The Male Body, Kingship and the Body Politic

Keyword(s):  
The Body ◽  
2018 ◽  
Vol 14 (4) ◽  
pp. 602-618
Author(s):  
Queer J. Thomas

AbstractThis article cautions against the strong impulse in the #MeToo movement to desexualize politics. Informed by queer theory, the article argues that the public desexualization imperative, represented by indignation toward President Donald Trump's pussy-grabbing antics and the concomitant, albeit justified, movement to expose decades of his sexual harassment of women, casts a shadow across queer citizens that chills sexual expression in democratic discourse and public life. The public desexualization imperative presents a double bind that creates, on one hand, public spaces that are less threatening and discriminatory to women and, on the other, public spaces that—from a queer white cisgender man's perspective, one whose only “marking” is his sexuality—erase queers’ valued differences. The author uses personal narrative to describe and apply tools (conceptualized as fagchild tools) that help navigate tensions between women's equality movements and queer efforts to gain fuller, more open sexual citizenship. The article focuses, first, on softening the body politic (implicitly a white cisgender heterosexual male body) to provide sociopolitical space for sexual pluralism. Second, the article uses the sexualization of House Speaker Paul Ryan to argue that making space for queer sexualities may require accommodating the expression of nonqueer sexualities, including those that most of us find offensive.


2021 ◽  
Vol 41 (2) ◽  
Author(s):  
Nicholas Hrynyk

This article examines narratives of disease and disability in Canada's gay and lesbian newspaper, The Body Politic (1971-1987), in order to demonstrate how gay male masculinity developed within a gay ableist culture deeply affected by HIV/AIDS. Over the course of the 1980s, two seemingly separate issues of disability and disease were woven together, establishing a dichotomy between the unhealthy and healthy, afflicted and non-afflicted, disabled and non-disabled body, which was marked by tension and, at times, hostility. As a result, two seemingly different discussions of disability and disease in The Body Politic intersected at the site of the gay male body, whereby issues of frailty and undesirability were shaped by pre-existing perceptions around disability. Narratives around disease and disability demonstrate how perceptions of bodily "failure" transferred from the disabled body onto the diseased body during the formative years of the HIV/AIDS epidemic through imagery and text. The aesthetics and language of disability are particularly important for understanding how the disabled body and the HIV/AIDS-afflicted body were culturally framed because the stylization of the body itself was fundamental to the politics of sexual liberation and the formulation of visible lesbian and gay communities.


2013 ◽  
Vol 10 (2) ◽  
pp. 358-373
Author(s):  
Louise Wilks

The representation of rape continues to be one of the most highly charged issues in contemporary cinema, and whilst many discussions of this topic focus on Hollywood movies, sexual violation is also a pervasive topic in British cinema. This article examines the portrayal of a female's rape in the British feature My Brother Tom (2001), a powerful and often troubling text in which the sexual violation of the teenage female protagonist functions as a catalyst for the events that comprise the plot, as is often the case in rape narratives. The article provides an overview of some of the key feminist academic discussions and debates that cinematic depictions of rape have prompted, before closely analysing My Brother Tom's rape scene in relation to such discourses. The article argues that the rape scene is neither explicit nor sensationalised, and that by having the camera focus on Jessica's bewildered reactions, it positions the audience with her, and powerfully but discreetly portrays the grave nature of sexual abuse. The article then moves on to examine the portrayal of sexual violation in My Brother Tom as a whole, considering the cultural inscriptions etched on the female body within its account of rape, before concluding with a discussion of the film's depiction of Jessica's ensuing methods of bodily self-inscription as she attempts to disassociate her body from its sexual violation.


Somatechnics ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 288-303
Author(s):  
Michael Connors Jackman

This article investigates the ways in which the work of The Body Politic (TBP), the first major lesbian and gay newspaper in Canada, comes to be commemorated in queer publics and how it figures in the memories of those who were involved in producing the paper. In revisiting a critical point in the history of TBP from 1985 when controversy erupted over race and racism within the editorial collective, this discussion considers the role of memory in the reproduction of whiteness and in the rupture of standard narratives about the past. As the controversy continues to haunt contemporary queer activism in Canada, the productive work of memory must be considered an essential aspect of how, when and for what reasons the work of TBP comes to be commemorated. By revisiting the events of 1985 and by sifting through interviews with individuals who contributed to the work of TBP, this article complicates the narrative of TBP as a bluntly racist endeavour whilst questioning the white privilege and racially-charged demands that undergird its commemoration. The work of producing and preserving queer history is a vital means of challenging the intentional and strategic erasure of queer existence, but those who engage in such efforts must remain attentive to the unequal terrain of social relations within which remembering forms its objects.


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