A Study of Art Creation for Picture Books Painted with Mixed Media

2011 ◽  
Vol 214 ◽  
pp. 11-15
Author(s):  
Rui Lin Lin

This study aimed to use mixed media as paint, through case study with interactive discussion teaching method between the teacher and the students, to plan for and design a storyboard as the script. Current papers used for painting and characteristics of mixed media paint were introduced to the students to help them choose papers and mixed media according to their own specialties, so that they could come up with a picture book with richer and more delicate content. Furthermore, documentary analysis was conducted with current documents related to picture book creation in order to provide students references for their creation. Finally, the students were guided to use computer graphing software to edit the scanned hand-drawings and perform typesetting. Eventually, the art creation of a picture book with both hand-drawing and computer graphing was completed.

2011 ◽  
Vol 214 ◽  
pp. 60-64
Author(s):  
Rui Lin Lin

This study aimed to perform a case study of the artworks colored using mixed media by applying qualitative methods. The teacher and the students wrote the story and completed the storyboard through interactive discussion teaching. With the knowledge of the properties of current painting papers and media used for coloring, the teacher was able to guide the students to choose paper of better quality, and select proper mixed media to create their artworks, so that the picture book could be richer and more delicate. Furthermore, documentary analysis was performed with current documents related to picture books to provide the students references for their artworks. Finally, the students were guided to process their graphs and arrange the layout using computer software, to complete a picture book artwork colored using mixed media by both hand-drawing and computer graphing and this study.


2011 ◽  
Vol 213 ◽  
pp. 48-52
Author(s):  
Rui Lin Lin

A case study was conducted to explore the mixed media creative artwork, a picture book hand-drawn by an 8-year old child. First, the documentary analysis of materials related to children's picture books was conducted to understand the features of materials and the essence of stories. After rounds of discussion teaching, the parents guided the author to create a story, characters, items, and sets, and to arrange colors. This process took 6 months. 14 hand-drawn works were completed. Then those drawings were scanned with Photoshop and the layout was arranged with Adobe Illustrator. Finally, discussions of the problems encountered during the process of creation were conducted and suggestions were proposed.


2011 ◽  
Vol 214 ◽  
pp. 80-83
Author(s):  
Rui Lin Lin

This study aimed to perform art creation for picture books using hand-drawing skills combining computer graphing technology. The beginning of this study illustrated the characteristics of the mixed media used as paints. Case study was applied so that, through the discussion teaching method, the students could interact with the teacher to determine the themes of picture books, the contents, and the storyboards, and further come up with their art creations for picture books. Then, the students were guided to use the computer graphing software to process the images, arrange layouts, design front and back covers and inside pages, to complete art creation using of hand-drawing skills combining computer graphing technology.


2003 ◽  
Vol 48 (1-2) ◽  
pp. 128-141 ◽  
Author(s):  
Riitta Oittinen

Abstract Translating picture books is a many-splendored thing: it includes not only the relationship between the verbal and the visual (images and other elements) but also issues like reading aloud and child images. In the following, while mainly concentrating on the visual, I will deal with the other questions as well, as they all interact and influence each other. My starting point is translating as rewriting for target-language audiences – we always need to ask the crucial question: “For whom?” Hence, while writing children’s books is writing for children, translating children’s literature is translating for children. (See Hunt 1990:1, 60-64 and Oittinen 2000.) The reasons why I take such a special interest in translating picture books are twofold: cultural and national as well as individual. In Finland, we translate a lot: 70-80% of all the books published for children annually are translations. From the perspective of picture books, the number may be even higher (and 90% of the translations come from the English language; see Rättyä 2002:18-23). Moreover, being an artist and translator of picture books makes me especially keen on the visual as a translation scholar as well. As a case study, I have chosen Maurice Sendak’s classical picture book Where the Wild Things Are and its translations into German, Swedish and Finnish. At the background of my article is my book Translating for Children (2000) as well as my forthcoming book Kuvakirja kääntäjän kädessä on translating picture books. Due to copyright reasons, I only have picture examples from illustrations of my own.


2020 ◽  
Vol 10 (4) ◽  
pp. 165-185
Author(s):  
Janja Batič ◽  
Petra Lebar Kac

Picture books discussed with pupils in primary school are considered multimodal texts, as they combine at least two communication codes (verbal and visual). A discussion involving picture books will normally be included in Slovenian language lessons, with pupils focussing mostly on the text. The visual aspect, which equally carries a message, is often neglected. The objective of the present case study that was conducted among fifth-grade primary school pupils in the 2018/19 school year was to explore how a cross-curricular approach to planning and executing the lessons in the Slovenian language and visual art can help pupils learn about the characteristics of the picture book as a multimodal text. We conducted a set of didactic activities entitled Getting to know the picture book, introducing selected picture books to pupils as part of their Slovenian language classes, which resulted in them developing their receptive skills while observing and defining the structure of the texts. In visual art classes, the pupils learned about the visual features of the picture book. As a productive response to the picture book discussed, the pupils were instructed to complete the following tasks: design a cover for their own picture book, design endpapers, illustrate their own poem, and produce their own leporello.  The survey involved 21 pupils, a generalist teacher, and a researcher in art didactics. The case study was completed in five weeks. The data were obtained by means of initial and final testing, questionnaires for pupils, and participant observation.


2021 ◽  
Vol 5 (9) ◽  
pp. 103-108
Author(s):  
Yidan Xu

With the advancement of the new curriculum reform, many schools have put forward the idea of combing English reading with stratified teaching. Enhancing the effectiveness of reading English picture books is an important goal that most English teachers uphold when reforming the teaching of English reading. In order to achieve this goal, it is necessary to improve the teaching methods of reading. Reading picture books is an important way to improve students’ core competencies in English. However, at present, the method of teaching reading in primary school is simple; in addition, the teaching activities are not well organized. Therefore, in order to improve students’ core competencies in English, this article points out several issues in the teaching of English picture book reading and provides some pedagogical implications for the teaching in this aspect based on the stratified teaching method and classroom observation by including Class 1, Grade 2 students from a primary school in Leshan as the research subjects.


2014 ◽  
Vol 496-500 ◽  
pp. 2799-2802
Author(s):  
Rui Lin Lin

The learning topic of this study was the creative designs of picture books in the basic design curriculum. The research subjects were the students from the Department of Commercial Design of a technology university. Hand drawings were combined with computer graphics to perform the image art designs using mixed media of innovative technology, to explore the achievements of applying the innovative technology methods in aesthetics education. During the process of creating works, the teachers and the students had continuously discussed and made modifications. Finally, the students were asked to present their works through oral presentations. The scores were given by two professional design teachers. Among all the works, the picture book titled Lop was the one with the best performance. The story was that the leading characters ears were too long, causing a lot of inconvenience. He was even mocked at by his friends. Thus, he hated his own ears a lot. However, in an accident, he unexpectedly found the advantage of his lop ears and learned to accept himself. The images of this picture book were colorful while still friendly and sincere, properly presenting the scenes in the story, helping children to develop the concept of loving both others and themselves.


2014 ◽  
Vol 496-500 ◽  
pp. 2803-2806
Author(s):  
Rui Lin Lin

In this study, the two teachers adopted the cross-school team teaching method to guide the groups of the fourth-grade students from the Department of Commercial Design of a Technology University in Central Taiwan with their graduation design projects. The focus of this study was the team with an adult picture book as the topic. The idea of the story was from city news regarding murders for insurance fraud. An ocelot was used as a metaphor for a criminal with cruel behaviors of getting easy money through illegal measures. The initial images were hand-drawings. They were then colored using mixed media. Finally, the computer software was used to modify the images, create special effects, adjust the colors, and arrange the layout, so that the picture book could be printed and published.


2018 ◽  
Vol 9 (1) ◽  
pp. 48
Author(s):  
Romaida Lubis

Wordless picture book is an unique book that could help the young learner to get their literacy. The content of the wordless picture book must be communicated through the visual of the illustration. This research discusses a case study of how a kid of six years old produce his narrative through wordless picture book. The kid allowed to see and say on the page and then write the words that he has mentioned. Practicing to read repeatedly which increase fluency will improve his reading comprehension and written expression. This research was conducted to make better understand about the sense - making process that happen when a child works with the wordless picture book. Most sentences or texts were made based on the references and experience from daily life either explicitly or implicitly. In reading wordless book, readers faced the variety of visual signs. These sign systems help reader form a type of framework that show their interpretation of the text and helps them build construction of the story. The researcher wanted to make the reader understand better about the strategies that the child use to make sense of wordless text. The reason of this study is to help how a six year old nonreader would give interpretation to visual cues in wordless picture books. Transacting with the visual text in the books helped the child to make sense of the stories. The data were analyzed based on the principles of qualitative content analysis that involve a systematic review of the data, coding, category construction and analysis. The result of this research is the wordless picture books give opportunity to the children to create the story on their own and to bring in their own understanding of the world to the text.     


2011 ◽  
Vol 213 ◽  
pp. 172-176 ◽  
Author(s):  
Rui Lin Lin

The purpose of this study is to create art media of picture books for children using mixed media coatings. In the beginning, through document analysis, the types, characteristics, and styles of current picture books were discussed as references for the creation. Then through interactive teaching with discussions, the teacher and students started to plan for the content and the storyboard of the picture book. And the graphic script had been discussed and revised several times. And delicate sketches were completed, scanned, and edited with the software Photoshop. Finally, the art creation for picture books using both hand drawings and computer graphing with mixed media was completed.


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