scholarly journals Prevalence of Colour Blindness in Nigeria: Nnamdi Azikiwe University Medical

2021 ◽  
Author(s):  
Ed Nwobodo ◽  
◽  
Nneoma Darawuzie ◽  
David Ikwuka ◽  
◽  
...  
Keyword(s):  
2013 ◽  
pp. 76-81
Author(s):  
Thi Anh Thu Nguyen ◽  
Thi Mai Dung Nguyen

Background: Colorblind disability causes difficulties for people in daily life. Derived from the critical requirement to detect the patients in order to help prevent inappropriate careers, especially careers related to transportation, this research aim to determine the situations and the distributions of different types of visual disabilities. Materials: 1174 students (787 boys and 387 girls) including 2 groups: occupation group and transportation group were tested with ISHIHARA chromatic plates for colour vision deficiencies (CVD) (CVD iclude the total colour blindness, red- green blindness, red-blindness, green- blindness). The results are showed as follow: (i) Frequency of CVD boys among boy group is 4.70%; (ii) Frequency of CVD girls among girls group is 2.58%; (iii) In boy group, among 3 types of red- green blindness, the green-blindness has the higher frequency (3.18%) comparision with these ones of the red- green blindness and red-blindness. The total colour defiency was hardly; (iv) Frequency of CVD students among occupation group is 4.15%; (v) Frequency of CVD students among transportation group is 3.83%.


2019 ◽  
pp. 10-10
Author(s):  
Nick Birch
Keyword(s):  

2021 ◽  
Vol 673 (1) ◽  
pp. 012041
Author(s):  
D B Yandikaputri ◽  
H Isnaeni ◽  
E Nuraeny ◽  
N R Kusuma
Keyword(s):  

2021 ◽  
pp. 095715582110074
Author(s):  
Siv B Lie

Django Reinhardt: Swing de Paris, an exhibition that took place at the Cité de la musique in Paris, depicted the life and environment of famed Manouche (French Romani/”Gypsy”) guitarist Django Reinhardt. In this article, I explore how the exhibition performed a spatialized centre-periphery model of citizenship that both reflected and reinforced Manouche marginality in relation to broader French society. I argue that museum exhibitions generate and harness place-oriented narratives to reinforce hegemonic conceptions about ideal citizens. In marking out an ethnoracially segregated imaginary of swing-era Paris, the exhibition reproduced stereotyped ideas about Manouche exoticism and inadaptability to urban modernity. These narratives are not exceptional, but are part of a long-standing project to define national belonging in terms of a normative white identity. As such, they are symptomatic of a much broader problem of state-sanctioned racism in France that is denied through claims to colour-blindness.


Nature ◽  
1910 ◽  
Vol 84 (2138) ◽  
pp. 495-495 ◽  
Author(s):  
F. W. EDRIDGE-GREEN
Keyword(s):  

BMJ ◽  
1880 ◽  
Vol 2 (1037) ◽  
pp. 767-769 ◽  
Author(s):  
F. C. Donders
Keyword(s):  

1860 ◽  
Vol 10 ◽  
pp. 72-84 ◽  

I consider this paper as in many respects an exceedingly valuable contribution to our knowledge of the curious subject ot colour-blindness—1st, because it is the only clear and consecutive account of that affection which has yet been given by a party affected, in possession of a knowledge of what has yet been said and written on it by others, and of the theories advanced to account for it, and who, from general education and habits of mind, is in a position to discuss his own case scientifically; and 2ndly, for the reasons the author himself alleges why such a person is really more favourably situated for describing the phenomena of colour-blindness, than any normaleyed person can possibly be. It is obvious that on the very same principle that the latter considers himself entitled to refer all his perceptions of colour to three primary or elementary sensations—whether these three be red, blue, and yellow, as Mayer (followed in this respect by the generality of those who have written on colours) has done, or red, green, and violet, as suggested by Dr. Young, reasoning on Wollaston’s account of the appearance of the spectrum to his eyes—on the very same principle is a person in Mr. Pole’s condition, or one of any other description of abnormal colour-vision, quite equally entitled to be heard, when he declares that he refers his sensations of colour to two primary elements, whose combination in various proportions he recognizes, or thinks he recognizes, in all hues presented to him, and which, if he pleases to call yellow and blue, no one can gainsay him; though, whether these terms express to him the same sensations they suggest to us, or whether his sensation of light with absence of colour corresponds to our white, is a question which must for ever remain open (although I think it probable that such is really the case). All we are entitled to require on receiving such testimony is, that the party giving it should have undergone that sort of education of the sight and judgement , especially with reference to the prismatic decomposition of natural and artificial colours, for want of which the generality of persons whose vision is unimpeachably normal, appear to entertain very confused notions, and are quite incapable of discussing the subject of colour in a manner satisfactory to the photologist.


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