Birney, (Alfred) Earle (1904–1995)

Author(s):  
Jasmine Johnston

Earle Birney was a Canadian poet, novelist, dramatist and professor. Born in 1904 in Calgary, Alberta, he spent his childhood in rural Alberta and British Columbia. His adult life was predominately spent in Canada, the USA, and the United Kingdom, although he travelled extensively. He died in Toronto in 1995. While Birney’s poetics were influenced by his academic training in Old English and Middle English, he frequently experimented with the avant-garde use of typography, orthography, dialect, and sound media. Following studies at the University of British Columbia, the University of Toronto, the University of California, Berkeley, and the University of London, he accepted a professorship in the Department of English at the University of British Columbia in 1946. His teaching led to the foundation of the Department of Creative Writing at University of British Columbia in 1965. In the same year, however, he departed to the University of Toronto to serve as the school’s first writer-in-residence.

Author(s):  
Jean Laponce

The author is professor of Political Science at the University of British Columbia. One of his main research interests is the study of the relation between territory and ethnicity (see The Protection of Minorities, University of California Press, 1961; Languages and their Territories, University of Toronto Press, 1987; Sovereignty and Referendums, UBC Institute of International Relations, 2001). He is a member of the research committee on Political Geography of the International Political Science Association, a committee he founded in 1975 and co-chaired with Jean Gottmann.


2012 ◽  
Vol 52 (1) ◽  
pp. 29-61 ◽  
Author(s):  
Penney Clark ◽  
Mona Gleason ◽  
Stephen Petrina

Although not entirely neglected, the history of preschool reform and child study in Canada is understudied. Historians have documented the fate of “progressivism” in Canadian schooling through the 1930s along with postwar reforms that shaped the school system through the 1960s. But there are few case studies of child study centers and laboratory schools in Canada, despite their popularity in the latter half of the twentieth century. Histories of child study and child development tend to focus on the well-known Institute of Child Study directed by the renowned William E. Blatz in the Department of Psychology at the University of Toronto (U of T). Yet there were over twenty other child study centers established in Canadian universities during the 1960s and 1970s directed by little-known figures such as Alice Borden and Grace Bredin at the University of British Columbia (UBC).


Author(s):  
Mark Kuhlberg

Judging from the contrasting state of affairs at the forestry schools at the University of Toronto and the University of British Columbia, it is difficult to believe the situation that prevailed roughly eight decades ago. Today, UBC’s program is thriving whereas the forestry school at the University of Toronto is but a shadow of its former self. Exactly the opposite was true in the early twentieth century. Ironically, forestry education at UBC owes its existence to the profound commitment that Herbert Read Christie, a graduate of Toronto’s Faculty, showed to it in the years after the First World War. This article explores Christie’s role in building the UBC forestry school, and sheds light on the development of forestry as an academic discipline in Canada. -- En regard de l’évolution académique des écoles de foresterie de l’Université de Toronto et de l’Université de Colombie Britannique (UBC), il est difficile d’imaginer la situation qui existait il y a environ quatre-vingts ans. Alors que de nos jours, le programme de UBC s’avère florissant, les études en foresterie de l’Université de Toronto font piètre figure en comparaison de ce qu’elles étaient au début du XXe siècle où l’inverse prévalait. Il est ironique de souligner que le programme de foresterie développé à UBC, peu après la fin de la Première Guerre mondiale, est l’oeuvre de Herbert Read Christie, un diplômé de l’Université de Toronto en ce domaine. Cet article explore le rôle marquant joué par Christie dans l’implantation de cette école et de l’essor académique de cette discipline au Canada.


1998 ◽  
Vol 49 (1) ◽  
pp. 45-77 ◽  
Author(s):  
Neal M Stoughton ◽  
Josef Zechner

1996 ◽  
Vol 24 (1) ◽  
pp. 49-57 ◽  
Author(s):  
Sheldon I. Green

The SAE Aero Design Competition is an annual model airplane competition sponsored by the SAE. The purpose of the competition is to design and build a model airplane, given certain constraints, that is capable of lifting the greatest possible payload. A team of students from the University of British Columbia entered, for the first time, the SAE Aero Design Competition in 1992. The UBC airplane lifted the most weight overall and won first place in the competition against a field of 60 competitors from the USA, Canada, and Europe. In 1993 a UBC team competed again, this time with a significantly improved entry. The team again lifted the most weight and again finished first. For the third year running, the UBC aircraft lifted the most weight at the competition held in 1994. This paper documents the team's experiences in these competitions, and emphasizes how the design of model airplanes for the competitions served the important didactic purpose of introducing aircraft design to the students.


Author(s):  
Jana Millar Usiskin

Canadian writer Sheila Watson (1909–1998) is best known for her modernist novel The Double Hook (1959) about the redemptive struggles of a small, rural community as they deal with the murder of one of their members. Born Sheila Martin Doherty in New Westminster, BC, Watson received her BA, (Hons) in English (1931) and MA (1933) from the University of British Columbia. She taught elementary students in a number of rural schools in British Columbia before marrying Wilfred Watson in 1941. She then continued to teach in Toronto, in Vancouver at the University of British Columbia, and in Powell River, BC While living in Calgary during 1951–52, Watson completed The Double Hook, which was published to mixed reviews. After its publication, Watson began her PhD under he guidance of Marshall McLuhan at the University of Toronto and completed her dissertation Wyndham Lewis: Post Expressionist at the University of Alberta in 1961. While working as a professor at the University of Alberta, Watson continued to write and publish. She maintained correspondence with several Canadian scholars and writers, including Michael Ondaatje, George Bowering, and Daphne Marlatt. After her retirement in 1980, Sheila and her husband moved to Nanaimo, BC, where they died in 1998.


2003 ◽  
Vol 16 (4) ◽  
pp. 539 ◽  
Author(s):  
G. Robin South ◽  
Posa A. Skelton

Twenty-three taxa of Caulerpa Lamouroux are listed from the Fiji Islands, including Caulerpa reniformis sp. nov. and four taxa newly recorded [Caulerpa biserrulata Sonder, Caulerpa nummularia Harvey ex J.Agardh, Caulerpa racemosa var. lamourouxii (Turner) Weber-van Bosse and Caulerpa webbiana f. disticha Vickers]. A further four taxa are listed as Species inquirendae [C. crassifolia (C.Agardh) J.Agardh, C. juniperoides J.Agardh. C. mexicana var. pluriseriata W.R.Taylor and C. remotifolia Sonder]. A revised key to the species of Caulerpa from the Fiji Islands is presented. Verification of records is based on the personal collections of the authors and specimens housed in the Phycological Herbarium, South Pacific Regional Herbarium (SUVA-A), the University of British Columbia (UBC), the Bernice P. Bishop Museum (BISH) and the University of California at Berkeley (UC).


2016 ◽  
Vol 17 (1) ◽  
pp. 86-88
Author(s):  
Daniel J. Slive

Throughout the course of his lengthy and remarkable career, Richard Landon successfully developed and promoted the extensive and renowned collections at the University of Toronto Libraries. After receiving his undergraduate and library school degrees from the University of British Columbia, Landon was hired in 1967 as a cataloguer in the libraries‘ Department of Rare Books and Special Collections. In the academic year 1971–1972 he pursued an advanced degree in bibliography and textual criticism at the University of Leeds, returning to Toronto to serve as Assistant Head and Acting Head prior to his appointment as Head of the department in . . .


Author(s):  
Eunsong Kim

The Archive for New Poetry (ANP) at the University of California San Diego was founded with the specific intention of collecting alternative, small press publications and acquiring the manuscripts of contemporary new poets. The ANP’s stated collection development priority was to acquire alternative, non-mainstream, emerging, “experimental” poets as they were writing and alive, and to provide a space in which their papers could live, along with recordings of their poetry readings. In this article, I argue that through racialized understandings of innovation and new, whiteness positions the ANP’s collection development priority. I interrogate two main points in this article: 1) How does whiteness—though visible and open—remain unquestioned as an archival practice? and 2) How are white archives financed and managed? Utilizing the ANP’s financial proposals, internal administrative correspondences, and its manuscript appraisals and collections, I argue that the ANP’s collection development priority is racialized, and this prioritization is institutionally processed by literary scholarship that linked innovation to whiteness. Until very recently, US Experimental and “avant-garde” poetry has been indexed to whiteness. The indexing of whiteness to experimentation, or the “new” can be witnessed in the ANP’s collection development priorities, appraisals, and acquisitions. I argue that the structure of the manuscripts acquired by the ANP reflect literary scholarship that theorized new poetry as being written solely by white poets and conclude by examining the absences in the Archive for New Poetry.


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