteenth century it was increasingly used to refer to an individual originator of intellectual or artistic creation closer to the modern sense of the word. Its sixteenth-century usage is, for instance, reflected in the title ‘A tretys, excerpte of diverse labores of auctores’, or as in a reference in 1509 to ‘The noble actor plinius’. Likewise, ‘invent’ or ‘inventor’ could be used to refer to the process of individual intellectual creation, exemplified by its use in 1576 ‘Your brain or your wit, and your pen, the one to invent and devise, the other to write’, while ‘compose’ could mean to make, to compose in words, ‘to write as author’ or, more specifically, to write music.

Enclosed Gardens of Mechelen

2018 ◽  
Keyword(s):  
Sixteenth Century ◽  
Middle Ages ◽  
Academic Research ◽  
Low Countries ◽  
Central Section ◽  
Unique Type ◽  
Charles V ◽  
Religious Women ◽  
Late Middle Ages ◽  
Southern Netherlands

During the Late Middle Ages a unique type of ‘mixed media’ recycled and remnant art arose in houses of religious women in the Low Countries: enclosed gardens. They date from the time of Emperor Charles V and are unique examples of ‘anonymous’ female art, devotion and spirituality. A hortus conclusus (or enclosed garden) represents an ideal, paradisiacal world. Enclosed Gardens are retables, sometimes with painted side panels, the central section filled not only with narrative sculpture, but also with all sorts of trinkets and hand-worked textiles.Adornments include relics, wax medallions, gemstones set in silver, pilgrimage souvenirs, parchment banderoles, flowers made from textiles with silk thread, semi-precious stones, pearls and quilling (a decorative technique using rolled paper). The ensemble is an impressive and one-of-a-kind display and presents as an intoxicating garden. The sixteenth-century horti conclusi of the Mechelen Hospital sisters are recognized Masterpieces and are extremely rare, not alone at a Belgian but even at a global level. They are of international significance as they provide evidence of devotion and spirituality in convent communities in the Southern Netherlands in the sixteenth century. They are an extraordinary tangible expression of a devotional tradition. The highly individual visual language of the enclosed gardens contributes to our understanding of what life was like in cloistered communities. They testify to a cultural identity closely linked with mystical traditions allowing us to enter a lost world very much part of the culture of the Southern Netherlands. This book is the first full survey of the enclosed gardens and is the result of year-long academic research.

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