Adapting Classroom Materials to Meet the Needs of All Learners

2021 ◽  
pp. 173-181
Author(s):  
Cynthia G. Simpson ◽  
Laverne Warner
Keyword(s):  
2021 ◽  
Vol 102 (8) ◽  
pp. 40-44
Author(s):  
Leanna Archambault ◽  
Catharyn Shelton ◽  
Lauren McArthur Harris

Today, millions of teachers search online to locate ideas and activities for classroom use. While some may visit established curricular sites with vetted classroom materials, many others turn to online educational marketplaces such as TeachersPayTeachers. However, issues of quality on these sites remain in question — particularly when it comes to the extent to which diverse perspectives are included or excluded. Leanna Archambault, Catharyn Shelton, and Lauren McArthur Harris highlight concerns surrounding the limited perspectives present in online educational marketplaces and provide research-driven guidelines for educators evaluating resources from such sites.


2004 ◽  
Vol 48 (1) ◽  
pp. 85-86
Author(s):  
Jeanne McGlinn ◽  
Howard M. Miller
Keyword(s):  

2005 ◽  
Vol 48 (7) ◽  
pp. 629-631
Author(s):  
Howard M. Miller
Keyword(s):  

2009 ◽  
Vol 52 (8) ◽  
pp. 732-734
Author(s):  
Doug Buehl
Keyword(s):  

2008 ◽  
Vol 51 (6) ◽  
pp. 527-528
Author(s):  
Ingrid Seitz
Keyword(s):  

2020 ◽  
pp. 298-308
Author(s):  
Nicholas Baragwanath

The chapter provides a brief survey of alternative solmization systems, which arose largely as a result of Protestant attempts to break free from Roman oversight, followed by an account of the rise of French seven-note solfège and its role in the demise of the great tradition. Owing to its simplicity, this “natural way” to solfège turned out to be ideally suited to the needs of a rapidly expanding amateur market, which demanded readily performable sheet music and the ability to read it rather than onerous craft training. It also provided simplified teaching methods and classroom materials for the new public music schools that emerged from the upheavals of the Napoleonic era. The chapter ends with suggestions as to how the solfeggio tradition might once again find a place within a living culture of music making.


2011 ◽  
Vol 55 (2) ◽  
pp. 169-171
Author(s):  
Donna Copsey Haydey
Keyword(s):  

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