Architectural drawings

2021 ◽  
pp. 102-117
Author(s):  
Despina Stratigakos
Keyword(s):  
Architectural Drawings

Online Publication of Monuments

2020 ◽  
pp. 355-369
Author(s):  
Willeke Wendrich
Keyword(s):  
Peer Review ◽  
3D Modeling ◽  
Online Publication ◽  
New Technologies ◽  
3D Scanning ◽  
Architectural Drawings ◽  
3D Gis ◽  
Unity 3D ◽  
Long Term Preservation

This chapter outlines the advantages of digital epigraphy in the context of the original monuments. It analyzes the perception of epigraphic publication of monuments, taking into account new technologies. 3DVR models can be created using architectural drawings and measurements (CAD and 3D modeling), 3D scanning, and Structure for Motion (SfM). These systems present different advantages and challenges, which are discussed. Current options for publication include VSim, 3D GIS, and Unity 3D platforms. The issues of peer review of publications and long-term preservation of data are addressed. The chapter concludes with a consideration of the issue of potentially misleading impressions given by 3DVR representations.

The Tercentenary Conversazione, 23 July 1960

1961 ◽  
Vol 16 (1) ◽  
pp. 25-30 ◽  
Keyword(s):  
Royal Academy ◽  
Chemical Society ◽  
Southern Chile ◽  
Architectural Drawings ◽  
Geological Society ◽  
Oil Paintings ◽  
Royal Astronomical Society ◽  
Meeting Room ◽  
The World ◽  
Antarctic Expedition

The Conversazione on Saturday 23 July, honoured by the presence of H.R.H. The Prince Philip, Duke of Edinburgh, was the principal occasion during the Celebrations when the Society was able to entertain its guests within Burlington House. This was made possible by the generous co-operation of the neighbouring Societies in Burlington House, and the willingness of the Presidents and Councils of the Society of Antiquaries, the Royal Academy of Arts, the Royal Astronomical Society, the Chemical Society, the Geological Society and the Linnean Society not only to open their rooms but also to arrange appropriate exhibits for the occasion. Some 2000 persons attended and in addition to the scientific exhibits they were able to view the Academy’s i960 Summer Exhibition of oil paintings, water colours, pastels, tempera and miniatures; drawings, engravings, etchings; sculpture; architectural drawings and models in the main galleries of the Royal Academy of Arts. Two colour films, each relating to expeditions directly sponsored by the Society, were on view during the evening, Halley Bay, prepared by members of the Society’s I.G.Y. Antarctic Expedition, was shown in the Meeting Room of the Society of Antiquaries and South from Chiloe , which described the Society’s expedition to Southern Chile to study biological and geological problems among the islands of Western Patagonia, was shown in the Meeting Room of the Geological Society. In the Royal Society’s own rooms there were displayed some three hundred congratulatory addresses as well as the several gifts received by the Society from Academies, Universities and Learned Institutions from all over the world on the occasion of the Tercentenary Celebrations (see pp. 103-113). These were arranged around the walls and on tables in the Library making a very impressive display. The Society’s own Treasures, the Mace, the Charter Book, the manuscript of the Principia and Newton’s telescope were also on view and in addition there was a small exhibit of books and pamphlets illustrating attacks made on the Society during its history. This was arranged by Professor E. N. da C. Andrade who also lent the material for it.

A Sketch-Based User Interface for Reconstructing Architectural Drawings

2008 ◽  
Vol 27 (1) ◽  
pp. 81-90 ◽  
Author(s):  
Sangwon Lee ◽  
David Feng ◽  
Cindy Grimm ◽  
Bruce Gooch
Keyword(s):  
User Interface ◽  
Architectural Drawings

A Contemporary Connection to Historic Buildings Through Transparency and Reusability

2015 ◽  
Vol 40 (3) ◽  
pp. 52-60
Author(s):  
Meltem Zehra Nevzat ◽  
Cemil Atakara
Keyword(s):  
Glass Structure ◽  
Solution Technique ◽  
High Tech ◽  
Historic Buildings ◽  
Structural Glass ◽  
Architectural Drawings ◽  
Existing Building ◽  
Floor Systems ◽  
The 19Th Century

From the 19th century onwards, glass has been used intensively in buildings. During the design process, the importance of aesthetics is very common for architects in general. The application of glass walls as part of the building’s structure has given flexibility in design together with transparency as well as aesthetics. Structural glass systems have been used in different building types for example office, residential, educational, commercial, transportation, cultural … Beyond the high - rise and high - tech buildings, structural glass systems have been applied also to historic buildings during their conservation process. The adaption of the structural glass system and the opportunity to reuse the existing building are other important aspects to be discussed. In this article, the literature review will be formed with a brief explanation of transparency in contemporary architecture, structural glass systems focusing on ‘suspended glass systems with pre-stressed cable trusses’ (SGSPCT) which has three application methods; 1) between floor systems 2) independent body systems 3) distance bridging systems and the reusability of existing buildings. The ‘between floor system’ which is commonly used as a contemporary solution technique for historic buildings together with its effects, will also be analysed with the help of a case study, Esma Sultan Mansion. This historic building’s present glass structure will be studied to create an alternative proposal less dependent to the existing building. Another case study will be the Ballapais Abbey. Part of this gothic building (the common room) that has collapsed in the past will be analysed. An independent glass structured annex designed with SGSPCT will be proposed giving joint details of the adaptation to the existing building. This case of study is a literature analysis based on books, internet resources, articles and architectural drawings, like plans, sections and details related to the buildings. Both case studies will be proposing an alternative glass structured annex that is focusing on gained transparency and reusability in respect to the existing historic building.

‘Architectural literacy’: Functions of architectural drawing

2021 ◽  
Vol 6 (1) ◽  
pp. 83-97
Author(s):  
Robin Schaeverbeke ◽  
Hélène Aarts
Keyword(s):  
Knowledge Base ◽  
Teaching Practices ◽  
Artistic Expression ◽  
Large Field ◽  
Architectural Drawings ◽  
Architectural Drawing ◽  
Reflective Conversation

‘Literacy’ refers to the ability to both assign meaning to – and to create messages. Transposing this concept to ‘architectural literacy’ could refer to the assigning of meaning to architectural messages and the ability to create such messages. ‘Architectural literacy’ suggests that architects employ a distinct language to communicate, process and design spatial propositions and that the knowledge of such literacy could be of importance to a broader community. In architectural practices, drawing is used to discourse about forms and spaces. Our approach to disassemble architectural drawings in a set of functions, aims to add understanding about a specific ability to learn and understand architecture. Disassembling architectural drawing in a set of functions stems from a reflective conversation upon our practices as drawing teachers in architectural faculties. In an attempt to (re)structure the didactic foundations of our own teaching practices, we started discussing the kind of drawings architects resort to. This research gradually revealed a set of distinct, yet interrelated functions and activities. We introduce architectural drawing as a specific faculty of a large field of drawing practices, which revolves around the convergence of perception, imagination, disclosure and artistic expression. Learning about the distinct activities and abilities to process forms and spaces provides a knowledge base to explore foundations of architectural reasoning.

scholarly journals PREVENTING IRREGULARITY EFFECTS OF INFILLS THROUGH MODIFYING ARCHITECTURAL DRAWINGS

2016 ◽  
Vol 9 (2) ◽  
pp. 77-92 ◽  
Author(s):  
Azadeh NOORIFARD ◽  
Mohammad Reza TABESHPOUR ◽  
Fatemeh Mehdizadeh SARADJ
Keyword(s):  
Architectural Drawings

scholarly journals Environmental representation: Bridging the drawings and historiography of Mediterranean vernacular architecture

2017 ◽  
Vol 14 (4) ◽  
pp. 3472
Author(s):  
Kemal Reha Kavas
Keyword(s):  
Spatial Organization ◽  
Architectural History ◽  
Vernacular Architecture ◽  
Historical Buildings ◽  
Architectural Drawings ◽  
Architectural Representation ◽  
Interdisciplinary Field ◽  
Representation Of Architecture ◽  
Historical Architecture ◽  
Environmental Representation

Architectural drawings, which are projections of spaces on a paper surface, can be categorized according to the projections’ directional and temporal relation with the represented space. A projection becomes a documentation when it departs from an existing spatial organization for recording it on paper. The projection serves the design process when it departs from the present to foresee a spatial proposal in the future. While the former records the present within limited interpretive range, the latter is more constructive.  While these two types of projections are known widely, there is another highly interpretive type of projection, the potentials of which, are generally underestimated. As the architectural historian’s tool, this third projection type represents bygone architecture. The task of this drawing, which is one of the least questioned issues of architectural history, is to restore an incomplete image by referring to material and textual sources. This drawing type contributes to the methodology of architectural historiography while conceiving, explaining and representing space.For illustrating this situation, this study analyzes the vernacular settlements and their environmental integration because this selected context reveals the interpretive nature of the third type of projection in a successful way. In this framework, the cut-away axonometric is considered as an appropriate drawing method for uncovering the integrity between architecture and its site or culture and nature. The outcome of this theoretical insight into the prolific relations between drawing and architectural history is coined as “environmental representation.”In history architectural products have been integral components of the environment. Then, the architectural representation of historical buildings through drawings becomes critical since the majority of architectural drawings tend to isolate buildings from their environment. This conventional representation of historical architecture has been the dominant tool of typological analysis. Typology, which is intertwined with plan drawings, categorizes historical buildings according to their spatial, structural and material organizations and disengages the buildings from their socio-cultural and environmental context. If this methodological problem of typology is regarded as a problem of drawing, a new mode of “environmental representation” can be proposed.This study proposes “environmental representation” of architecture through cut-away axonometric. This graphic proposal is based upon the theoretical references of “environmental aesthetics”, which is an interdisciplinary field analyzing the participatory human engagement in environment. “Aesthetics,” as a term, defines this bodily engagement into environment through the use of all human senses. In this theoretical framework this study challenges the assumptions of scientific theory for architectural representation of the “abstracted object” and proposes an alternative method of “environmental representation” on the basis of “aesthetics”. Within this scope, the proposed cut-away axonometric drawings produced by the author is analyzed in order to represent exemplary historical contexts of architecture selected through the vernacular settlements of the Anatolian Mediterranean.

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