digital print
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2022 ◽  
Vol 2146 (1) ◽  
pp. 012042
Author(s):  
Yongfu Liu

Abstract In order to improve the integration of digital prints, this paper proposes a new method of printmaking analog synthesis, that is, using interactive technology.. Firstly, Harris corner algorithm is used to collect and preprocess the adjacent feature points of digital printmaking image, and the texture features of digital printmaking image are extracted, so as to construct the texture information transmission model of digital printmaking image; Secondly, with the help of segmentation technology to process the digital print image, the dynamic feature segmentation is carried out, the local binary fitting method is used to enhance and repair the digital print image information, and the information fusion method based on interactive technology is used to complete the analog synthesis of digital print image; Finally, the simulation results show that the method has good performance of simulation synthesis and strong information fusion ability.


2021 ◽  
Vol 250 (3331) ◽  
pp. 55
Keyword(s):  

2021 ◽  
pp. 004051752199792
Author(s):  
Yi Ding ◽  
Wu Zhendong ◽  
Zhang Chuanxiong ◽  
Xiao Ruobai ◽  
Xue Wenliang

In digital printing, the fabric print quality can only be evaluated through the color and pattern of printed fabric after printing. The influence of the physical properties of fabric on the printing effect remains unclear. In this paper, the digital print suitability of cotton fabric was defined, and 14 samples of plain cotton fabrics were taken as research objects. In addition, 11 evaluation indexes of cotton fabrics were selected. The evaluation and prediction model of cotton fabric printability was established by principal component analysis. Furthermore, the prediction results of the model were verified by analyzing the colorimetric data of cotton fabric after printing. The result demonstrated that the evaluation model of printing suitability was applicable and can be used to quickly evaluate the printability of cotton fabrics. Particularly, fabric thickness had the greatest influence on printing permeability. In the case of moderate wicking, the higher the whiteness of cotton fabric, the better the color reproducibility after printing. Additionally, the wicking effect also had a great influence on color performance.


2021 ◽  
Vol 249 (3325) ◽  
pp. 55
Keyword(s):  

2021 ◽  
Vol 18 (48) ◽  
pp. 87-103
Author(s):  
Ivana Palibrk ◽  

Although our previous studies provided valuable insights into the characteristic graphostylemic features of main literary genres in general, the question of adapting to the technological developments in print requires more attention. Not only did the advancements cause considerable changes in writing practice and the perception of the novels, but they also indicated the rise of a new medium – the one between verbal and visual. This has become quite prominent, especially in contemporary novels in English: the possibilities of digital print emphasize the idea of media equality, of the text remaining the same regardless of its form. However, the way we attribute a meaning to a text does not depend solely on its content but its physical form as well. The notion “if a medium is changed, the content of the message also changes” is what nowadays motivates Anglo-American novelists to constantly test the novel’s materiality and us to explore the reasons behind it. This paper identifies all the graphostylemic techniques observed in several paradigmatic examples in English and the subject of our qualitative analysis is the overall significance of authors’ suggested patterns. Since their perspective on the current developments is revealed through the extreme graphostylistic markedness, this type of analysis seems inevitable. The main goal is to describe and classify the graphic devices, determine their functions and the effects they produce. With respect to the extralinguistic constraints of period and genre, the concluding remarks put forward the value of the most common graphostylistic means used by Anglo-American authors and the importance of similar analyses.


2020 ◽  
pp. 90-111
Author(s):  
Katie Benjamin ◽  
Andrew Keck ◽  
Myka Kennedy Stephens ◽  
Michelle Spomer

In addition to defining scope, collection development policies are increasingly defining new balances of digital/print, subscriptions/selections, faculty/student/community/regional needs, curricular/research needs, providing access/building a collection, etc. Learn from three librarians who will dig deeply into the issues around defining a particular balance in collection development as well as describe the process for defining these balances on their respective campuses.


Author(s):  
Nopiyani Nopiyani ◽  
Winwin Wiana

Seni Pop Art atau Populer Art merupakan seni populer aliran seni dipengaruhi fenomena sosial maupun budaya yang berkembang di masyarakat. Kehadiran seni Pop Art pada tahun 1960-an di Amerika dan Inggris, budaya pada zaman itu mengaitkan unsur gaya/style yang diusungnya. Gaya Pop Art divisualisasikan pada bentuk karya dimanfaatkan oleh dunia industri khususnya desainer grafis Indonesia diwujudkan pada pakaian menargetkan anak muda sebagai calon konsumen, terlepas dari trend pengunaan teknik, material serta bentuk yang jadi sasaran produksi dalam dunia industri di Indonesia. Sumber ide pada penciptaan karya seni Pop Art menjadi suatu hal yang menarik menggunakan teknik digital print. Keunggulan teknik digital print adalah dapat menghasilkan hasil yang telah dibuat, komposisi warna menghasilkan visual hidup. Dalam penelitian ini mengembangkan teknik digital print dengan menggunakan karya seni Pop Art.


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