scholarly journals Rock critics as 'Mouldy Modernists'

Author(s):  
Becky Shepherd

Contemporary rock criticism appears to be firmly tied to the past. The specialist music press valorise rock music of the 1960s and 1970s, and new emerging artists are championed for their ‘retro’ sounding music by journalists who compare the sound of these new artists with those included in the established ‘canon’ of rock music. This article examines the narrative tropes of authenticity and nostalgia that frame the retrospective focus of this contemporary rock writing, and most significantly, the maintenance of the rock canon within contemporary popular culture. The article concludes by suggesting that while contemporary rock criticism is predominately characterised by nostalgia, this nostalgia is not simply a passive romanticism of the past. Rather, this nostalgia fuels a process of active recontextualisation within contemporary popular culture.

Author(s):  
Karolina Karbownik

The music media have constructed the identity of groupies as sexual and passive objects, submissive, inauthentic consumers of music. The stereotype, although still present in popular culture, is criticized by both the interested parties and rock artists. This article is an attempt to discuss the role that groupies played in the creation of the myth and character of the rock god, while taking into account the preconceived assumptions held by the popular media. Narratives of groupies’ participation in the emerging rock and metal scene have also been included as the ones which created a male rock musician identity: wild, aggressive and powerful. The basis for the discussion of groupies and their role in building identity in the context of rock music is the result of a deep, rhetorical analysis of groupies’ biographies, press materials, films, scientific literature and own research.


Author(s):  
M. J. Rymsza-Pawlowska

During the 1976 Bicentennial celebration, millions of Americans engaged with the past in brand-new ways. They became absorbed by historical miniseries like Roots, visited museums with new exhibits that immersed them in the past, propelled works of historical fiction onto the bestseller list, and participated in living history events across the nation. While many of these activities were sparked by the Bicentennial, M. J. Rymsza-Pawlowska shows that, in fact, they were symptomatic of a fundamental shift in Americans’ relationship to history during the 1960s and 1970s. For the majority of the twentieth century, Americans thought of the past as foundational to, but separate from, the present, and they learned and thought about history in informational terms. But Rymsza-Pawlowska argues that the popular culture of the 1970s reflected an emerging desire to engage and enact the past on a more emotional level: to consider the feelings and motivations of historic individuals and, most importantly, to use this in reevaluating both the past and the present. This thought-provoking book charts the era’s shifting feeling for history, and explores how it serves as a foundation for the experience and practice of history making today.


Author(s):  
Jonathan Weinel

This chapter explores how music technologies and electronic studio processes relate to altered states of consciousness in popular music. First, an overview of audio technologies such as multi-tracking, echo, and reverb is given, in order to explore their illusory capabilities. In the rock ’n’ roll music of the 1950s, studio production techniques such as distortion provided a means through which to enhance the energetic and emotive properties of the music. Later, in surf rock, effects such as echo and reverb allowed the music to evoke conceptual visions of teenage surf culture. In the 1960s and 1970s, these approaches were developed in psychedelic rock music, and space rock/space jazz. Here, warped sounds and effects allowed the music to elicit impressions of psychedelic experiences, outer space voyages, and Afrofuturist mythologies. By exploring these areas, this chapter shows how sound design can communicate various forms of conceptual meaning, including the psychedelic experience.


2017 ◽  
Vol 31 (2) ◽  
pp. 125-144 ◽  
Author(s):  
Joshua D. Angrist ◽  
Jörn-Steffen Pischke

The past half-century has seen economic research become increasingly empirical, while the nature of empirical economic research has also changed. In the 1960s and 1970s, an empirical economist's typical mission was to “explain” economic variables like wages or GDP growth. Applied econometrics has since evolved to prioritize the estimation of specific causal effects and empirical policy analysis over general models of outcome determination. Yet econometric instruction remains mostly abstract, focusing on the search for “true models” and technical concerns associated with classical regression assumptions. Questions of research design and causality still take a back seat in the classroom, in spite of having risen to the top of the modern empirical agenda. This essay traces the divergent development of econometric teaching and empirical practice, arguing for a pedagogical paradigm shift.


2021 ◽  
pp. 172-193
Author(s):  
William V. Trollinger

For the past century, the bulk of white evangelicalism has been tightly linked to very conservative politics. But in response to social and cultural changes in the 1960s and 1970s, conservative white evangelicalism organized itself into the Christian Right, in the process attaching itself to and making itself indispensable to the Republican Party. While the Christian Right has enjoyed significant political success, its fusion of evangelicalism/Christianity with right-wing politics—which includes white nationalism, hostility to immigrants, unfettered capitalism, and intense homophobia—has driven many Americans (particularly, young Americans) to disaffiliate from religion altogether. In fact, the quantitative and qualitative evidence make it clear that the Christian Right has been a (perhaps the) primary reason for the remarkable rise of the religious “nones” in the past three decades. More than this, the Christian Right is, in itself, a sign of secularization.


<em>Abstract</em>.—Lakes are very important resources for fisheries production in China. The total area of lakes for commercial fisheries in China reaches 1.02 million ha, which accounts for 18% of the total freshwater aquaculture area. China has gained rich experience developing lake commercial fisheries over the past 60 years. In the 1950s, lake fisheries were primarily focused on the capture of natural aquatic animal species. With the success of the artificial reproduction of the four domestic carps (Silver Carp <em>Hypophthalmichthys molitrix</em>, Bighead Carp <em>H. nobilis </em>(also known as <em>Aristichthys nobilis</em>), Grass Carp <em>Ctenopharyngodon idella</em>, and Black Carp <em>Mylopharyngodon piceus</em>), stock-enhanced fisheries became the main production method in the 1960s and 1970s. During this period, large-scale resources investigations all over China were conducted, some stocking and management theories that were based on primary production developed, and fish production potentials for lakes were determined. The united fishing method was created during this period, which significantly increased the capture efficiency in large lakes. In the 1980s, semi-intensive and intensive aquaculture methods, including application of fertilizers and artificial feeds, cage culture, and pen culture, were applied to lake and reservoir fisheries, which substantially increased fishery production and also the income of fishermen. However, intensive aquaculture in lakes has caused serious environmental problems, such as ecosystem degradation, exhaustion of natural fisheries resources, decreased biodiversity, and increased eutrophication. Sustainable development of fisheries in lakes of the Yangtze River basin has been facing unprecedented challenges, both to the environment and to human society. More and more attention has focused on the balance between fisheries development and environmental protection in the past two decades. Ecofishery is a possible solution to this potential conflict. As a strategy for lake fisheries reform, it is suggested that use of natural food resources in lakes should be more efficient than present, and lake fisheries should be developed based on ecosystem restorations.


1993 ◽  
Vol 4 (3) ◽  
pp. 599-604 ◽  
Author(s):  
Irwin D. Mandel

The past 50 years of salivary research has been marked by a series of changing perceptions as new techniques and technologies have illuminated the complexities of the secretory mechanism, salivary composition, and function. The modem era began with the innovations of electrophoresis, chromatography, histochemistry, immunochemistry, electron microscopy, and microphysiology. The idea of saliva as primarily a digestive fluid composed of salts, amylase, and mucin was rapidly broadened to encompass a wide spectrum of protective proteins with the dual responsibility of protecting both hard and soft tissues. Characterization of the secretory IgA and nonimmunological antibacterial systems and the proteins responsible for the regulation of calcium and phosphate levels dominated the research in the 1960s and 1970s. An appreciation of the nature, formation, and role of the salivary pellicle and the interplay between bacterial adherence and agglutination provided a clinical thrust. Morphologists and physiologists redefined the secretory process on a molecular level. The 1980s saw the union of structure and function, both in terms of synthesis and release of the secretory products and their specific roles in the oral cavity in health and disease. The excitement of the 1990s is in the genetic control of processes and products, elucidating the mechanisms, and using the information to improve on nature: an era of great expectations and hubris. This article is essentially a personal guided tour through the past 50 years of salivary research.


2020 ◽  
Vol 9 (1) ◽  
pp. 77-94 ◽  
Author(s):  
Kimberly Kattari

While some scholars suggest that subcultures are a thing of the past, that we are living in a post-subcultural era, an ethnographic exploration of psychobilly shows that subcultures still play a meaningful role in contemporary society. Since its development in the early 1980s, psychobilly has uniquely blended punk, rockabilly and horror to express countercultural values and aesthetics. Like the groups studied by the Centre for Contemporary Cultural Studies in the 1960s and 1970s, the psychobilly subculture is characterized by consistent and distinct values and tastes, a shared sense of collective identity, committed involvement over a long period of time, and relative independence from the culture industry. By participating in this obscure but strongly defined subculture, psychobillies not only express their resistance to mainstream culture but also find strategies to manage and improve their lived experience. As a result of their committed subcultural involvement, psychobillies feel alive, or, rather, ‘undead’, a metaphor made all the more symbolic because of the subculture’s interest in a host of undead creatures. This article thus argues for continued application of subcultural theory to understand the significant meaning and impact of participation in non-conformist communities today.


2012 ◽  
Vol 4 (1) ◽  
pp. 1-6 ◽  
Author(s):  
Tom Verschaffel ◽  
Kaat Wils

The political use and instrumentalization of history is a central theme within the historiography of history education. Neither history nor education is a politically neutral domain; history education is and has always been a highly politicized phenomenon. For his recent article on the development of history education in England, Germany, and the Netherlands throughout the nineteenth and twentieth centuries, the Dutch history didactician Arie Wilschut chose the significant title, “History at the Mercy of Politicians and Ideologies.” History education, Wilschut argues, has, in all three countries, continually—with a short break in the 1960s and 1970s—been instrumentalized by national politics to the detriment of unbiased interpretations of the past.


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