Rebellious Natures: The Role of Nature in Young Adult Dystopian Female Protagonists’ Awakenings and Agency

Humanities ◽  
2022 ◽  
Vol 11 (1) ◽  
pp. 16
Author(s):  
Sonya Sawyer Fritz ◽  
Sara K. Day

In this article, we investigate neo-Victorian YA fiction’s efforts to mirror twenty-first-century feminist ideals in nineteenth-century spaces through examining the role of heterotopia in Colleen Gleason’s Stoker and Holmes series (2013–2019). We first consider how the novels’ steampunk elements figure in Gleason’s feminist framing of neo-Victorian London, particularly in terms of common heterotopias—primarily the garden and the museum—that the protagonists briefly navigate over the course of the series. Second, we explore how the series’ three female protagonists each occupy spaces that function as pseudo—“heterotopias of crisis”—that is, while each of them claims space within which to subvert expectations of women, these spaces and the activities they support are themselves fundamentally insular and yield no socio-cultural critique. Finally, we consider how the spaces created and occupied by the books’ villain, known as the Ankh, serve as heterotopias. We find that the fact that the only truly heterotopic spaces in the novels belong to the villain, whose transgressive deviance the series frames as a bridge too far, illustrates how disappointingly limited neo-Victorian YA can be in its ability to offer subversive mirrors to twenty-first-century feminism.


2019 ◽  
Vol 5 (1) ◽  
pp. 91-110
Author(s):  
Michael G. Verile ◽  
Melissa M. Ertl ◽  
Frank R. Dillon ◽  
Mario De La Rosa

Open Theology ◽  
2021 ◽  
Vol 7 (1) ◽  
pp. 60-68
Author(s):  
Janelle Peters
Keyword(s):  

Abstract While Judith was used with Esther and other books with female protagonists to promote the reign of Queen Shelamzion Alexandra and the activities of female Pharisees, as Tal Ilan has argued, the role of Judith in the historical examples of 1 Clement presents Judith as needing to seek the permission of the elders of her besieged city in order to go to the enemy camp and behead Holofernes. This article argues that such an interpretive move preserves the authority of Judith in Hasmonean and Pharisaic interpretations.


2016 ◽  
Vol 17 (3) ◽  
pp. 301-318 ◽  
Author(s):  
Ellen M Leslie ◽  
Adrian Cherney ◽  
Andrew Smirnov ◽  
Helene Wells ◽  
Robert Kemp ◽  
...  

While procedural justice has been highlighted as a key strategy for promoting cooperation with police, little is known about this model’s applicability to subgroups engaged in illegal behaviour, such as illicit drug users. This study compares willingness to cooperate with police and belief in police legitimacy, procedural justice and law legitimacy among a population-based sample of Australian young adult amphetamine-type stimulant (ATS; i.e. ecstasy and methamphetamine) users and non-users. We then examine predictors of willingness to cooperate among ATS users. ATS users were significantly less willing to cooperate with police and had significantly lower perceptions of police legitimacy, procedural justice and law legitimacy, compared to non-users. However, belief in police legitimacy independently predicted willingness to cooperate among ATS users. We set out to discuss the implications of these findings for policing, including the role of procedural justice in helping police deliver harm reduction strategies.


2018 ◽  
pp. 143-148
Author(s):  
Bogumiła KOSMANOWA

The paper discusses two prominent figures in Polish literature, Józef Ignacy Kraszewski (1812–1887) and Henryk Sienkiewicz (1846–1916), and the role women played in their lives, influencing their works. In the beginning, the author devotes some attention to the role of ‘muses’ and their inspiration to artists from Antiquity to Romanticism. In the analytical part of her paper, she presents the differences between these two masters of the quill. Kraszewski let excessive emotions take the reins in his private life, as a consequence of which he frequently misplaced his affections, suffering considerable disappointments. Sienkiewicz, although highly susceptible to female charms, was more mature, as is well reflected in his works. His life experience influenced the artistic maturity of his female protagonists. Thus, towards the end of his life, he was able to conclude that love was the highest value. The ‘muses’ of this first Polish Nobel laureate in literature exerted a profound influence on the literary profile of the heroines of his greatest novels.


NUTA Journal ◽  
2020 ◽  
Vol 7 (1-2) ◽  
pp. 10-17
Author(s):  
Arjun Dev Bhatta

This study explores social relationship between male and female in Henrik Ibsen’s play “The Pillars of Society”. The first part of the study analyzes a sexist society in which male characters subjugate females through their hegemonic power. The female characters appear meek, submissive and voiceless. The second part of this study examines the revolutionary role of the female characters who raise their voice against all-pervasive patriarchal power. They protest against male formulated institutions which have kept women voiceless and marginalized. Being dissatisfied with the defenders of patriarchal status quo, Ibsen’s female protagonists come to the fore to challenge prevailing social conviction about femininity and domesticity. They lead a crusade to establish their position and identity as human beings equal to men. In this play, the female characters Lona, Martha and Dina hold a revolutionary banner to protest against male domination of female. In their constant struggle, they win while the male characters become loser. This study analyses the voice of these leading female characters in the light of feminist theory proposed by scholars such as Kete Millett and Sylvia Walby.


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