scholarly journals Gold-Silver Kyplatap Ore Knot within the Okhotsk-Chukotka Volcanogenic Belt, Eastern Russia

2020 ◽  
Author(s):  
Tatiana Pavlova ◽  
Alexey Pilitsyn
Palaeobotany ◽  
2013 ◽  
Vol 4 ◽  
pp. 116-147 ◽  
Author(s):  
S. V. Shczepetov ◽  
A. B. Herman

Results of comprehensive study of the Kholokhovchan floral assemblage collection is summarized. These plant fossils were collected in 1978 by E. L. Lebedev from volcanogenic deposits in Penzhina and Oklan rivers interfluve, North-Eastern Russia. This assemblage was previously known as a list of Lebedev’s preliminary identifi cations only. He had suggested that the Kholokhovchan assemblage is correlative to the latest Albian — early Turonian Grebenka flora from the Anadyr River middle reaches. However, our study demonstrates that the Kholokhovchan assemblage is most similar to the presumably the Turonian-Coniacian Arman flora of the Okhotsk-Chukotka volcanogenic belt and, therefore, should be dated as the Turonian-Coniacian or Turonian.


Palaeobotany ◽  
2016 ◽  
Vol 7 ◽  
pp. 80-95 ◽  
Author(s):  
L. B. Golovneva

The Ul’ya flora comes from the Coniacian volcanogenic deposits of the Amka Formation (the Ul'ya depression, southern part of the Okhotsk-Chukotka volcanogenic belt). Ginkgoaleans are diverse in this flora and represented by three genera: Ginkgo, Sphenobaiera and Baiera. All specimens have no cuticle and were assigned to morphotaxa. Genus Ginkgo includes two species: G. ex gr. adiantoides (Ung.) Heer with entire leaves and G. ex gr. sibirica Heer with dissected leaves. Genus Sphenobaiera also consists of two species: S. ex gr. longifolia (Pom.) Florin with 4–8 leaf lobes and S. ex gr. biloba Prynada with two leaf lobes. Genus Baiera is represented by new species B. lebedevii Golovn., sp. nov.Leaves of this species are 25–30 cm long and 13–16 cm wide, narrowly wedge-shaped with flat slender petiole, dichotomously dissected 4–5 times into linear segments 3–6 mm wide with 6–12 veins. The length of ultimate segments is equal to about a half of leaf length. Leaves attached spirally to ovoid short shoots about 2 cm long. Among the Late Cretaceous floras similar diversity of ginkgoaleans was recorded only in the Turonian-Coniacian Arman flora from middle part of the Okhotsk-Chukotka volcanogenic belt (Herman et al., 2016). Four species of ginkgoaleans from the Ul’ya flora (except G. ex gr. adiantoides) are considered as the Early Cretaceous relicts.


Palaeobotany ◽  
2014 ◽  
Vol 5 ◽  
pp. 73-93 ◽  
Author(s):  
L. B. Golovneva ◽  
S. V. Shczepetov

The Gedan floristic assemblage occurs from upper layers of the Kholchan Formation of the Okchotsk-Chukotka volcanogenic belt (OCVB). The locality is situated at the Gedan River in the middle part of the Arman River basin. The Gedan assemblage is composed of 6 taxa: Cladophlebis sp., Sphenobaiera sp., Ginkgo ex gr. adiantoides (Ung.) Heer, Taxodium amguemensis (Efimova) Golovn., Metasequoia sp., Pagiophyllum sp. The similarity of the Gedan floristic assemblage with the Karamken and the Khirumki floristic assemblages from the Kholchan Formation of the Okhotsk sector of the OCVB allows us to join them in the Kholchan flora. This flora is distinct from more ancient Arman flora, which dated as the Turonian-Coniacian and from younger Ola flora, which dated as the Santonian-early Campanian. The age of the Kholchan flora is estimated as the Coniacian on the basis of stratigraphic position, presence of Podozamites, Metasequoia and Quereuxia and also isotopic data. This flora is equivalent with the Chaun flora of Central Chukotka, with the Aleeki flora from the Villigha and Toomahni Rivers interfluve and with the Ulya flora from the southern part of the Okhotsk-Chukotka volcanogenic belt.


Author(s):  
Anikate Sood ◽  
Shweta Agarwal

Nanotechnology is the most sought field in biomedical research. Metallic nanoparticles have wide applications in the medical field and have gained the attention of various researchers for advanced research for their application in pharmaceutical field. A variety of metallic nanoparticles like gold, silver, platinum, palladium, copper and zinc have been developed so far. There are different methods to synthesize metallic nanoparticles like chemical, physical, and green synthesis methods. Chemical and physical approaches suffer from certain drawbacks whereas green synthesis is emerging as a nontoxic and eco-friendly approach in production of metallic nanoparticles. Green synthesis is further divided into different approaches like synthesis via bacteria, fungi, algae, and plants. These approaches have their own advantages and disadvantages. In this article, we have described various metallic nanoparticles, different modes of green synthesis and brief description about different metabolites present in plant that act as reducing agents in green synthesis of metallic nanoparticles. 


Author(s):  
Sintija Kampāne-Štelmahere

The research “Echoes of Latvian Dainas in the Lyrics of Velta Sniķere” examines motifs and fragments of Latvian folk songs in the poetry by Sniķere. Several poems that directly reveal the montage of folk songs are selected as research objects. Linguistic, semantic, hermeneutical and historical as well as literary methods were used in poetry analysis. The research emphasizes the importance of Latvian folklore in the process of Latvian exile literature, the genesis of modern lyrics, and the philosophical conception of the poet. Latvian folk songs in the lyrics of Sniķere are mainly perceived as a source of ancient knowledge and as a path to the Indo-European first language, prehistoric time, which is understood only in a poetic state. Often, the montage of Latvian folk songs or their fragments in the lyrics of Sniķere is revealed as a reflexive reverence that creates a semantic fracture and opposition between profane and sacred view. The insertion of a song in the poem alters the rhythmic and phonetic sound: a free and sometimes dissonant article is replaced by a harmonic trochee, while an internationalism saturated language is replaced by a simple, phonetically effective language composed of alliterations and assonances. The montage of folk songs in a poem is justified by the necessity to restore the Latvian identity in exile, to restore the memory of ancient, mythical knowledge, to represent the understanding of beauty and other moral-ethical values and to show the thought activity. Common mythical images in the lyrics of Sniķere are snake, wind, gold, silver, stone etc. The Latvian folk song symbolism and lifestyle of the poet are organically synthesized with the insights of Indian philosophy.


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