scholarly journals Unwomanly Woman: How Some Nineteenth-Century British Fictions Imagined Begum Samru of Sardhana

2021 ◽  
Vol 1 (2) ◽  
Author(s):  
Ayusman Chakraborty

In the late eighteenth century India, Begum Samru rose from a dancing girl to become a renowned military adventuress and the ruler of a small semi-independent principality. One of the few female rulers in the country at that period, she is romanticized nowadays in popular histories and biographies. This article examines how three nineteenth-century colonial authors imagined her in their fiction. It shows that these provide counternarratives to contemporary romanticizations of the Begum. By comparing colonial depictions of her with contemporary ones, the article highlights how all such imaginings are informed by the authors’ confirmation biases. It finally argues for the need to look beyond the personal life of Begum Samru to fully appreciate the other aspects of her sterling career.

2014 ◽  
Vol 45 ◽  
pp. 115-133 ◽  
Author(s):  
Christine Ottner

During the nineteenth century, history developed into an independent discipline with important cultural and intellectual functions in both the academic world, as well as in society at large. Specific circumstances contributed to the rise in importance of this discipline: On the one hand, the emergence of an educated bourgeoisie and rising nationalist movements influenced the study of history; whereas on the other hand, public demands for assurances of continuity, as well as conservative efforts for restoration, also played an important role in history's growth in importance. Historicism, which began to establish itself in late-eighteenth-century Germany, had its forerunners in research approaches that grew out of the late Enlightenment. Concepts of cultural science [Kulturwissenschaft] developed by scholars of the late Enlightenment paved the way for the rise of the historical discipline during the first half of the nineteenth century.


BJHS Themes ◽  
2021 ◽  
pp. 1-19
Author(s):  
Suman Seth

Abstract In the course of his discussion of the origin of variations in skin colour among humans in the Descent of Man, Charles Darwin suggested that darker skin might be correlated with immunity to certain diseases. To make that suggestion, he drew upon a claim that seemed self-evidently correct in 1871, although it had seemed almost certainly incorrect in the late eighteenth century: that immunity to disease could be understood as a hereditary racial trait. This paper aims to show how fundamental was the idea of ‘constitutions selection’, as Darwin would call it, for his thinking about human races, tracking his (ultimately unsuccessful) attempts to find proof of its operation over a period of more than thirty years. At the same time and more broadly, following Darwin's conceptual resources on this question helps explicate relationships between conceptions of disease and conceptions of race in the nineteenth century. That period saw the birth of a modern, fixist, biologically determinist racism, which increasingly manifested itself in medical writings. The reverse was also true: medicine was a crucial site in which race was forged. The history of what has been called ‘race-science’, it is argued, cannot and should not be written independent of the history of ‘race-medicine’.


2021 ◽  
Vol 73 (3) ◽  
pp. 255-269
Author(s):  
Waïl S. Hassan

Abstract According to a well-known narrative, the concept of Weltliteratur and its academic correlative, the discipline of comparative literature, originated in Germany and France in the early nineteenth century, influenced by the spread of scientism and nationalism. But there is another genesis story that begins in the late eighteenth century in Spain and Italy, countries with histories entangled with the Arab presence in Europe during the medieval period. Emphasizing the role of Arabic in the formation of European literatures, Juan Andrés wrote the first comparative history of “all literature,” before the concepts of Weltliteratur and comparative literature gained currency. The divergence of the two genesis stories is the result of competing geopolitical interests, which determine which literatures enter into the sphere of comparison, on what terms, within which paradigms, and under what ideological and discursive conditions.


Jazz in China ◽  
2018 ◽  
pp. 14-20
Author(s):  
Eugene Marlow

In the late 1910s, 1920s, and even into the 1930s, “jazz” was the music of the age in the Republic of China, especially and primarily in Shanghai on China's east coast. It was enjoyed equally by sophisticated Chinese gentry and upper-class people in the many dance halls dotting various parts of Shanghai, and by the many Europeans, Russians, and Americans living and working in the so-called “Paris of the East.” These same foreigners also owned pieces of Shanghai, literally. This chapter asks how several foreign nations came to own sections of Shanghai, and have unrestricted access to numerous key ports throughout China's eastern coast? The answer to these questions can be found in a conflict initially between the British (and ultimately the French, Russians, and Americans) and the Chinese in the mid-nineteenth century: the Opium Wars, two wars that had roots in late eighteenth-century China.


2021 ◽  
pp. 19-39
Author(s):  
Peter Anderson

While we know much about the cult of childhood, historians have spent less time analysing the ways in which certain parents became demonized from the late eighteenth century. This chapter traces growing criticisms across nations of parents who were felt to have endangered their offspring and to have deprived the nation of a future robust population. Industrialization and urbanization lent a growing shrillness to the debate. Doctors, opponents of child labour and slavery, and criminologists all began to denounce parents and especially those from the left who they identified as a threat to their offspring and society. As the nineteenth century progressed and competition between nations increased, the growth of eugenic thought gave extra virulence to these denunciations. This set the stage for demands for ‘dangerous’ parents to be stripped of their guardianship.


Author(s):  
Simon Coffey

Wanostrochts’s Practical Grammar was first published in London in 1780, then in the US from 1805.1 It was one of the most successful pedagogical grammars of its time, appearing in revised forms for almost a century. It was probably the first grammar to include ‘exercises’ in the same volume and represents a prototype of what would become known as the ‘grammar-translation’ manual that provided a template for most language schoolbooks throughout the nineteenth century and beyond. The analysis in this chapter considers the content of Wanostrocht’s primer as an example of late eighteenth-century language epistemology, and provides broader background detail to help better understand the context of the publication, its intended purpose, and the reasons for its enduring popularity.


Author(s):  
Aaron Sheehan-Dean

Over the course of the mid-nineteenth-century wars, the dominant powers (Britain, the U.S., Russia, and Qing China) came to espouse a surprisingly similar orientation toward legitimate statehood. While the liberation wars of the late-eighteenth century witnessed the creation of many new republics, by midcentury those republics and the empires that had survived pursued greater central authority. Although sometimes at odds with liberal rhetoric of the age (especially among reforming Republicans in the U.S.), these actors recognized the importance of coercion of violence to maintaining their states. The victory of centralized authority, whether it took the form of empires or republics, reinforced the power of established states and of organized, aggressive defense of that order.


Author(s):  
Ellen T. Harris

In the late eighteenth century, The Academy of Ancient Music prepared a modern adaptation of Dido and Aeneas that was performed into the nineteenth century. The score was brought “up-to-date” by means of alterations to rhythmic flow and cadential patterns, and the temporal separation of individual movements from one another. Scenic demarcations were revised to indicate entrances and exits rather than stage set, and cuts were taken throughout the score. The vocal ranges of the soloists were altered to cover the standard vocal range: soprano (Dido), alto (Belinda), tenor (Aeneas), bass (Sorceress). Some of the surviving sources for these performances offer the names of specific singers who played the major roles.


1996 ◽  
Vol 9 (4) ◽  
pp. 541-553
Author(s):  
Alexandre Métraux

Jean-Baptiste Lamarck (1744–1829) was a prolific writer, a multifaceted naturalist, and a zoologist by second profession. Throughout his adult life he lived up to his passion of politely contributing to the advancement of natural philosophy by publishing more than 30,000 pages, probably too much for even the most scrupulous (and persevering) historians of science who seek to reconstruct his theories and to shed some light on the role he played in late eighteenth-century and early nineteenth-century biology.


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