Bulgakov, Sergei Nikolaevich (1871–1944)

Author(s):  
Bernice Glatzer Rosenthal

A luminary of the Russian Religious-Philosophical Renaissance, Bulgakov moved from Marxism, to idealism, to Christianity in the early twentieth century. He rejected historical determinism, class struggle and all theories of progress that accept the suffering of one generation as a bridge to the happiness of another. He regarded the abolition of poverty as a moral imperative, insisted that Christianity mandates political and social reform, and wanted to create a new culture in which Orthodox Christianity would permeate every area of Russian life. His most important philosophical works, Filosofiia khoziaistva, chast’ pervaia (The Philosophy of the Economy, Part I) (1912) and Svet nevechernyi (Unfading Light) (1917), reflect his turn to a Solov’ëvian mysticism which apotheosized transfiguration, Sophia and Godmanhood (Bogochelovechestvo). Bulgakov saw the cosmos as an organic whole, animated and structured by a World Soul, an entelechy that he called Sophia, Divine Wisdom. Sophia mediates between God and his creation, working mysteriously through human beings. In emigration, Bulgakov developed new interpretations of Orthodox dogmatics and participated in the ecumenical movement. His lifelong concerns were the Church in the world and the interconnection of religion and life. His writings on contemporary political, social and cultural issues helped inspire the Russian Religious-Philosophical Renaissance.

1948 ◽  
Vol 5 (3) ◽  
pp. 415-425
Author(s):  
Elmer G. Homrighausen

1966 ◽  
Vol 23 (3) ◽  
pp. 428-434
Author(s):  
E. G. Homrighausen

1982 ◽  
Vol 39 (3) ◽  
pp. 294-299 ◽  
Author(s):  
Fumitaka Matsuoka

2020 ◽  
Vol 1 (1) ◽  
pp. 32-41
Author(s):  
Aurelius Fredimento ◽  
John M. Balan

The development and the progress of media communication at the present is a fact of the knowledge and the technology development that must be accepted. It presence like the flowing water which has a fast current that brings also two influences both positive and negative that must be accounted for the members of the Catholic Students Community Of St. Martinus Ende (KMK St. Martinus Ende). Both positive and negative influences the media community like a kinetic energy or a power attraction that attract  them in a tiring ambiquity. Let them walk alone without escort of a decisive compass where they should have a rightist attitude and responsible. On the point, the guidance and assistance of the church is an  offering  if the church will be born a generation  of the future  of the  church  that is mature and has a certain quality  based  on the growth  and the development  of acuteness and inner  to determine the attitude to the development of media communication. The process of sharpening of mind and the sharpeness of the participants can be realized by giving some activities such as: awareness, deepening and even  the sharpeness of the actor of  media communication as an  alternative of reporting work of the God Kingdom for human beings. It becomes the main moving spirit or activator  for the board of KMK Of St. Martinus Ende  to plan and boring  about the activity of catechism. The activity rise the method of Amos.  By this method, the participants are invited to build a deeply reflection that based on thein real experiences about the media communication, while keep on self opening to the God planning will come  to them  and  give them via  the commandment of God.  The commandment  of God  come to light, inspiration, motivate, power and critics to the  participants about the using of the media communication as a media of the commandment of the kingdom of God  to the world that is more progress and development lately.


SELONDING ◽  
2019 ◽  
Vol 13 (13) ◽  
Author(s):  
Hari Sasongko

The charismatic movement is an embryo of  the birth of  charismatic church in the world. The movement was began before the World War where the situation was marked by the economical decadence, particularly in the United States of America that caused uneasiness in several live of young community. The church model based on the power of Holly Spirit in the comprehension of Christian traditional faith. It is differenced from another church that grows in Europe.  The church has been developing and finally, it is taking root on Western culture tradition, and then it appeared gospel music tradition. Unfortunately the members of this religious community are disposed another musical tradition that lives around them whereas they are something important to the success of progress of cultural dialog, so the charismatic chruch seem exclusive.  By mean of historical studies, the writer try to critise on the prospect dialog between charismatic church and local tradition. The dialog will open the posibility of cultural spirit to furnish, support, and appreciate one to another. Keywords: charismatic, local music tradition, dialog, religious.


Author(s):  
Admink Admink

Досліджується роль митрополита Андрея Шептицького у розвитку музичної культури української діаспори ХХ століття. Акцентована увага на таких аспектах діяльності Митрополита: розбудова української греко-католицької церкви у світі, його візити у різні країни, розвиток системи духовних навчальних закладів, підтримка світських навчальних закладів, встановлення стипендій для музикантів, які здобували освіту за кордоном, участь у процесах розвитку церковного співу. Виокремлюються святкування на честь Митрополита та вшанування його пам’яті за участю музикантів у різних країнах світу. Питання втілення художнього образу митрополита Андрея Шептицького в музичній творчості композиторів діаспори розглянуто на прикладі аналізу хорових творах одного із його стипендіатів – А. Гнатишина з Австрії.Ключові слова: музична культура, українська діаспора, українська греко -католицька церква, художній образ, митрополит Андрей Шептицький. The author studied role of Metropolitan Archbishop Andrei Sheptytskyi in the development of musical culture of the Ukrainian Diaspora during the twentieth century Emphasis is made on the following aspects of the Metropolitan Archbishop’s activity: development of the Ukrainian Greek Catholic Church in the world, his visits to different countries, development of the system of spiritual educational institutions, support of religious educational institutions, establishment of scholarships for musicians who have received education abroad, participation in processes of church singing development. The article highlights the celebration in honor of the Metropolitan Archbishop and honoring his memory with the participation of musicians from around the world. The author reveals embodiment of the image of Metropolitan Archbishop Andrei Sheptytskyi in the musical creativity of the Diaspora composers at the example of the choral works of one of his fellows, Andrei Hnatyshyn from Austria.Key words: musical culture, Ukrainian diaspora, Ukrainian Greek Catholic Church, image, Metropolitan Archbishop Andrei Sheptytskyi.


1949 ◽  
Vol 6 (2) ◽  
pp. 247-261
Author(s):  
Elmer G. Homrighausen

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