Challenging from the Grass Roots : The Girotondi and the No Global Movement

Keyword(s):  
Author(s):  
Atola Longkumer

This chapter provides broad brush strokes of Christian mission in the twentieth century, highlighting the emergence of native education, translation, native elites, and nationalism. It reviews the nature of charismatic Christianity, its engagement with expansive American Christianity and the unprecedented change contingent on the expansive globalization and revolution of technology. It surveys important themes such as: the demographic shift of Christianity, the rise of religio-cultural fundamentalism, women’s empowerment, the global movement of peoples, rising socio-economic inequality and conflicts of many types. In the face of a growing moratorium on Christian foreign missions, minority world missionary agencies were forced to deal with growing grass-roots missions movements, and to hand over agency of the Christian project in many localities around the world. Rising nationalist movements, fuelled by native educational efforts, informed a turn to contextualizing theologies, in which women and the Pentecostal upsurge have played an important role.


2005 ◽  
pp. 4-18 ◽  
Author(s):  
K. Sonin

In unequal societies, the rich may benefit from shaping economic institutions in their favor. This paper analyzes the dynamics of institutional subversion by focusing on public protection of property rights. If this institution functions imperfectly, agents have incentives to invest in private protection of property rights. The ability to maintain private protection systems makes the rich natural opponents of public protection of property rights and precludes grass-roots demand to drive the development of the market-friendly institution. The economy becomes stuck in a bad equilibrium with low growth rates, high inequality of income, and wide-spread rent-seeking. The Russian oligarchs of the 1990s, who controlled large stakes of newly privatized property, provide motivation for this paper.


2012 ◽  
Vol 21 (2) ◽  
pp. 157-180
Author(s):  
David Foster

This article examines the use of movement and visual form in the film adaptation of Samuel Beckett's Comédie (Marin Karmitz, 1966). The article broaches the kinetic elements of the work through addressing the manner in which the diegetic motion of the film can be seen to reflect extra-diegetic cinematic processes. The sense of movement that is created through Comédie's montage is then considered at length, making use of work on this theme by two quite different (though tangentially related) theorists: Sergei Eisenstein and Jean-François Lyotard. The article then charts the film's different manifestations of formal movement, and a basic framework is proposed to explain the manner in which the film creates moments of intensity, through what is termed the ‘local movement’ of the montage, and the manner in which the film manifests an overall curve of intensity, through what is termed the montage's ‘global movement’. It is argued that each form of montagic motion is reflected in the other, and that ultimately these movements might be seen to dramatise a human drive towards, and a concomitant flight from, an impossible state of ontological totality.


2010 ◽  
Vol 3 (1) ◽  
pp. 125-148
Author(s):  
Mercilee M. Jenkins

This paper explores the transformation of oral histories into a play about the founding of San Francisco Women's Building based on extensive interviews. My impetus for writing She Rises Like a Building to the Sky was to portray the kind of grass roots feminist organization primarily composed of lesbians that made up a large part of the second wave of the Women's Movement in the 1970's and early 1980's. The evolution of She Rises is discussed from three positionalities I occupied over an extensive period of time: oral historian, playwright and eventual community member. Excerpts from She Rises are used to illustrate the lessons I learned in the process of creating this work. I will discuss my self-collaboration in terms of the oral historian's concern for fidelity, the playwright's desire to bring such material to life whether by fact or fiction, and the community member's fears of how others will view this rendition of their stories. The behind the scenes dramas reveal as much as the play itself about the challenges and rewards of undertaking such projects.


2020 ◽  
Vol 6 (2) ◽  
pp. 145-173 ◽  
Author(s):  
Heidi E. Rademacher

Promoting the ratification of the Convention on the Elimination of All Forms of Discrimination against Women (CEDAW) was a key objective of the transnational women's movement of the 1980s and 1990s. Yet, few studies examine what factors contribute to ratification. The small body of literature on this topic comes from a world-society perspective, which suggests that CEDAW represented a global shift toward women's rights and that ratification increased as international NGOs proliferated. However, this framing fails to consider whether diffusion varies in a stratified world-system. I combine world-society and world-systems approaches, adding to the literature by examining the impact of women's and human rights transnational social movement organizations on CEDAW ratification at varied world-system positions. The findings illustrate the complex strengths and limitations of a global movement, with such organizations having a negative effect on ratification among core nations, a positive effect in the semiperiphery, and no effect among periphery nations. This suggests that the impact of mobilization was neither a universal application of global scripts nor simply representative of the broad domination of core nations, but a complex and diverse result of civil society actors embedded in a politically stratified world.


Sign in / Sign up

Export Citation Format

Share Document