scholarly journals The Sacred and the Profane in the Organ Music of the Czech Lands in the 19th and 20th Centuries

2015 ◽  
Vol 50 (2) ◽  
pp. 293-298
Author(s):  
Jana Michálková Slimáčková
Keyword(s):  
Church Music ◽  
Organ Music ◽  
Organ Building ◽  
Czech Lands

The paper focuses on the organ music of Bohemia and Moravia the 19th and 20th centuries. It describes the situation in the area of both church music and organ building. Furthermore, several categories of organ music are dealt with. Finally, several composers are characterized as examples of these categories. 

scholarly journals Church and Organ Music. New Church Music

1920 ◽  
Vol 61 (923) ◽  
pp. 43
Author(s):  
George Grace
Keyword(s):  
Church Music ◽  
Organ Music

scholarly journals Church and Organ Music. Church Music: The Use of Bands

1919 ◽  
Vol 60 (916) ◽  
pp. 287
Author(s):  
Ulric Daubeny
Keyword(s):  
Church Music ◽  
Organ Music

Church and Organ Music. 'The Reform of Church Music'

1913 ◽  
Vol 54 (843) ◽  
pp. 310
Author(s):  
W. G. A.
Keyword(s):  
Church Music ◽  
Organ Music

scholarly journals Church and Organ Music. New Church Music

1920 ◽  
Vol 61 (929) ◽  
pp. 479
Author(s):  
G. G.
Keyword(s):  
Church Music ◽  
Organ Music

Church and Organ Music. A Winter School of Church Music

1919 ◽  
Vol 60 (912) ◽  
pp. 68
Author(s):  
Maurice F. Bell
Keyword(s):  
Church Music ◽  
Organ Music ◽  
Winter School

scholarly journals Organs and Organ Music in Slovene Cultural History until the Cecilian Movement

2016 ◽  
Vol 52 (1) ◽  
pp. 227-230
Author(s):  
Katarina Trček
Keyword(s):  
Cultural History ◽  
19Th Century ◽  
Organ Music ◽  
Time Line ◽  
Organ Building ◽  
Parish Church ◽  
Leading Role ◽  
15Th Century ◽  
History Of ◽  
The 19Th Century

The doctoral thesis entitled Organs and Organ Music in Slovene Cultural History until the Cecilian Movement explores the history of organ building in Slovenia from the beginning of the first half of the 15th century to the second half of the 19th century, when organs became a mandatory instrument in every parish church. The upper time line of the discussion is set in the year 1877, when the Slovene Cecilian Movement was founded, taking up the leading role in overseeing the planning of church music. The aim of this dissertation is to present the spreading of organ instruments in Slovene history and to evaluate this process from the standpoint of Slovene musical and cultural history.

ARCHITECT OF CATHEDRAL MUSIC: AN INTERVIEW WITH PHILIP MOORE

Tempo ◽  
2011 ◽  
Vol 65 (257) ◽  
pp. 63-67
Author(s):  
Bret Johnson
Keyword(s):  
Instrumental Music ◽  
Church Music ◽  
Organ Music ◽  
Substantial Body ◽  
Distinguished Career ◽  
Eton College ◽  
Vaughan Williams

Philip Moore (b. 1943) has had a distinguished career as a cathedral musician, organist and, increasingly in recent years, as a composer. He began his career as a music master at Eton College and subsequently held a number of important positions, firstly at Canterbury and Guildford Cathedrals and latterly as Master of the Music at York Minster (1983–2008). His impressive catalogue of 400 works contains a substantial body of church music, but he has also written instrumental music and some larger works with orchestra including an organ concerto. His music draws on a wide sphere of influences with a strong tilt towards Vaughan Williams, Howells and Britten, plainchant and Duruflé and those whom he regards as the great classical architects of music: Bach, Brahms, Mozart and Hindemith amongst many others. On 20 November 2010 his new cantata Ode to St Cecilia was premièred in Guildford Cathedral. The composer has said that the genesis and design of the work derives from Britten's St Nicholas to which he hopes it will be seen as complementary. This interview took place in October 2009 before a recital devoted entirely to Moore's organ music at St Paul's Cathedral in London.

Songs of the spirit from Dufftown

2019 ◽  
Vol 70 (1) ◽  
pp. 36-54
Author(s):  
Shelagh Noden
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Church Music ◽  
Early Years ◽  
Liturgical Music

Following the Scottish Catholic Relief Act of 1793, Scottish Catholics were at last free to break the silence imposed by the harsh penal laws, and attempt to reintroduce singing into their worship. At first opposed by Bishop George Hay, the enthusiasm for liturgical music took hold in the early years of the nineteenth century, but the fledgling choirs were hampered both by a lack of any tradition upon which to draw, and by the absence of suitable resources. To the rescue came the priest-musician, George Gordon, a graduate of the Royal Scots College in Valladolid. After his ordination and return to Scotland he worked tirelessly in forming choirs, training organists and advising on all aspects of church music. His crowning achievement was the production, at his own expense, of a two-volume collection of church music for the use of small choirs, which remained in use well into the twentieth century.

Pengaruh Kotbah, Musik Gereja Dan Fasilitas Gereja Terhadap Tingkat Kehadiran Jemaat

2016 ◽  
Vol 1 (1) ◽  
pp. 1-15
Author(s):  
Frederich Oscar Lontoh
Keyword(s):  
Regression Analysis ◽  
Multiple Regression Analysis ◽  
Church Music ◽  
Pearson Correlation ◽  
Descriptive Analysis ◽  
Target Population ◽  
The Other ◽  
Pearson Correlation Coefficient ◽  
Christian Church ◽  
The City

This research is titled " The influence of sermon, church music and church facilities on the level of attendance”. The purpose of research is to identify and analyze whether sermon, church music and church facilities have influence on the the level of attendance. The target population in this study is a Christian church members who live in the city of Surabaya.. Sample required is equal to 47 respondents. Through sampling stratified Random techniques.These influence was measured using Pearson correlation coefficient and multiple regression analysis, t-test and analysis of variance. Descriptive  analysis  were taken to analyze the level of attendance according to demographic groups.The hypothesis in this study are the sermon, church music and church facilities have positive and significant on the level of attendance. The results showed that collectively, there are positive and significant correlation among the sermon, church music and church facilities on the level of attendance  96,2%. It means that 96,2 % of level of attendance influenced by sermon, church music and church facilities and the other 28,9% by others. All of the variable partially have significant correlation to level of attendance.

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