War Matters

2018 ◽  
Keyword(s):  
Civil War ◽  
Cultural History ◽  
Social Relationships ◽  
Social Economic ◽  
Material Objects ◽  
The Social ◽  
Wide Range ◽  
History Of

Material objects lie at the crux of understanding individual and social relationships throughout history, and the Civil War generation is no exception. Before, during, and after the war, Americans from all walks of life created, used, revered, exploited, discarded, mocked, and destroyed objects for countless reasons. These objects had symbolic significance for millions of people. The essays in this volume consider a wide range of material objects, including weapons, Revolutionary artifacts, landscapes, books, vaccine matter, human bodies, houses, clothing, and documents. Together, the contributors argue that material objects can shed new light on the social, economic, and cultural history of the conflict. This book will fundamentally reshape our understanding of the war.

scholarly journals A atribulada criação da Biblioteca Pública de Braga e o seu arrojado bibliotecário limiano

2020 ◽  
Author(s):  
Paula Sequeiros
Keyword(s):  
Cultural History ◽  
Social Economic ◽  
Public Libraries ◽  
Public Library ◽  
Professional Life ◽  
The Public ◽  
Modern Times ◽  
The Social ◽  
History Of ◽  
The Creation

The creation of the Public Library of Braga, one of the first of the modern times in Portugal, and a brief sociobiography of Manoel Rodrigues da Silva Abreu, the first librarian, are here presented within the context of the social, economic, cultural and political power relations of the initial decades of the Library’s history.Some episodes of the creation and of the consolidation of the Library, as well as some episodes of the librarian’s professional life will be outlined to facilitate a wider reading. While building from specificity, the analysis and interpretation of this case enclose an explanatory capacity addressed at a wider framework, in what concerns both the history of public libraries in Braga, and the understanding of the cultural history of this period in Braga and in Portugal.

Missing Women: Sex Ratios in England, 1000–1500

2014 ◽  
Vol 53 (2) ◽  
pp. 273-309 ◽  
Author(s):  
Sandy Bardsley
Keyword(s):  
Sex Ratio ◽  
Cultural History ◽  
Social Economic ◽  
Sex Ratios ◽  
Medieval England ◽  
Late Medieval ◽  
The Social ◽  
History Of ◽  
Late Medieval England ◽  
Missing Women

AbstractThis article proposes that late medieval English men may have outnumbered women by a significant margin, perhaps as high as 110 to 115 men for every 100 women. Data from both documentary and archaeological sources suggest that fewer females survived to adulthood and that those who did may have died younger than their husbands and brothers. Historians of medieval England have said little about the possibility of a skewed sex ratio, yet if women were indeed “missing” from the population as a whole in a significant and sustained way, we must reinterpret much of the social, economic, gender, and cultural history of late medieval England.

Presentation

2014 ◽  
Vol 2 (3) ◽  
Author(s):  
Redacción CEIICH
Keyword(s):  
Cultural History ◽  
Social Reality ◽  
Point Of View ◽  
The Body ◽  
Literary Studies ◽  
The Third ◽  
The Social ◽  
Feminist Theories ◽  
History Of

<p class="p1">The third number of <span class="s1"><strong>INTER</strong></span><span class="s2"><strong>disciplina </strong></span>underscores this generic reference of <em>Bodies </em>as an approach to a key issue in the understanding of social reality from a humanistic perspective, and to understand, from the social point of view, the contributions of the research in philosophy of the body, cultural history of the anatomy, as well as the approximations queer, feminist theories and the psychoanalytical, and literary studies.</p>

The Art of Love Poetry

2018 ◽  
Author(s):  
Erik Gray
Keyword(s):  
Popular Culture ◽  
Cultural History ◽  
Literary Tradition ◽  
Love Poetry ◽  
Erotic Love ◽  
Wide Range ◽  
History Of ◽  
And Function ◽  
Meaning And Function ◽  
Comprehensive History

Love begets poetry; poetry begets love. These two propositions have seemed evident to thinkers and poets across the Western literary tradition. Plato writes that “anyone that love touches instantly becomes a poet.” And even today, when poetry has largely disappeared from the mainstream of popular culture, it retains its romantic associations. But why should this be so—what are the connections between poetry and erotic love that lead us to associate them so strongly with one another? An examination of different theories of both love and poetry across the centuries reveals that the connection between them is not merely an accident of cultural history—the result of our having grown up hearing, or hearing about, love poetry—but something more intrinsic. Even as definitions of them have changed, the two phenomena have consistently been described in parallel terms. Love is characterized by paradox. Above all, it is both necessarily public, because interpersonal, and intensely private; hence it both requires expression and resists it. In poetry, especially lyric poetry, which features its own characteristic paradoxes and silences, love finds a natural outlet. This study considers both the theories and the love poems themselves, bringing together a wide range of examples from different eras in order to examine the major structures that love and poetry share. It does not aim to be a comprehensive history of Western love poetry, but an investigation into the meaning and function of recurrent tropes, forms, and images employed by poets to express and describe erotic love.

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