2021 ◽  
pp. 095715582110024
Author(s):  
Murielle El Hajj

The texts of Leslie Kaplan question the irreducible opposition between the real and the non-real. Her characters and their intentional absence confuse the repository and fictional worlds, not only to point out the thin margin between reality and fiction, but to underline the impossible delimitation between the real and the fictional, or even between the text and the world. This article studies the characters of Kaplan and aims to demonstrate their identity crisis through the study of their literary onomastic and the use of the neutral pronoun ‘it’ and allegoric expressions. In addition, the objective of this article is to shed light on the Kaplanian characters as Kunderian models, while stressing the particularity of their physionomy, which consists to present ‘fuzzy’ characters that are present and absent at the same time, engaging the reader in the fictional process as a try to complete the missing details. This article concludes that the Kaplanian characters are not only the prototypes of the postmodern being, but they are also introverted, psychopaths and a demonstration of different facets of the unconscious.


Transilvania ◽  
2021 ◽  
pp. 10-17
Author(s):  
Emanuel Modoc ◽  
Nicoleta Strugari ◽  
Mihnea Bâlici ◽  
Radu Vancu ◽  
Ștefan Baghiu ◽  
...  
Keyword(s):  

This article analyzes the ways in which the Romanian novel published between 1933-1947 represents cities, towns, peripheries and villages in the fictional worlds. It asserts the democratization of the narrative universe through the novel of the periphery and discusses the birth of the touristic novel, in which characters often spend time in new areas for relaxation. It also challenges the idea of spatial atomization, since the geographical preferences of the authors are usually centralized and gentrified. Almost only subgenre novels and ethnical minority authors are responsible for the democratization of the national geography of the Romanian novel in 1933-1947.


2021 ◽  
Author(s):  
Melanie Conroy

Literary geography is one of the core aspects of the study of the novel, both in its realist and post-realist incarnations. Literary geography is not just about connecting place-names to locations on the map; literary geographers also explore how spaces interact in fictional worlds and the imaginary of physical space as seen through the lens of characters' perceptions. The tools of literary cartography and geographical analysis can be particularly useful in seeing how places relate to one another and how characters are associated with specific places. This Element explores the literary geographies of Balzac and Proust as exemplary of realist and post-realist traditions of place-making in novelistic spaces. The central concern of this Element is how literary cartography, or the mapping of place-names, can contribute to our understanding of place-making in the novel.


2017 ◽  
Vol 68 (12) ◽  
pp. 2771-2782 ◽  
Author(s):  
Frank Branch ◽  
Theresa Arias ◽  
Jolene Kennah ◽  
Rebekah Phillips ◽  
Travis Windleharth ◽  
...  
Keyword(s):  

1970 ◽  
Vol 41 (115) ◽  
pp. 33-56
Author(s):  
Rolf Reitan

RICHARD WALSH: A CONTEXTUAL EXPOSITION OF BASIC TENETS | This essay is an attempt to reconstruct the logical structure of Walsh’s argument in “The pragmatics of fictionality” (Chapter 1 of The Rhetoric of Fictionality). Its main focus is on the implications of Walsh’s criticism of Fictional Worlds Theory and the issue of fictional reference, and on the relation between the rhetoric of fictionality and narratology.


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