Modern culture as a cultural policy: M. Heidegger about culture as a «phenomenon of modernity»

2021 ◽  
Vol 3 (154) ◽  
pp. 464-470
Author(s):  
A.N. BINKOVSKAY ◽  
◽  
K.G. MALTSEV ◽  
Keyword(s):  
Cultural Policy ◽  
Modern Culture

scholarly journals Global holiday as a cultural phenomenon of the Digital Age

2020 ◽  
pp. 33-48
Author(s):  
Ivan Dmitrievich Tuzovskii
Keyword(s):  
Soft Power ◽  
Cultural Policy ◽  
Modern Society ◽  
Digital Age ◽  
Modern Culture ◽  
Methodological Foundation ◽  
Day Of The Dead ◽  
The Status ◽  
Global Status ◽  
The Subject

The subject of this research is modern celebratory culture in the context of impact of globalization processes upon festivities. The author explores a new phenomenon that emerged in the early XXI century – a “global holiday” within the framework of sociocultural transformations related to transition of humanity towards the Digital Age, and formation of the global information space. Special attention is given to the following aspects: creation of media and post-mythological global holidays of the Digital Age, and transformation of the traditional holiday into new metanational forms. The methodological foundation for studying the holidays that received the status of "global" in modern culture became the adaptation of “head page method” applied in sociological, cultural and futurological research and sociocultural monitoring, including overt observation. The conclusion is made that modern culture marks the formation of several types of global holidays that carry metanational character: the first group includes media-produced holidays associated with post-folklore and post-mythology of modern society, or represent celebratory events as award ceremonies in the field of politics, art and science; the second group includes ethnic traditional holidays that received the global status (Halloween, St. Patrick's Day, Mexican Day of the Dead, Holi “Festival of Spring”, etc.). The phenomenon of global holidays should be taken into account in creation of the national strategies of cultural policy, and the global holiday itself may become one of the "soft power" tools in the Digital Age.

scholarly journals Polylogical Core of Modern Intercultural Interaction Models

2022 ◽  
Vol 3 (1) ◽  
pp. 1-6
Author(s):  
Astafyeva Olga Nikolaevna ◽  
Belyakova Irina
Keyword(s):  
Intercultural Communication ◽  
Cultural Policy ◽  
Specific Model ◽  
Modern World ◽  
Human Society ◽  
Cultural Changes ◽  
Dialogue Model ◽  
Modern Culture ◽  
Intercultural Interaction ◽  
Synergistic Approach

The article is devoted to the problems of transformation and phenomenon of complication of intercultural communication models. The significance of the study lies in the fact that intercultural communication through the prism of cultural and civilizational developments reflects the sociocultural changes taking place at all levels of social development. The problem of application of theoretical knowledge about the communicative paradigm of modern culture with its polylogical core for the development of a specific model of intercultural communication and effective cultural policy relates to the difficulties of achieving compliance of the research results with the real state of the sociocultural environment. Basing on the previous and current research approaches and taking into consideration a systemic and synergistic approach as well as a dialogue concept, the authors aim to investigate theoretical modeling of intercultural interaction. As a result of investigation, the authors conclude that the study of models of intercultural interaction cannot be carried out without understanding the principles and factors of the dynamics of cultural changes in the modern world which allows us to consider the transition from a dialogue model to a polylogue model as a natural stage in the dynamics of culture. Also, the methodological set of philosophical and cultural studies of the dynamics of modern culture is proved as constantly expanding due to the new tendencies, like total digitalization. It is stated that overcoming outdated models of intercultural interaction and adopting the new ones is a long process that must be tested by the human society

scholarly journals "KOREAN WAVE" IN THE DIALECTIC OF CULTURAL DEVELOPMENT

2020 ◽  
pp. 13-17
Author(s):  
V.S. Grytsenko
Keyword(s):  
Cultural Policy ◽  
Living Organism ◽  
Cultural Development ◽  
Point Of View ◽  
Spiritual Needs ◽  
Modern Culture ◽  
Multistage Processes ◽  
Korean Wave ◽  
Culture Development ◽  
Internal And External Factors

The article covers the consideration of the "Korean Wave" as one of the manifestations of dialectical laws of culture development. The interpretation of the phenomenon only as a situational model of state cultural policy is refuted through the analysis as an incorrect and unreasonably narrowed understanding. We consider the "Korean Wave"as a variant of the cultural wave, which is a constant element in general processes of cultural development of mankind; we substantiate the grounds for its studying from the point of view of dialectical unity of internal and external factors. We show that the features of its formation and functioning determined by this way have expert ability in the analysis of the processes of culture creation, which are extremely accelerated today. In this connection, essential comprehension of the culture as living organism, caused by spiritual and generic motivations of a man and connected with his continuous self-development, displays its principality. In this sense, the "Korean Wave",a phenomenon of modern stage of culture development, shows itself as its regular stage, connected with its dynamicmorphological features. It displays an example of the cultural wave as a component of general cultural cyclicality, caused by permanent motionfraught with excitationand wavyoutbursts. Every such wave, having its historically specific motivation, is transparent regarding general mechanisms of cultural development. The absence of direct studies of culture dialectics, one component of which is shown by the phenomenon of the cultural wave, is the cause of dominating in modern culture studies of a descriptive factology principle. From the position of understanding the dialectics of general cultural movement, the appearance of a new one, the"Korean Wave"in this case, is a result of complicated multistage processes happening in the public culture body, where quantity is transformed into quality, trends into laws in response to spiritual needs of a man. It completely concerns the "Korean Wave"as well, as in collisions of its appearance, the complicated relations between the old and the new, tradition and situationality, closeness and openness, emotional and rational issues are involved.

Basic Human Values of Russians and Other Europeans (The Results of 2008 Surveys)

2010 ◽  
pp. 107-130 ◽  
Author(s):  
V. Magun ◽  
M. Rudnev
Keyword(s):  
Cultural Policy ◽  
European Social Survey ◽  
The Other ◽  
Human Values ◽  
Social Survey ◽  
Russian Economy ◽  
Value Diversity ◽  
Cross Country ◽  
Value Changes ◽  
Fourth Round

The authors rely mainly on the data from the fourth round of the European Social Survey held in 2008 in their comparison between the Russian basic values and the values of the 31 other European countries as measured by Schwartz Portrait Values Questionnaire. The authors start from comparing country averages. Then they compare Russia with the other countries taking into account internal country value diversity. And finally they refine cross-country value comparisons taking the advantage of the multiple regression analysis. As revealed from the study there are important value barriers to the Russian economy and society progress and well targeted cultural policy is needed to promote necessary value changes.

Opera and Modern Culture

2004 ◽  
Author(s):  
Lawrence Kramer
Keyword(s):  
Modern Culture

Looking For Religion in All the Wrong Places

2010 ◽  
Vol 39 (4) ◽  
Author(s):  
Ann Burlein
Keyword(s):  
Recent Work ◽  
Modern Culture ◽  
Introductory Course ◽  
Or Practice

Drawing on recent work in secularism, this paper argues that religion exerts force in modern culture without anyone needing to beleive or practice a particular religion. This is especially the case with respect issues of sexuality. The paper uses the Introductory course as a way of exploring how, when it comes ot sexuality, religion still speaks us.

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