Deviations from traditional notations seem counterintuitive— as the norm works well. The reason why such a system holds an important place is because centuries of work, over many cultures and languages, did go into establishing it, a grammar was both induced and deduced upon agreement in collaboration with different professions: composers, theorists, the musicians themselves, had to come up with a method verified by consensus. Once such a system has reached a point of stability, further developments seem regressive: a perfect world would be one where the entirety of those involved agreeing upon a halt of development, upon the absence of any further trials and errors onwards. Such a thing never seems to happen in any sort of system: “graphic” notations were developed onwards from the traditional system— defying and reconstructing the rules that were held in place by consensus, perhaps as genuine development, possibly as regression, or even the destruction of that which was in place.
“It's Like Mixing Paint”: Songwriting Gender Diversity and Alternative Gender Cultures with Young People as an ‘After-queer’ Methodology
