Reshaping Beijing’s Space: Architecture, Art, Photography, Film

Author(s):  
Ida Bagus Candra Yana*

Dance  photography  is  a  photo  shoot  on a  dance  movement  which  has  a  characteristic as  it  shows  on  a  particular  movement  with unique costumes. The arts of dance photography specifically describes through a specific thematic effect  with  an  aesthetic  and  creative  oncoming. Based on the photographer experience to capture the  light  together  with  his  aesthetic  expression on  movement  photography,  he  finally  presented the  visual  arts  on  Baris  Tunggal  Dance  in  art photography expressions using strobe light. Basically,  the  creative  works  focused on  the  dancer  movements  and  transformed  into photography  expression  which  blended  with aesthetic  and  creative  idea  (ideational)  also  the technical photo shoot capability (technical) of the photographer. The photo shoots technique chosen through a variety of consideration which oriented on practical implementations possibilities, resulting photographs  in  freeze,  blurred,  and  multiple-images  as  art  photography.  The  art  photograph includes  extrinsic  and  intrinsic  aesthetic  values through photo presentation. With the presence of this photography art works it was not only present Gerak Tari Baris Tunggal dalam Fotografi Ekspresi Menggunakan Teknik Strobo Light in the form of mere documentation but it was the art photography expression on creative and aesthetic level. Keywords:  movements,  Baris  Tunggal  Dance, photography expression, strobo-light * Dosen ISI Denpasar


Author(s):  
Dira Herawati

Accountability report is a written description of creative experiences as an artist or a photographer of aesthetic exploration efforts on the image and the idea of a human as a basic stimulant for the creation of works of art photography. Human foot as an aesthetic object is a problem that relates to various phenomena that occur in the social sphere, culture and politics in Indonesia today. Based on these linkages, human feet would be formulated as an image that has a value, and the impression of eating alone in the creation of a work of art photography. Hence the creation of this art photography entitled The Human Foots as Aesthetic Object  Creation of Art Photography. Starting from this background, then the legs as an option object art photography, will be managed creatively and systematically through a phases of creation. The creation phases consist of: (1) the exploration of discourse, (2) artistic exploration, (3) the stage of elaboration photographic, (4) the synthesis phase, and (5) the stage of completion. Methodically, through the phases of the creative process  through which this can then be formulated in various forms of artistic image of a human foot. The various forms of artistic images generated from the foots of its creation process, can be summed up as an object of aesthetic order 160 Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni in the photographic works of art. It is specifically characterized by the formation of ‘imaging the other’ behind the image seen with legs visible, as well as of the various forms of ‘new image’ as a result of an artistic exploration of the common image of legs visible. In general, the whole image of the foot in a photographic work of art has a reflective relationship with the social situation, cultures, and politics that developed in Indonesian society, by value, meaning and impression that it contains.Keywords: human foots, aestheti,; social phenomena, art photography, images


Author(s):  
Yevgeniy Ekimov

В статье проводится обобщение сведений о поэтапном заселении байкальского региона, и вводятся в научный оборот ранее нигде не упоминавшиеся источники, свидетельствующие о мирной колонизации края русскими, а также о проживании русских в Сибири, за долго до похода Ермака. Как новый метод исследования применяется анализ художественной фотографии, как этнокультурного источника. В работе также ставится под сомнение вопрос о происхождении сибирского казачества.The article summarizes the information about the gradual settlement of the Baikal region, and introduced into scientific circulation previously never mentioned sources, indicating the peaceful colonization of the region by the Russians, as well as the Russian residence in Siberia, long before the campaign of Ermak. The analysis of art photography as an ethno-cultural source is used as a new method of research. The paper also questions the origin of the Siberian Cossacks.


Sensors ◽  
2018 ◽  
Vol 18 (7) ◽  
pp. 2226 ◽  
Author(s):  
Álvaro Alonso ◽  
Alejandro Pozo ◽  
José Cantera ◽  
Francisco de la Vega ◽  
Juan Hierro

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