Subverting the notion of the house museum

2019 ◽  
pp. 88-119
Author(s):  
Georgina S. Walker
Keyword(s):  
Heritage ◽  
2021 ◽  
Vol 4 (2) ◽  
pp. 585-611
Author(s):  
Michele Betti ◽  
Valentina Bonora ◽  
Luciano Galano ◽  
Eugenio Pellis ◽  
Grazia Tucci ◽  
...  

This paper reports the knowledge process and the analyses performed to assess the seismic behavior of a heritage masonry building. The case study is a three-story masonry building that was the house of the Renaissance architect and painter Giorgio Vasari (the Vasari’s House museum). An interdisciplinary approach was adopted, following the Italian “Guidelines for the assessment and mitigation of the seismic risk of the cultural heritage”. This document proposes a methodology of investigation and analysis based on three evaluation levels (EL1, analysis at territorial level; EL2, local analysis and EL3, global analysis), according to an increasing level of knowledge on the building. A comprehensive knowledge process, composed by a 3D survey by Terrestrial Laser Scanning (TLS) and experimental in situ tests, allowed us to identify the basic structural geometry and to assess the value of mechanical parameters subsequently needed to perform a reliable structural assessment. The museum represents a typology of masonry building extremely diffused in the Italian territory, and the assessment of its seismic behavior was performed by investigating its global behavior through the EL1 and the EL3 analyses.


2018 ◽  
Vol 25 (2) ◽  
pp. 286-299
Author(s):  
Katie McConnel

AbstractOld Government House (OGH) is one of Queensland’s premier heritage buildings, and is located within the Gardens Point campus of Queensland University of Technology (QUT). This 156-year-old building, now a house museum, offers a tangible link to Queensland’s early colonial life. The museum strives to present the stories of all who lived and worked here. Children generally do not visit historic houses willingly, and to address this OGH collaborated with Imaginary Theatre to develop an innovative and fun way to interpret and present the historical significance of the House to a younger audience. The result was a one-hour site-specific theatre performance, The Voice in the Walls — part game, part audio tour, part theatre. The key objective of the project was to create a visitor experience that captured the attention of nine- to twelve-year-olds by encouraging them to imagine an unfamiliar world and time while also conveying historical information. This article discusses the background to the development of the project, and its evolution from inspiration to practical reality.


Author(s):  
Christopher Reed

Challenges the gender dynamics of conventional histories of Japanism that retroactively privilege avant-garde artists over bachelor collectors and the female dealer who was arguably the first japoniste. It examines three paradigmatic Japanist spaces in 19th-century Paris, all bachelor quarters. Henri Cernuschi’s house-museum, which frames artifacts from East Asia in an architecture redolent of Italian-inflected Enlightenment values, is now the museum of Asian art of the City of Paris. The Goncourt brothers’ house is famous as a model of Aesthetic domesticity. Hugues Krafft’s zashiki, imported from Japan, and its extensive Japanese gardens was an important site for Parisians interested in Japan.


1991 ◽  
Vol 40 (1) ◽  
Author(s):  
Katherine A. Armstrong
Keyword(s):  

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