scholarly journals Bank's Sixtieth Anniversary - Interviews with five surviving officers who joined in 1912, 15/7/72, audio cassette

Keyword(s):  
Genetics ◽  
1996 ◽  
Vol 143 (1) ◽  
pp. 1-4
Author(s):  
N H Horowitz

1963 ◽  
Vol 18 (1) ◽  
pp. 145-158
Author(s):  
N N Poljakhov ◽  
Ja I Sekerzh-Zen'kovich ◽  
V I Smirnov ◽  
S P Finikov
Keyword(s):  

2012 ◽  
Vol 65 (9) ◽  
pp. 1325 ◽  
Author(s):  
Nathan L. Kilah ◽  
Eric Meggers

Sixty years ago, the Australian chemist Francis P. Dwyer pioneered the use of ruthenium polypyridyl complexes as biologically active compounds. These chemically inert and configurationally stable complexes revealed an astonishing range of interesting biological activities, such as the inhibition of the enzyme acetylcholinesterase, anti-cancer activity in vivo, and bacteriostatic/bacteriocidal action. This review commemorates the sixtieth anniversary of Dwyer and co-workers’ landmark 1952 publication, summarises their broader achievements in biological inorganic chemistry, and discusses the contribution of this work to the development of modern biological and medicinal inorganic chemistry.


Author(s):  
Diane Proudfoot

Can machines think? Turing’s famous test is one way of determining the answer. On the sixtieth anniversary of his death, the University of Reading announced that a ‘historic milestone in artificial intelligence’ had been reached at the Royal Society: a computer program had passed the ‘iconic’ Turing test. According to an organizer, this was ‘one of the most exciting’ advances in human understanding. In a frenzy of worldwide publicity, the news was described as a ‘breakthrough’ showing that ‘robot overlords creep closer to assuming control’ of human beings. Yet after only a single day it was claimed that ‘almost everything about the story is bogus’: it was ‘nonsense, complete nonsense’ to say that the Turing test had been passed. The program concerned ‘actually got an F’ on the test. The backlash spread to the test itself; critics said that the ‘whole concept of the Turing Test is kind of a joke . . . a needless distraction’. So, what is the Turing test—and why does it matter? In 1948, in a report entitled ‘Intelligent machinery’, Turing described a ‘little experiment’ that, he said, was ‘a rather idealized form of an experiment I have actually done’. It involved three subjects, all chess players. Player A plays chess as he/she normally would, while player B is proxy for a computer program, following a written set of rules and working out what to do using pencil and paper—this ‘paper machine’ was the only sort of programmable computer freely available in 1948 (see Ch. 31). Both of these players are hidden from the third player, C. Turing said, ‘Two rooms are used with some arrangement for communicating moves, and a game is played between C and either A or the paper machine’. How did the experiment fare? According to Turing, ‘C may find it quite difficult to tell which he is playing’. This is the first version of what has come to be known as ‘Turing’s imitation game’ or the ‘Turing test’.


2021 ◽  
pp. 62-72
Author(s):  
Penny Harvey

This chapter explores how the analyses of audible infrastructures presented in this volume connect to the established and growing body of literature on civic infrastructures from scholars in the humanities and social sciences. There are clearly convergent interests between those who work on roads, water, and energy systems, on the one hand, and those who study the production, circulation, and reproduction of sound, on the other. To analyze the materialities of music making, as with civic infrastructures, is to investigate the relational capacities of the materials from which things are made, the diverse types of labor through which these materials become integral to their emergent forms, and the uneven distribution of access to the wider structures that underpin the circulation and reproduction of such forms. In particular, the chapter focuses on how the relationship between the hardware of engineered systems and the software of sociality creates new possibilities for thinking about the politics of infrastructure. The chapter explores these resonances between audible and civic infrastructures by considering the M1 Symphony, a work commissioned by the British Broadcasting Corporation to mark the sixtieth anniversary of the opening of Britain’s first long-distance motorway. The example provokes reflection on the relationship between media and infrastructure, between composition and improvisation, and between ontological experiment and artful design.


Author(s):  
Allan R. Ellenberger

Although in ill health, Hopkins is convinced to attend a film retrospective of Paramount’s sixtieth anniversary at New York’s Museum of Modern Art and a showing of The Story of Temple Drake. Also that month, she gives her last interview to historian and writer John Kobal. A few weeks later, she collapses in her hotel suite and is admitted to the Harkness Medical Center. Later, she returns to the Alrae Hotel, spending time with her sister, Ruby, and friend Becky Morehouse. She dies alone at the hotel, shortly before her seventieth birthday. The reactions from her friends and family are documented, recounting her funeral in New York and memorials in Bainbridge and Hollywood.


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