scholarly journals Life of Christopher

2021 ◽  
Vol 29 (1) ◽  
Author(s):  
Joshua Mugler

Christopher, a native of Baghdad who became patriarch of Antioch in about 349/960, was assassinated by Muslim rebels in 356/967 because of his loyalty to their Muslim ruler. When the Byzantines conquered Antioch two years later, his story was told in a variety of ways by those with different and competing interests. Christopher was mentioned in Byzantine histories and in Antiochian liturgies. However, by far the most extensive and detailed version of the story comes to us in the Life of Christopher, written by Ibrāhīm b. Yūḥannā, a Byzantine bureaucrat and translator who grew up in Antioch and knew Christopher when he, Ibrāhīm, was a young boy. The hagiography was originally composed in Greek and translated by its author into Arabic, but only the Arabic survives. Here I provide, for the first time, both a critical edition of the two known Arabic manuscripts and a full English translation. This text is a valuable testimony to Christian life in Antioch under both the Ḥamdānids and the Byzantines, and to the difficulties of life along the constantly shifting frontier of medieval northern Syria.

2013 ◽  
Vol 40 (2) ◽  
pp. 244-256 ◽  
Author(s):  
Holger Funk

In the history of botany, Adam Zalužanský (d. 1613), a Bohemian physician, apothecary, botanist and professor at the University of Prague, is a little-known personality. Linnaeus's first biographers, for example, only knew Zalužanský from hearsay and suspected he was a native of Poland. This ignorance still pervades botanical history. Zalužanský is mentioned only peripherally or not at all. As late as the nineteenth century, a researcher would be unaware that Zalužanský’s main work Methodi herbariae libri tres actually existed in two editions from two different publishers (1592, Prague; 1604, Frankfurt). This paper introduces the life and work of Zalužanský. Special attention is paid to the chapter “De sexu plantarum” of Zalužanský’s Methodus, in which, more than one hundred years before the well-known De sexu plantarum epistola of R. J. Camerarius, the sexuality of plants is suggested. Additionally, for the first time, an English translation of Zalužanský’s chapter on plant sexuality is provided.


Commissioned by the English East India Company to write about contemporary nineteenth-century Delhi, Mirza Sangin Beg walked around the city to capture its highly fascinating urban and suburban extravaganza. Laced with epigraphy and fascinating anecdotes, the city as ‘lived experience’ has an overwhelming presence in his work, Sair-ul Manazil. Sair-ul Manazil dominates the historiography of eighteenth- and nineteenth-century compositions on Delhi in Persian and Urdu, and remains unparalleled in its architecture and detailed content. It deals with the habitations of people, bazars, professions and professionals, places of worship and revelry, and issues of contestation. Over fifty typologies of structures and several institutions that find resonance in the Persian and Ottoman Empires can also be gleaned from Sair-ul Manazil. Interestingly, Beg made no attempt to ‘monumentalize’ buildings; instead, he explored them as spaces reflective of the sociocultural milieu of the times. Delhi in Transition is the first comprehensive English translation of Beg’s work, which was originally published in Persian. It is the only translation to compare the four known versions of Sair-ul Manazil, including the original manuscript located in Berlin, which is being consulted for the first time. It has an exhaustive introduction and extensive notes, along with the use of varied styles in the book to indicate the multiple sources of the text, contextualize Beg’s work for the reader and engage him with the debate concerning the different variants of this unique and eclectic work.


Elenchos ◽  
2014 ◽  
Vol 35 (2) ◽  
pp. 195-232
Author(s):  
Christian Vassallo

AbstractSince the editio princeps, PSI XI 1215 has been recognized as a fragment of a Socratic dialogue. After the first studies on its philological aspects and probable authorship, however, the text has not drawn the attention of historians of ancient philosophy, and this important Socratic evidence has long been totally neglected. This paper reviews the history of scholarship on the Florentine fragment and presents a new critical edition, on the basis of which it tries to give for the first time a historico-philosophical reading of the text. This interpretation aims to demonstrate: a) that the Socratic philosopher who is writing had not a low cultural level, and the fragment presupposes an accurate knowledge of Plato’s political thought, as Medea Norsa and Girolamo Vitelli already supposed with regard to Book 8 of Plato’s Republic; b) that the fragment in question can be attributed to a Socratic dialogue which was most likely composed in the first half of the 4th century BC; c) that both philosophical and textual arguments support the attribution of the fragment to a dialogue of Antisthenes.


2013 ◽  
Vol 23 (1) ◽  
pp. 1-45 ◽  
Author(s):  
Rüdiger Arnzen

AbstractAlthough the existence of an Arabic translation of a section of Proclus' commentary on Plato's Timaeus lost in the Greek has been known since long, this text has not yet enjoyed a modern edition. The present article aims to consummate this desideratum by offering a critical edition of the Arabic fragment accompanied by an annotated English translation. The attached study of the contents and structure of the extant fragment shows that it displays all typical formal elements of Proclus' commentaries, whereas its conciseness and shortcomings raise certain doubts about its completeness. As a parergon, the article includes an analysis of a hitherto neglected letter by Ḥunayn ibn Isḥāq, which is attached to the fragment in the manuscript transmission. In addition to providing some insight into the origins of the Proclian fragment, this letter sheds some light on the Syriac and Arabic reception of some works by Hippocrates and Galen, especially Hippocrates' On Regimen in Acute Diseases and the history of its Arabic translation.


ARTMargins ◽  
2013 ◽  
Vol 2 (3) ◽  
pp. 123-130
Author(s):  
Ronald Kay

The text presented here constitutes the first time that Ronald Kay's work has been rendered and published in English translation. A fundamental figure within Chile's art scene during its recent dictatorial period (1973–1990), Kay's written, pedagogic, and editorial contributions were instrumental in shaping the sophisticated and insurgent discourse of the artists working under the rubric now known as the neovanguardia. The first chapter of Ronald Kay's Del Espacio de Acá (1980), “On photography Time split in two” lays out, in a style and rhetoric that are both lyrical and rigorous, Kay's theorization of the photographic phenomenon as a miniature geological event.


Sign in / Sign up

Export Citation Format

Share Document