scholarly journals EMBARRAR EL CANON

2020 ◽  
Vol 6 (2) ◽  
pp. 7-37
Author(s):  
Juan Ignacio Vallejos
Keyword(s):  
Buenos Aires ◽  
Nestor Perlongher

El presente artículo analiza la funcionalidad del canon, entendido como un dispositivo de subjetivación artística, en la danza contemporánea periférica. Luego de una introducción de casos etnográficos provenientes del campo de la danza de Buenos Aires, el trabajo se focaliza en la discusión de conceptos operantes como el de canon, progreso, modernismo, movimiento y nacionalismo. En última instancia, se propone concebir los aportes del concepto de barroco barroso de Néstor Perlongher y de desidentificación de José Esteban Muñoz, como estrategias político estéticas de subversión del canon. Pugnar por una coreopolítica de la abundancia es entender al arte, particularmente a aquel que compromete al cuerpo en movimiento, como un terreno para la construcción de nuevas formas de vida.

scholarly journals Intimacy, Memory and Revelation: HIV/AIDS Representations in Néstor Perlongher’s and Caio Fernando Abreu’s Epistolary Writing

2021 ◽  
pp. 145-176
Author(s):  
Gustavo Vargas
Keyword(s):  
Latin America ◽  
Gay Men ◽  
Buenos Aires ◽  
Comprehensive Understanding ◽  
Epistolary Writing ◽  
The Social ◽  
Publishing Houses ◽  
Living With Hiv ◽  
Hiv Aids ◽  
Nestor Perlongher

This article analyzes the epistolary works of writers Néstor Perlongher and Caio Fernando Abreu. Both authors share their experiences living with HIV/AIDS in their personal correspondence that has been recently published in different publishing houses in São Paulo and Buenos Aires (Agir and Santiago Arcos editor). This article reads through this affective archive that both authors left for posterity and suggests Perlongher and Abreu have a contrasting system of writing about the epidemic and what it represents for gay men in the region. Despite being authors that followed different paths to develop their literary interests, Perlongher and Abreu left for posterity an archive that provides a comprehensive understanding of the social, medical and political aspects of living with HIV/AIDS in Latin America.

scholarly journals Cat Power. A toma da Terra

2018 ◽  
Vol 1 (8) ◽  
pp. 434
Author(s):  
Cecilia Palmeiro
Keyword(s):  
Rio De Janeiro ◽  
Buenos Aires ◽  
Nestor Perlongher

O trecho, traduzido por Helder Thiago Maia, é parte da primeira novela de Cecília Palmeiro, <em>Cat Power. La toma de la Tierra</em> (Buenos Aires, Tenemos las máquinas, 2017), onde o narrador é um um gato alienígena, cuja raça se encontra próximo da extinção, que passa a narrar, com altas doses de ironia ativista, os infortúnios da Madrinha  durante a escrita da sua tese entre Buenos Aires, Nova Iorque e Rio de Janeiro. Nessa jornada Rorro (o gato) descobre que através da consciência da Madrinha é quase impossível cumprir o objetivo para o qual foi enviado à terra, mas mesmo assim dá um jeito para a conquista felina do planeta. Cecília Palmeiro é professora de teoria literária e literatura latino-americana na Universidade Nacional Tres de Febrero e na Universidade de Nova York em Buenos Aires. É autora dos livros <em>Desbunde y Felicidad: de la cartonera a Perlongher</em> (2011) e editou o livro <em>Correspondencia</em> de Néstor Perlongher (2016)

Open discussion

1982 ◽  
Vol 99 ◽  
pp. 605-613
Author(s):  
P. S. Conti
Keyword(s):  
Buenos Aires ◽  
Large Mass ◽  
List Type ◽  
Common Phenomenon ◽  
Open Discussion ◽  
The Stability ◽  
Ring Nebulae

Conti: One of the main conclusions of the Wolf-Rayet symposium in Buenos Aires was that Wolf-Rayet stars are evolutionary products of massive objects. Some questions:–Do hot helium-rich stars, that are not Wolf-Rayet stars, exist?–What about the stability of helium rich stars of large mass? We know a helium rich star of ∼40 MO. Has the stability something to do with the wind?–Ring nebulae and bubbles : this seems to be a much more common phenomenon than we thought of some years age.–What is the origin of the subtypes? This is important to find a possible matching of scenarios to subtypes.

El Acuerdo de Buenos Aires

1998 ◽  
Vol 26 (152) ◽  
pp. 576
Author(s):  
Oscar H. del Brutto Perrone ◽  
José Antonio Bueri ◽  
Antonio Culebras ◽  
Jordi Matías-Guiu Guía ◽  
Marco Tulio Medina Hernández ◽  
...  
Keyword(s):  
Buenos Aires

Rebellious Wallflowers and QueerTangueras: The Rise of Female Leaders in Buenos Aires’ Tango Scene

2018 ◽  
Vol 36 (2) ◽  
pp. 173-197
Author(s):  
Juliet McMains
Keyword(s):  
Social Norms ◽  
Buenos Aires ◽  
Female Leaders ◽  
Same Sex ◽  
Overlapping Communities ◽  
Heterosexual Women ◽  
Bisexual And Transgender ◽  
History Of

This paper interrogates the history of same-sex dancing among women in Buenos Aires' tango scene, focusing on its increasing visibility since 2005. Two overlapping communities of women are invoked. Queer tangueras are queer-identified female tango dancers and their allies who dance tango in a way that attempts to de-link tango's two roles from gender. Rebellious wallflowers are women who practice, teach, perform, and dance with other women in predominantly straight environments. It is argued that the growing acceptance of same-sex dancing in Argentina is due to the confluence of four developments: 1) the rise of tango commerce, 2) innovations of tango nuevo, 3) changing laws and social norms around lesbian, gay, bisexual, and transgender rights, and 4) synergy between queer tango dancers and heterosexual women who are frustrated by the limits of tango's gender matrix. The author advocates for increased alliances between rebellious wallflowers and queer tangueras, who are often segregated from each other in Buenos Aires' commercial tango industry.

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