Analysing Buildings from Context to Detail in Time: The ABCD Research Method Case Study: Friesland Provincial Library in Leeuwarden

2010 ◽  
Vol 133-134 ◽  
pp. 283-288
Author(s):  
Hielkje Zijlstra
Keyword(s):  
Research Method ◽  
Second World War ◽  
Building Construction ◽  
Construction Technology ◽  
World War ◽  
Construction Engineering ◽  
Academic Level ◽  
The Future ◽  
Second World

Progress does not amount to destroying the future, but to preserving its essence, to generate the impetus to do it better today (Y. Ortega Y Gasset 1951). Working in the areas of history and construction technology, the spirit of these statement guided my research: developing a research method for buildings not listed (yet) as monuments but needed to be analysed before the next approach. When studying buildings it is essential to consider not only the art history, social and urban planning factors, but especially the construction engineering aspects. In this way, a deeper understanding of the underlying design and building methods used in our built environment can be developed. There have been many historical and architectural studies of buildings. The period since the Second World War has received particular interest. Unfortunately, most of these studies do not address the technical aspects of the construction of these buildings. However, these issues were covered by publications at the time these buildings were constructed. Technology provided me with the inspiration to develop a more comprehensive research method to assess buildings: Analysing Buildings from Context to Detail in time: ABCD research method. Technology, at academic level, should be considered in the analysis of a building. Here we are concerned with construction engineering, the study of the requirements associated with constructing buildings. The Analysing Building Construction in time research matrix (ABC matrix) can be used in practice. It incorporates the study outcomes which relate to the building itself. Contextual aspects as well as building aspects are included. They can be analysed at the three time levels to draw conclusions which are relevant to the future existence of the building. The case study of the Friesland Provincial Library in Leeuwarden will be worked out in the conference paper.

Turning Aliens into Socialists

2010 ◽  
Vol 1 (1) ◽  
pp. 75-93
Author(s):  
Jessica Moberg
Keyword(s):  
Outer Space ◽  
The United States ◽  
Second World War ◽  
World War ◽  
History Of ◽  
Swedish History ◽  
Second World ◽  
The Universe ◽  
Highly Evolved

Immediately after the Second World War Sweden was struck by a wave of sightings of strange flying objects. In some cases these mass sightings resulted in panic, particularly after authorities failed to identify them. Decades later, these phenomena were interpreted by two members of the Swedish UFO movement, Erland Sandqvist and Gösta Rehn, as alien spaceships, or UFOs. Rehn argued that ‘[t]here is nothing so dramatic in the Swedish history of UFOs as this invasion of alien fly-things’ (Rehn 1969: 50). In this article the interpretation of such sightings proposed by these authors, namely that we are visited by extraterrestrials from outer space, is approached from the perspective of myth theory. According to this mythical theme, not only are we are not alone in the universe, but also the history of humankind has been shaped by encounters with more highly-evolved alien beings. In their modern day form, these kinds of ideas about aliens and UFOs originated in the United States. The reasoning of Sandqvist and Rehn exemplifies the localization process that took place as members of the Swedish UFO movement began to produce their own narratives about aliens and UFOs. The question I will address is: in what ways do these stories change in new contexts? Texts produced by the Swedish UFO movement are analyzed as a case study of this process.

scholarly journals Vera Lynn on Screen: Popular Music and the ‘People's War’

2017 ◽  
Vol 14 (2) ◽  
pp. 245-270 ◽  
Author(s):  
KATE GUTHRIE
Keyword(s):  
Popular Music ◽  
Art Music ◽  
Second World War ◽  
World War ◽  
Recent Scholarship ◽  
A Site ◽  
Second World

AbstractBy the outbreak of the Second World War in Britain, critics had spent several decades negotiating the supposed distinctions between highbrow and lowbrow culture, as recent scholarship has shown. What has received comparatively little attention is how the demands of wartime living changed the stakes of the debate. This article addresses this lacuna, exploring how war invited a reassessment of the relative merits of art and popular music. Perhaps the most iconic British singer of the period, Vera Lynn provides a case study. Focusing on her first film vehicle,We'll Meet Again(1942), I explore how Lynn's character mediated the highbrow/lowbrow conflict – for example, by presenting popular music as a site of community, while disparaging art music for its minority appeal. In so doing, I argue, the film not only promoted Lynn's star persona, but also intervened in a broader debate about the value of entertainment for a nation at war.

Naming of Parts; or, The Comforts of Classification: Thomas Jefferson's Construction of America as Fact and Myth

1996 ◽  
Vol 30 (3) ◽  
pp. 345-364 ◽  
Author(s):  
Susan Manning
Keyword(s):  
Second World War ◽  
World War ◽  
The Future ◽  
The Many ◽  
Second World

Henry Reed's poem of the Second World War offers a studied, ironic catalogue of some parts of experience silencing others. Here are observable facts, given as imperative command; knowledge of their use is for the future, rather than a possession of the present, however: one of the many things we (or you) have not got. Here also is the beauty of nature and its utter irrelevance to the human struggle. “Naming of Parts” excludes more than it includes: what is not said constantly overbears and threatens to break through what is. But the balance of information is precariously maintained, the unspeakable, the horror which is the truth of the war being disguised, expressed, and controlled in the naming of parts.In a very different register, William Gass writes in his Habitations of the Word,Lists, then, are for those who savor, who revel and wallow, who embrace, not only the whole of things, but all of its accounts, histories, descriptions, justifications.

The Etappe Kanaren: A case study of the secret supply of the German Navy in Spain during the Second World War

2018 ◽  
Vol 30 (3) ◽  
pp. 472-487 ◽  
Author(s):  
Juan J. Díaz Benítez
Keyword(s):  
Active Role ◽  
Second World War ◽  
Primary Sources ◽  
World War ◽  
The One ◽  
Intense Activity ◽  
German Navy ◽  
Second World

The secret supply of the German Navy during the Second World War has scarcely been studied until now. The goal of this article is to study one of the more active supply areas of the Etappendienst at the beginning of the war, the one known as Etappe Kanaren, as part of the Grossetappe Spanien-Portugal. In this research primary sources from German Naval War Command have been consulted. Among the main conclusions, it should be pointed out, on the one hand, the intense activity to support the Kriegsmarine during the first years of the war, despite the distance from mainland Spain and the British pressure, which finally stopped the supply operations. On the other hand, we have confirmed the active role of the Spanish government in relation to the Etappendienst: Spanish authorities allowed the supply operations, but pressure from the Allies forced the Spanish government to impede these activities.

Can Events Facilitate Intercultural Understanding?

2021 ◽  
pp. 218-237
Author(s):  
Karen Davies ◽  
Caroline Ritchie
Keyword(s):  
Second World War ◽  
Ethnographic Case Study ◽  
Intercultural Understanding ◽  
World War ◽  
Time And Space ◽  
Cultural Events ◽  
Physical Spaces ◽  
Second World

The founding philosophy of many cultural events established after the Second World War was to enhance the dynamics of peace through supporting and developing multicultural understanding. Over 50 years after their establishment, this chapter investigates the potential of such iconic events to achieve this aim and contribute to the concept of peace through tourism, based on a longitudinal ethnographic case study of Llangollen International Musical Eisteddfod. The results show that this aim can be achieved by such events if they provide enough time and space for participants (performers and audiences) to interact. However, the study also identifies current cultural, political, and fiscal challenges in providing these temporal and physical spaces.

scholarly journals The Massigli Affair and its Context: Turkish Foreign Policy after the Molotov–Ribbentrop Pact

2019 ◽  
Vol 55 (2) ◽  
pp. 271-296
Author(s):  
Onur Isci
Keyword(s):  
Foreign Policy ◽  
Soviet Union ◽  
Second World War ◽  
World War ◽  
Turkish Foreign Policy ◽  
The Soviet Union ◽  
Second World ◽  
English I

This article examines Turkey's wartime diplomacy between the Molotov–Ribbentrop Pact and Hitler's unleashing of Operation Barbarossa. Rather than a survey of Turkish foreign policy as a whole, it takes a critical episode from July 1940 as a case study that – when put in context – reveals how fear of Nazi power and even greater fear of the Soviet Union created in Turkey a complex view of a desired outcome from the Second World War. Juxtaposing archival materials in Turkish, Russian, German, and English, I draw heavily on the hitherto untapped holdings of the Turkish Diplomatic Archives (TDA). Overall, this article demonstrates both the breadth and limits of Nazi Germany's sweeping efforts to orchestrate anti-Soviet propaganda in Turkey; efforts that helped end interwar Soviet-Turkish cooperation. Against previously established notions in historiography that depict Soviet-Turkish relations as naturally hostile and inherently destabilizing, this article documents how the Nazi–Soviet Pact played a key role in their worsening bilateral affairs between 1939 and 1941. The argument, then, is in keeping with newer literature on the Second World War that has begun to compensate for earlier accounts that overlooked neutral powers.

scholarly journals Propaganda Music in Second World War Britain: John Ireland's Epic March

2014 ◽  
Vol 139 (1) ◽  
pp. 137-175 ◽  
Author(s):  
Kate Guthrie
Keyword(s):  
Art Music ◽  
Second World War ◽  
World War ◽  
Musical Style ◽  
Art And Politics ◽  
Total War ◽  
Problematic Relationship ◽  
Music And Politics ◽  
Second World

ABSTRACTWhile biographical studies of British composers' experiences in the Second World War abound, little attention has been paid to how the demands of ‘total’ war impacted on music's ideological status. This article sheds new light on how composers and critics negotiated the problematic relationship between art music and politics in this period. John Ireland's Epic March – a BBC commission that caused the composer considerable anxiety – provides a case study. Drawing first on the correspondence charting the lengthy genesis of the work, and then on the work's critical reception, I consider how Ireland and his audiences sought to reconcile the conflicting political and aesthetic demands of this commission. With its conventional musical style, Epic March offers an example of a ‘middlebrow’ attempt to bridge the gap between art and politics.

2. An intellectual poison?

2014 ◽  
Author(s):  
Klaus Dodds
Keyword(s):  
Intellectual History ◽  
Second World War ◽  
Critical Geopolitics ◽  
World War ◽  
The Future ◽  
History Of ◽  
Future Direction ◽  
Second World

The notion of geopolitics has not always been well received. It has been accused of being intellectually fraudulent, ideologically suspect, and tainted with associations with Nazism and fascism. ‘An intellectual poison?’ charts a brief history of geopolitics from before the Second World War to the present day looking at its origins, development, and reception. What is critical geopolitics? Geopolitics has attracted a great deal of academic and popular attention, often with little appreciation of its controversial intellectual history. Presidents and political commentators seem to love using the term: they associate it with danger, threats, space, and power. It is often used to make predictions about the future direction of politics.

Sign in / Sign up

Export Citation Format

Share Document