scholarly journals Taiwan's underwater cultural heritage documentation management

2015 ◽  
Vol XL-5/W7 ◽  
pp. 533-537
Author(s):  
Y.-Y. Tung
Keyword(s):  
Cultural Heritage ◽  
Archaeological Sites ◽  
Underwater Cultural Heritage ◽  
Documentation System ◽  
Archaeological Investigation ◽  
Ancient Time ◽  
Individual Institution ◽  
Underwater Targets

Taiwan is an important trading and maritime channels for many countries since ancient time. Numerous relics lie underwater due to weather, wars, and other factors. In the year of 2006, Bureau of Cultural Heritage (BOCH) entrusted the Underwater Archaeological Team of Academia Sinica to execute the underwater archaeological investigation projects. Currently, we verified 78 underwater targets, with 78 site of those had been recognized as shipwrecks sites. Up to date, there is a collection of 638 underwater objects from different underwater archaeological sites. Those artefacts are distributed to different institutions and museums. As very diverse management methods/systems are applied for every individual institution, underwater cultural heritage data such as survey, excavation report, research, etc. are poorly organized and disseminated for use. For better communication regarding to Taiwan’s underwater cultural heritage in every level, a universal format of documentation should be established. By comparing the existing checklist used in Taiwan with guidelines that are followed in other countries, a more intact and appropriate underwater cultural heritage condition documentation system can be established and adapted in Taiwan.

scholarly journals Getting Your Feet Wet

2021 ◽  
pp. 1-11
Author(s):  
Ashley Lemke ◽  
Nicole Bucchino Grinnan ◽  
Jay V. Haigler
Keyword(s):  
Cultural Heritage ◽  
Scuba Diving ◽  
Homogeneous Group ◽  
Archaeological Sites ◽  
Underwater Archaeology ◽  
Underwater Cultural Heritage ◽  
Underrepresented Groups ◽  
General Lack

Abstract There is a lack of broad representation in archaeology generally, and in a specialized field such as underwater archaeology, this issue is only exacerbated. Underwater archaeological sites are often “out of sight, out of mind,“” creating a general lack of awareness of underwater cultural heritage and career prospects in many communities. Coupled with a lack of education and the additional demands of working in a submerged environment (e.g., scuba diving), there is a striking lack of diversity in underwater archaeology. Overall, underwater archaeologists are a largely homogeneous group, particularly along the lines of race and wealth—categories that often overlap. In the context of asking broader questions such as “Why are there so few underwater archaeologists of color?” and “How can we do better?” this article outlines the barriers to inclusivity writ large in underwater archaeology and provides solutions for increasing diversity and accessibility in the field, including specific opportunities and resources for underrepresented groups to “get their feet wet.”

scholarly journals Underwater Cultural Heritage and Maritime Archaeology in Croatia: An Overview

2012 ◽  
Vol 15 (2) ◽  
pp. 285-308 ◽  
Author(s):  
Irena Radić Rossi
Keyword(s):  
Cultural Heritage ◽  
Maritime Archaeology ◽  
Classical Antiquity ◽  
Archaeological Sites ◽  
Systematic Research ◽  
Underwater Cultural Heritage ◽  
Adriatic Coast ◽  
Modern Era ◽  
Maritime Environment

Archaeological sites in Croatia's shallow waters are mentioned in written sources from the sixteenth century, and since the eighteenth century they have been used as evidence for the sinking of the Eastern Adriatic coast. It was at the end of the same century that the first Roman shipwreck in Croatian waters was reported. Sponge divers and coral hunters raised archaeological finds from the seabed off the Croatian coast, thus contributing to the creation of many private and monastic collections. Isolated campaigns aimed at protecting underwater cultural heritage began in the 1950s, and by 1970 these efforts became part of a well-organized system. Although the lack of systematic research remains notable, a number of surveys and rescue excavations have enriched our knowledge of ancient seafaring along the Croatian coast and have contributed to the study of the maritime environment. Some well-preserved shipwrecks from classical antiquity and the modern era show excellent potential for thein situprotection and presentation of Croatian underwater cultural heritage.

scholarly journals THE ENHANCEMENT OF UNDERWATER CULTURAL HERITAGE ASSETS USING AUGMENTED REALITY (AR)

2019 ◽  
Vol XLII-2/W10 ◽  
pp. 119-125
Author(s):  
A. Malliri ◽  
K. Siountri ◽  
E. Skondras ◽  
D. D. Vergados ◽  
C.-N. Anagnostopoulos
Keyword(s):  
Augmented Reality ◽  
Cultural Heritage ◽  
Information And Communication Technologies ◽  
Intelligent Systems ◽  
Research Work ◽  
Maritime Archaeology ◽  
Archaeological Sites ◽  
Underwater Cultural Heritage ◽  
East Lokris ◽  
Cloud Technologies

<p><strong>Abstract.</strong> Τhe development in the fields of Underwater Cultural Heritage (UCH) management and Maritime Archaeology, yields an interdisciplinary and creative academic framework, such as the Information and Communication Technologies (ICT) sector that has been proved to build intelligent systems and applications. However, the ways to fully make use of these technologies are still being explored, as their potential have not been exploited yet. Underwater archaeological sites, semi (/or fully) submerged settlements, ancient ports and shipwrecks, unlike land sites, are not accessible to public due to their special (sub) marine environment and depth. In this paper, an innovative research idea of using Augmented Reality (AR) for maintaining the memory and the information of underwater archaeological sites, is presented. Although the “artificial” visual documentation cannot replace the authentic values of the underwater tangible heritage, the AR technology can contribute to the protection of the intangible properties and the conquered knowledge of the past of a place. This research work will focus, among other case studies, on the (semi) submerged fortifications and their contiguous contents of the acropolis of Halai in east Lokris, Greece. Hence, along with the climate change that may lead more antiquities covered by water during the following years, the advances in the communication field and the up-coming 5G and cloud technologies will make the idea fully applicable, contributing to the enhancement of the coastal and the underwater archaeological remains.</p>

scholarly journals VIRTUAL DIVING IN THE UNDERWATER ARCHAEOLOGICAL SITE OF CALA MINNOLA

2017 ◽  
Vol XLII-2/W3 ◽  
pp. 121-126 ◽  
Author(s):  
F. Bruno ◽  
A. Lagudi ◽  
L. Barbieri ◽  
M. Muzzupappa ◽  
M. Mangeruga ◽  
...  
Keyword(s):  
3D Reconstruction ◽  
Cultural Heritage ◽  
Archaeological Site ◽  
Biological Information ◽  
Archaeological Sites ◽  
Underwater Cultural Heritage ◽  
Virtual Tour ◽  
New Methods ◽  
Sustainable Exploitation

The paper presents the application of the technologies and methods defined in the VISAS project for the case study of the underwater archaeological site of Cala Minnola located in the island of Levanzo, in the archipelago of the Aegadian Islands (Sicily, Italy). The VISAS project (http://visas-project.eu) aims to improve the responsible and sustainable exploitation of the Underwater Cultural Heritage by means the development of new methods and technologies including an innovative virtual tour of the submerged archaeological sites. <br><br> In particular, the paper describes the 3D reconstruction of the underwater archaeological site of Cala Minnola and focus on the development of the virtual scene for its visualization and exploitation. The virtual dive of the underwater archaeological site allows users to live a recreational and educational experience by receiving historical, archaeological and biological information about the submerged exhibits, the flora and fauna of the place.

scholarly journals ACCESSIBILITY TO UNDERWATER CULTURAL HERITAGE: INTERACTIVE WEB NAVIGATION OF THE ROMAN SUBMERSED VESSEL OF CALA MINNOLA

2021 ◽  
Author(s):  
Andrea Scianna ◽  
Giuseppe Fulvio Gaglio ◽  
Marcello La Guardia
Keyword(s):  
Cultural Heritage ◽  
Virtual Environments ◽  
Technological Development ◽  
Archaeological Site ◽  
Archaeological Sites ◽  
Underwater Cultural Heritage ◽  
Complex Environments ◽  
5G Networks ◽  
Web Navigation ◽  
Virtual Reconstruction

The possibilities offered by photogrammetric reconstruction based on computer vision algorithms allowed in recent years to develop new interesting solutions for the use and dissemination of knowledge on Cultural Heritage (CH). In the same way, the recent technological development in the field of Virtual Reality (VR) has offered new possibilities for the creation of interactive virtual environments which can be freely accessed via the browser using any type of device. These technologies acquire an additional relevance if applied to archaeological sites or monuments that are difficult to access, or even totally inaccessible, except by specialized personnel. In this case the virtual fruition on web becomes strategic for the valorization of CH, as in the case of submerged archaeological sites, where the virtual tour represents in fact the only opportunity of diffuse accessibility. The present case shows the virtual reconstruction of the wreck area of the Roman ship found on the seabed of Cala Minnola on the island of Levanzo (TP, Italy). The model, obtained from a Structure from Motion (SfM) processing of a chunk of photos originally intended for a traditional photogrammetric survey, was edited and inserted into a specific template based on HTML5 and linked to Javascript libraries (Three.js) which allowed browsing on web. Subsequently, the navigation model was appropriately adapted to the purpose, so as to make the use of the network more intuitive possible, considering any type of device and using the most common browsers (Chrome, Safari, Firefox). This experimentation is a viable procedure for spreading the knowledge of a submerged archaeological site in a simple way, by web-browsing. This type of navigation models with the future development of 5G networks will find greater diffusion and application, with the possibility of including increasingly complex environments in the navigation.

scholarly journals Making the Invisible Visible: Underwater Malta—A Virtual Museum for Submerged Cultural Heritage

2021 ◽  
Vol 13 (8) ◽  
pp. 1558
Author(s):  
Timmy Gambin ◽  
Kari Hyttinen ◽  
Maja Sausmekat ◽  
John Wood
Keyword(s):  
Cultural Heritage ◽  
Public Access ◽  
Human Interaction ◽  
Underwater Cultural Heritage ◽  
Virtual Museum ◽  
Underwater Imaging ◽  
Human Occupation ◽  
The Public ◽  
3D Photogrammetry ◽  
Underwater Sites

The seabed can be considered as the world’s largest museum, and underwater sites explored and studied so far provide priceless information on human interaction with the sea. In recognition of the importance of this cultural resource, UNESCO, in its 2001 Convention on the Protection of the Underwater Cultural Heritage, determined that objects/sites should be preserved in situ, whilst also advocating for public access and sharing. The implementation of these principles is not without difficulties. Some states have opened up underwater sites to the public—mainly through diving, yet the vast majority of the world’s population does not dive. In Malta, 7000 years of human occupation is reflected in and on the landscape, and recent offshore surveys show that the islands’ long and complex history has also left an indelible mark on the seabed. Besides difficulties related to their protection and management, these sites also present a challenge with regard to sharing and communicating. Recent advances in underwater imaging and processing software have accelerated the development of 3D photogrammetry of submerged sites and the idea for a virtual museum was born. The virtual museum, UnderwaterMalta, was created out of a need to share the plethora of underwater sites located on the seabed of the Maltese Islands. A multitude of digital tools are used to share and communicate these sites, offering visitors a dry dive into submerged sites that would otherwise remain invisible to the vast majority of the public. This paper discusses the basic principle of the sharing of underwater cultural heritage and the difficulties that beset the implementation of such a principle. A detailed explanation and evaluation of the methods used to gather the raw data needed is set in the context of the particular and unique working conditions related to deep water sites. The workings of this paper are based on first-hand experiences garnered through the recording of numerous wrecks over the years and the creation and launch of The Virtual Museum-Underwater Malta—a comprehensive virtual museum specifically built for “displaying” underwater archaeological sites that are otherwise invisible to the general public.

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