Leffler (Edgren), Anne Charlotte (1849–1892)

Author(s):  
Irina Hron

Anne Charlotte Leffler was one of the most acclaimed Swedish women writers of the modern breakthrough in late 19th-century Scandinavia. Joining the circle known as Young Sweden, a leading literary movement of the 1880s, she was part of the Ibsen-inspired debate about women’s rights, sexual morality, and the normative bourgeois family structure. During her lifetime, Leffler’s plays were performed more frequently than Strindberg’s, and she was known as a notable salon hostess. After her divorce from Gustaf Edgren in 1889, she married the Italian mathematician Pasquale del Pezzo, duke of Cajanello, and settled in Italy. In 1892 she died of appendicitis at the age of forty-three. In her provocative works, sometimes close to popular fiction, Leffler depicts not only dysfunctional middle-class marriages but also 19th-century notions of love, in particular eroticism. Her major works are translated into several languages, including English, German, Russian, Italian, Croatian and Dutch.

Author(s):  
Sandra E. Bonura

This chapter places Pope in her 19th-century era and presents the major themes including immigration, westward expansion, the rise of industrial America, the growth of political democracy, women’s rights, temperance, public education, slavery, the Civil War, and more. The three periods of time—early, middle and late 19th century—show women’s advancement in the educational arena and their “call to teach.” The histories of Mount Holyoke and Oberlin are succinctly offered.


Author(s):  
Marea Mitchell

While mermaids have been found all around the world, their literary and cultural representations are traditionally associated with Europe. Recently attention has been paid to the particular resonance of mer-folk narratives in specifically Australian contexts. Hayward, Floyd, Snell, Organ and Callaway have drawn attention to examples of mer-worlds that directly intersect with and comment on Australian environments. Beginning in the late 19th Century, predominantly women writers relocate mermen and mermaids to explore relationships between land and sea, city and bush that have local resonance for young readers. These stories are often accompanied by rich illustrations designed to appeal to young imaginations. This note comments on three writers whose work relates mer-cultures to Australia: J.M Whitfield, Pixie O’Harris and Harriet Stephens, along with their illustrators, G.W Lambert, Ida Rentoul Outhwaite and O’Harris herself.


2020 ◽  
Vol 2020/2 ◽  
pp. 61-84
Author(s):  
Juozapas Paškauskas

THE PROBLEM OF LEISURE TIME IN LATE 19TH AND EARLY 20TH-CENTURY LITHUANIA: THE WORKING CLASS CHALLENGE TO THE MIDDLE CLASS In the late 19th century, leisure time became an important and publicly discussed topic in modernising Lithuanian society. This article examines how the topic of leisure time was discussed from a wide range of political positions, and how the factor of leisure time became increasingly important when considering the future scenarios of society. At the end of the 19th and the beginning of the 20th century, the topic of leisure time, its meaningful activities, and appropriate leisure time-related issues were intertwined with discussions about the development of civilisation, new cultural standards, and challenges to the most important principles of social cohesion. The reason for the debate at that time was inseparable from the main features of modernisation: rapid economic growth, industrialisation and urbanisation, changes in the social structure, apparent features of individualisation, secularism, and the burgeoning of consumer culture. In this article, the author focuses on singling out the most important features of modernising leisure time, when work and leisure become binary categories. From this perspective, the conflict between two important social groups, namely the working class and the bourgeoisie, is highlighted. The article demonstrates how these two groups sought to establish themselves ideologically, not only by showing their right to leisure time, but also by shaping what that leisure time should be. The first group consisted of the defenders of workers’ rights (and in rare cases, workers themselves) presenting leisure time as a precondition for a better life. This assessment was seen as an instrument incorporating workers’ daily life into the rest of modern society. However, with leisure time becoming a universal human value and norm, many leisure practices that workers in the late 19th and early 20th century opted for were problematic for members of another prominent group, the bourgeoisie. In this article, the bourgeoisie, or the middle class, is defined by means of Peter Stearn’s observation that it is useful to include cultural experience, not ‘just change in political or economic structure’. Thus, emphasising the cultural rather than the economic aspect of this social group, it can be stated that, for members of the middle class, ideas of ‘decent leisure’ and ‘appropriate use of time’ were based on the values and skills of self-discipline, order and efficient organisation. In this case, leisure time was recognised as a means of the partial reform of society and national consolidation. Consequently, the issue of leisure time in late 19th-century Lithuania became an intersection where two major social groups, opinions and practices met. On one hand, the question of leisure time is indistinguishable from a utopian, sometimes paternalistic, harmonious vision of the working class and their leisure; other ways, cultural and political attitudes about the dangers of the working class (and, of course, it is most dangerous after finishing work), arose from seeing how many late 19th-century workers chose meaningless, harmful and violent leisure activities. In both cases, the culture of leisure time in late 19th and early 20th-century Lithuania could be seen not as a routine or a temporary escape from social norms, but rather as a process for modern culture to appear in everyday life, contributing to the emergence of new social and cultural identities.


Prospects ◽  
1994 ◽  
Vol 19 ◽  
pp. 135-160 ◽  
Author(s):  
Timothy J. Gilfoyle

In 19th-century america, the bigamous marriage became a controversial subject and repeated cultural metaphor. From popular fiction to sensationalistic journalism to purity reform literature, writers repeatedly employed bigamy as a moral signpost warning readers of the sexual dangers and illicit deceptions of urban life. Middle-class Americans in particular envisioned the male bigamist as a particular type of confidence man. Like gamblers and “sporting men,” these figures prowled the parlors of respectable households in search of hapless, innocent women whom they looked to conquer and seduce, dupe and destroy. Such status-conscious social climbers deceptively passed for something they were not. Most authors depicted the practice in Manichaean terms of good versus evil, innocence versus corruption. Bigamy thus enabled writers to contrast the nostalgic, virtuous, agrarian republicanism of postrevolutionary America with the perceived urban depravity of the coarse, new metropolis. Such illegal matrimony, editorialized one newspaper, “speaks volumes for man's duplicity and woman's weakness.” Pure and simple, bigamy was “mere wickedness.”


2011 ◽  
Vol 55 (3) ◽  
pp. 72-79
Author(s):  
Stefanie Halpern

During the late 19th century, the first portrayal of a Jewish woman on the American stage occurred in Leah the Forsaken. This successful production subjugated the Jewess by filling the title role with Kate Bateman, a non-Jewish actress, thus presenting a sanitized and palatable Jew for the middle-class Christian audience.


Author(s):  
Brian Nelson

Émile Zola was a 19th-century novelist and social commentator, and the leader of the literary movement known as ‘naturalism’. Émile Zola: A Very Short Introduction explores key themes in his life and work, looking in detail at several major novels from his twenty-volume Rougon-Macquart cycle. His novels examine the changing cultural landscape of the late 19th century, creating an epic sense of social transformation. In so doing, they opened the novel up to a new realm of subjects, and they embodied a new freedom of expression in their depiction. Zola was often accused of sensationalism and vulgarity; his English publisher Henry Vizetelly was jailed on charges of obscenity.


2018 ◽  
Vol 66 (1) ◽  
pp. 105-117 ◽  
Author(s):  
Neele Meyer

Abstract This paper looks at three Indian crime fiction series by women writers who employ different types of female detectives in contemporary India. The series will be discussed in the context of India’s economic growth and the emergence of a new middle class, which has an impact on India’s complex publishing market. I argue that the authors offer new identification figures while depicting a wide spectrum of female experiences within India’s contemporary urban middle class. In accordance with the characteristics of popular fiction, crime fiction offers the possibility to assume new roles within the familiar framework of a specific genre. Writers also partly modify the genre as a form of social criticism and use strategies such as the avoidance of closure. I conclude that the genre is of particular suitability for women in modern India as a testing-ground for new roles and a space that helps to depict and accommodate recent transformations that connect to processes of globalization.


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