Preservation of digital print masters

Author(s):  
Tomislav Ivanjko
Keyword(s):  
2010 ◽  
Vol 231 ◽  
pp. 012001 ◽  
Author(s):  
D Burge ◽  
N Gordeladze ◽  
J-L Bigourdan ◽  
D Nishimura
Keyword(s):  

2017 ◽  
Vol 9 (1) ◽  
Author(s):  
Dick Averns
Keyword(s):  

Digital print from video still; digital print from E-6; digital print from DSL.  Ambivalence Blvd navigates access to contested political and societal territories. It is rooted in contested values or worth. At its core is engagement with oppositional thoughts or feelings in one mind or body, toward another body or situation: a potential means for negotiation and reconciliation.    


2019 ◽  
pp. 277-280

The essays in this volume trace the development of Spanish-language anarchist print culture in relation to the United States. As a whole, these chapters provide a historical and ethno-linguistic, rather than national, perspective on how Spanish-language anarchist print culture responded to social struggles, economic oppression, and political repressions. Despite such obstacles, anarchist periodicals, writers, editors, correspondents, couriers, distributors, and readers established networks for the maintenance and furtherance of transoceanic and transnational flows of information and culture, and they established a level of solidarity among Spanish-speaking peoples promoting social revolution. It might seem reasonable to doubt the overall significance of this network in the United States or its ability to gain widespread public acceptance, but it was, in fact, the perseverance of the anarchist Ideal manifest in print culture (now including digital print) that exhibits the continuity of the struggle for social justice in the modern age, as well as its resistance to assimilation into dominant politics and cultures. The influence of Hispanic thinkers, writers, readers, and operatives in this narrative is undeniable and should be recognized as an integral component of U.S. society, culture, and history....


2005 ◽  
Vol 1 (1) ◽  
pp. 1-18
Author(s):  
Savvas Papagiannidis ◽  
Feng Li

In this article, we use the experience of Gaia Fulfilment to demonstrate the challenges of developing and deploying collateral fulfillment, i.e., short-run print on demand via the Web. By discussing the technological innovations that Gaia achieved we will outline their product development steps and the solutions the technology enabled. We also show the benefits of collateral fulfillment by presenting two examples of customers that use Gaia’s technology. The paper concludes with the challenges that Gaia faced and ways they attempted to resolve them.


2019 ◽  
Vol 7 (3) ◽  
pp. 302-310 ◽  
Author(s):  
Michelle K. Knoll ◽  
A. Carver-Kubik

AbstractWith the advent of commercially available digital cameras in the late 1990s resulting in the near-exclusion of analog photographic prints today, most archaeological repositories around the world have a mix of analog and digital photographic prints. That ratio is increasingly moving toward digital print processes, of which there are several types. To minimize the loss of image quality, collection managers must become familiar with the unique curation challenges of photographic prints from digitally created images. Likewise, creators of digital content must be aware that choices made when selecting a print process for reposit will have a direct effect on image and print permanence. Site photographs are critical evidence of archaeological activity, and so the preservation of digital prints is in the interest, and is the responsibility, of collection managers and archaeologists alike.


2020 ◽  
Vol 5 (1) ◽  
pp. 123-138
Author(s):  
Mark Graver

The connections between traditional printmaking and drawing are observably strong, particularly when considering the autographic mark making associated with etching, but with the introduction of more digital print technologies the hand, self or gesture may become blurred or processed out of the final image. The process of printmaking also offers distance and creates a space between the drawn and the print creating a liminal space between the hand and the final image. There can though be inherent advantages to this lessening of the self as the distance or space created by these processes allows for a deeper or different exploration of content, context and composition and the universal correspondences that may occur within the space. I use examples of my own work and its development over the last five years, though the focus is on the most current series Imagined & Remembered Places. I explore questions and connections between traditional and digital techniques, relationships to collage, layering, photographs, video and sound; the relationship between memory, place and time and whether a less self-expressive approach allows for a more universal context and connection through shared experience.


2002 ◽  
Vol 2 (1+2) ◽  
pp. 26-35
Author(s):  
Naren Barfield
Keyword(s):  

Author(s):  
Jun Zeng ◽  
Susan Jackson ◽  
I-Jong Lin ◽  
Mark Gustafson ◽  
Eric Hoarau ◽  
...  
Keyword(s):  

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