Prawo ochrony dziedzictwa kulturowego. Quo vadis?

Heritage protection law. Quo vadis? Heritage protection law is one of the youngest branches of law. It is still developing, like a child on its way to adulthood. By using the parallel narrative between the chosen literary works for children (The Snow Queen by Ch. Andersen, The Chronicles of Narnia by C.S. Lewis, The Wonderful Wizard of Oz by L.F. Baume and Pippi Longstocking by A. Lindgren) and future challenges for heritage law, the authors aim to present different directions of development relating to heritage identity, extending the field of protection by law (by encompassing intangible heritage and other areas), valuation of heritage, and the problem of bringing heritage to the public domain and the reverse process.

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WOMAN IMAGE IN LITERARY WORKS

Komposisi Jurnal Pendidikan Bahasa Sastra dan Seni ◽

10.24036/komposisi.v15i1.7156 ◽

2014 ◽

Vol 15 (1) ◽

pp. 53

Author(s):

Kurnia Ningsih

Keyword(s):

Short Stories ◽

Public Sphere ◽

Public Domain ◽

Creative Work ◽

Social Phenomena ◽

Literary Works ◽

Eastern Culture ◽

The Public ◽

The Public Sphere ◽

Gain Access

SOSOK PEREMPUAN DALAM KARYA SASTRAAbstractCurrently, women have started to gain access to the public sphere, which was traditionally reserved for men. However, questions remain whether these women have already gained due recognition for their work in the public domain. This phenomena are also present in literature, a creative work which is believed to be able to depict social phenomena with ample clarity. Three short stories published in the Jakarta Posts 2008, and Kompas 2012 chosen to see the reflection of women who entered the public domain which is strongly patriarchal in nature. Ironically, patriarchy still strongly presents in custom, tradition, and religion in which the sanctity of Eastern culture must be kept at all cost.Keywords: image, woman, literary worksAbstrakSaat ini, perempuan sudah mulai mendapatkan akses ke ruang publik, yang secara tradisional untuk laki-laki. Namun, pertanyaannya tetap apakah wanita ini telah memperoleh pengakuan untuk pekerjaan mereka dalam domain publik. Fenomena ini juga hadir dalam sastra, karya kreatif yang diyakini dapat menggambarkan fenomena sosial dengan cukup jelas. Tiga cerita pendek yang diterbitkan di Jakarta Post 2008, dan Kompas 2012 yang dipilih untuk melihat pantulan wanita yang memasuki domain publik yang sangat patriarkal di alam. Ironisnya, patriarki masih sangat hadir dalam adat, tradisi, dan agama di mana kesucian budaya Timur harus disimpan di semua biaya.Keywords: sosok, perempuan, karya sastra

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Culture and Tradition in Siswati Modern Literature: Lessons from Umjingi udliwa yintHlitiyo “Let one Follow the Heart’s Dictates” by S.W. Nsibandze

Southern African Journal for Folklore Studies ◽

10.25159/1016-8427/2504 ◽

2018 ◽

Vol 27 (2) ◽

pp. 40-54

Author(s):

Sisana R Mdluli

Keyword(s):

Gender Equality ◽

Theoretical Foundation ◽

Public Domain ◽

Modern Literature ◽

Cultural Stereotypes ◽

Literary Works ◽

The Public ◽

Contemporary Writers ◽

The Voice

Literary works in any language are intended for conveying specific messages. African contemporary writers tap into the reservoirs of their culture and tradition in transmitting their messages. Since most African societies are patriarchal, it is no wonder that they portray patriarchal inclinations in their modern products. This article seeks to review the patriarchal air; that is the trends that suppress the voice, actions, and visibility of women in the public domain. An analysis of the Siswati play entitled Umjingi udliwa yinhlitiyo “Let one follow the heart’s dictates” by SW Nsibandze will illustrate the upshots of using culture and tradition in promoting the theme of the play, while challenging some cultural stereotypes. The womanist approaches will form the theoretical foundation for this discussion. On the basis of this play, I will draw conclusions from the research that has already been undertaken to make proposals on how traditional and cultural trends can be used in streamlining gender equality.

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Rewritten or Reused? Originality, Intertextuality, and Reuse in the Writings of a Buddhist Visionary in Contemporary Tibet

Buddhist Studies Review ◽

10.1558/bsrv.31647 ◽

2017 ◽

Vol 33 (1-2) ◽

pp. 203-231

Author(s):

Antonio Terrone

Keyword(s):

Public Domain ◽

The Public ◽

The Way

The study of Buddhist texts can inform us of the way scriptures were composed, as well as illuminate the reasons behind their production. This study examines the phenomenon of borrowing and reusing portions of texts without attributing them to their ‘legitimate authors’ within the Buddhist world of contemporary Tibet. It shows that not only is such a practice not at all infrequent and is often socially accepted, but that it is used in this case as a platform to advance specific claims and promote an explicit agenda. Therefore, rather than considering these as instances of plagiarism, this essay looks at the practice of copying and borrowing as an exercise in intertextuality, intended as the faithful retransmission of ancient truths, and as an indication of the public domain of texts in Tibet.

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