The colonial encounter and postcolonial agency in Wole Soyinka's Death and the King's Horseman and Dani Kouyaté's Keita! l'héritage du Griot (film)

2021 ◽  
pp. 131-146
Author(s):  
Lokangaka Losambe
Keyword(s):  
1989 ◽  
Vol 31 (4) ◽  
pp. 649-670 ◽  
Author(s):  
David B. Edwards

Winston Churchill was winning money at the Goodwood Races when he heard the news that a tribal uprising had broken out on the north-west frontier of India. Within a matter of hours, the young cavalry officer, who was then on home leave from his regiment in Bangalore, booked return passage on the Indian Mail. He also sent off a telegram to an old family friend, General Sir Bindon Blood, who had been appointed to head the column that was being dispatched to relieve the two garrisons at Malakand and Chakdara then under Beige. General Blood had once made a casual promise to Churchill that he would include him in a future campaign, and with this promise in mind Churchill set off for the frontier.


Itinerario ◽  
2003 ◽  
Vol 27 (3-4) ◽  
pp. 263-284 ◽  
Author(s):  
Ann Laura Stoler

This essay takes as its subject how intimate domains - sex, sentiment, domestic arrangement and child rearing - figure in the making of racial categories and in the management of imperial rule. For some two decades my work on Indonesia's Dutch colonial history has addressed patterns of governance that were particular to that time and place but resonant with practices in a wider global field. My perspective thus is that of an outsider to, but an acquisitive consumer of comparative historical studies, one long struck with the disparate and congruent imperial projects in Asia, Africa and the Americas. This essay invites reflection on those domains of overlap and difference. My interest is more specifically in what Albert Hurtado refers to as ‘the intimate frontiers’ of empire, a social and cultural space where racial classifications were defined and defied, where relations between coloniser and colonised could powerfully confound or confirm the strictures of governance and the categories of rule. Some two decades ago, Sylvia van Kirk urged a focus on such ‘tender ties’ as a way to explore the ‘human dimension’ of the colonial encounter.’ As she showed so well, what Michel Foucault has called these ‘dense transfer point[s]’ of power that generate such ties were sites of production of colonial inequities and, therefore, of tense ties as well. Among students of colonialisms in the last decade, the intimacies of empire have been a rich and well-articulated research domain. A more sustained focus on the relationship between what Foucault refers to as ‘the regimes of truth’ of imperial systems (the ways of knowing and establishing truth claims about race and difference on which macro polities rely) and those micro sites of governance may reveal how these colonial empires compare and converge.


2009 ◽  
Vol 2 (1) ◽  
pp. 83-108
Author(s):  
Michael G. Vann

André Joyeux's La Vie large des colonies ['The Colonial Good Life'] is an insider's portrait of the French colonial encounter in Southeast Asia. Published in Paris in 1912 but most likely penned in Saigon, the collection of cartoons explores the racial order of the colony. Although the artist critiques many aspects of the colony and highlights certain gross injustices, such as the coloniser's sexual predation and physical violence, he also articulates many of the bluntly racist French stereotypes of the Vietnamese, Chinese and other Asians in the colony. Joyeux, as an artist and as an art teacher, contributed to the development of cartoon and caricature as a medium in Vietnam, which would eventually be used in the anti-colonial, nationalist and communist movements. La Vie large des colonies is of importance as a primary source in the study of empire.


2021 ◽  
pp. 131-173
Author(s):  
Emilie Taylor-Pirie

AbstractIn this chapter, Taylor-Pirie traces the cultural encounters between the parasitologist and the scientific detective in the medico-popular imagination, revealing how such meetings helped to embed the figure of the doctor-detective in public understandings of science. Parasitologists like Ronald Ross and David Bruce were routinely reported in newspapers using detective fiction’s most famous archetype: Sherlock Holmes, a frame of reference that blurred the boundaries between romance and reality. Recognising the continued cultural currency of Holmesian detection in clinical and diagnostic medicine, she re-immerses the ‘great detective’ and his creator, Arthur Conan Doyle, in the literary-historical contexts of the fin de siècle, demonstrating how material and rhetorical entanglements between criminality, tropical medicine, and empire constructed the microscopic world as new kind of colonial encounter.


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