Analysis of Dieting with Gastritis in The Students of Muhammadiyah University Jakarta 2021

Gastritis is an inflammatory process or health problem caused by irritation and infection of the gastric mucosa and submucosa. Gastritis can attack all levels of society from all levels of age and gender. Diet is to provide an overview of the way or behavior taken by a person or group of people in choosing and using the food consumed every day which includes the regularity of eating frequency, meal portions, and the type of food and drink consumed based on social and cultural factors in which they live. According to Riskesdas 2013, the incidence of gastritis in several regions of Indonesia is quite high with a prevalence of 274,369 cases from 238,452,952 inhabitants, it was found that in the city of Surabaya the incidence of gastritis was 31.2%, Denpasar 46% while in Central Java the incidence of gastritis is quite high at 79.6%. Gastritis usually occurs due to irregular eating frequency so that the stomach becomes sensitive when stomach acid increases. It is better for people who have a history of gastric disease not to eat acidic and spicy foods because they can cause gastritis to recur.

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Re-membering Syria’s Traumatic Past: Gender, Poetics, and Loss in Manhal al-Sarrāj’s As a River Should

Journal of Arabic Literature ◽

10.1163/1570064x-12341424 ◽

2021 ◽

Vol 52 (1-2) ◽

pp. 202-227

Author(s):

Linda Istanbulli

Keyword(s):

Armed Conflict ◽

Armed Conflicts ◽

Traumatic Memory ◽

The Novel ◽

Historical Interpretation ◽

The Past ◽

Traumatic History ◽

History Of ◽

And Gender ◽

The City

Abstract In a system where the state maintains a monopoly over historical interpretation, aesthetic investigations of denied traumatic memory become a space where the past is confronted, articulated, and deemed usable both for understanding the present and imagining the future. This article focuses on Kamā yanbaghī li-nahr (As a river should) by Manhal al-Sarrāj, one of the first Syrian novels to openly break the silence on the “1982 Hama massacre.” Engaging the politics and poetics of trauma remembrance, al-Sarrāj places the traumatic history of the city of Hama within a longer tradition of loss and nostalgia, most notably the poetic genre of rithāʾ (elegy) and the subgenre of rithāʾ al-mudun (city elegy). In doing so, Kamā yanbaghī li-nahr functions as a literary counter-site to official histories of the events of 1982, where threatened memory can be preserved. By investigating the intricate relationship between armed conflict and gender, the novel mourns Hama’s loss while condemning the violence that engendered it. The novel also makes new historical interpretations possible by reproducing the intricate relationship between mourning, violence, and gender, dislocating the binary lines around which official narratives of armed conflicts are typically constructed.

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Oral Tradition as a Source for Digging Up the History of Parakan as a Heritage City

E3S Web of Conferences ◽

10.1051/e3sconf/20186501001 ◽

2018 ◽

Vol 65 ◽

pp. 01001

Author(s):

Purwantiasning Ari Widyati ◽

Kurniawan Kemas Ridwan ◽

Sunarti Pudentia Maria Purenti Sri

Keyword(s):

Oral Tradition ◽

Small City ◽

Third Generation ◽

Brand Name ◽

The Past ◽

Central Java ◽

History Of ◽

Strong Attachment ◽

The City

This research was aimed to explore the history of Parakan City, a small city of Indonesia, located in Central Java. Parakan City has been regarded as a heritage city in Central Java and is well known as a Bambu Runcing City. Bambu Runcing is a sharpened bamboo that has been used as a traditional weapon in the past hundred years in Indonesia. This research was to conduct in oral tradition as a source for digging up the history of Parakan, particularly the reason why the community of Parakan using the words “Bambu Runcing” as a brand name for the city. This research was also to describe to what extent the community in having a strong attachment to the founder of Bambu Runcing known as KH Subuki. Some relevant and credible sources were interviewed using this oral tradition, and some of them are the second and third generation of KH Subuki.

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Chicago’s Game

10.5406/illinois/9780252037610.003.0007 ◽

2017 ◽

Author(s):

Christopher Lamberti

Keyword(s):

Sense Of Community ◽

First Century ◽

Professional Sport ◽

World's Fair ◽

History Of ◽

Distinct Sense ◽

And Gender ◽

Sports Heroes ◽

The City ◽

Traditional Class

This chapter examines 16-inch, no-glove softball, described by one enthusiast as “Chicago's game,” and suggests that it is an “important part of the city's heritage.” Throughout the 1930s and1940s, softball provided Chicago with sports heroes and some of its most colorful sports moments before television. Following the 1933 World's Fair, softball became a professional sport in Chicago. Virtually unknown outside the city's greater metropolitan area, Chicago-style softball is played with a larger, softer ball called the “Clincher” fielded by ten position players (the tenth usually stationed behind second base) with their bare hands. At the beginning of the twenty-first century, 16-inch softball in the city proper remains strongest with African Americans. This chapter traces the history of 16-inch softball in Chicago and argues that the sport was not only an expression of traditional class and gender identities and relations, but also instilled a distinct sense of community among those who played and followed it.

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Christine de Pizan's The Book of the City of Ladies as reclamatory fan work

Transformative Works and Cultures ◽

10.3983/twc.2017.01032 ◽

2017 ◽

Vol 25 ◽

Author(s):

E. J. Nielsen

Keyword(s):

Women Writers ◽

Literary History ◽

Women's Writing ◽

Affect Theory ◽

Fan Studies ◽

Literary Production ◽

History Of ◽

And Gender ◽

The City ◽

Women’S Writing

In what ways can medieval texts be looked at as fan works? How might the rhetorical tools of fan studies or affect theory aid in further understanding of these texts? Likewise, can we use medieval understandings of literary production to look at modern fan works in order to complicate our contemporary ideas of authorship? Here I consider how Christine de Pizan's The Book of the City of Ladies (Le Livre de la Cité des Dames) can be read as a reclamatory fan work addressing issues of representation and gender within both the texts it responds to and the larger culture within which the work is situated. Moreover, contextualizing de Pizan's work as fan work can help fan scholars by locating fan studies within a broader literary history. By reframing these earlier works of literature as part of a longer history of women's writing that also involves the works being done today within modalities of fan writing, and by reconsidering fan works as part of a historical continuum of women's writing, we, much as de Pizan herself did, create a theoretical space that historicizes, contextualizes, and indeed valorizes women writers of both fannish and nonfannish works.

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O SABOR AMARGO DA TORTA DE MAÇÃ: GÊNERO,CLASSE, RAÇA E EXPERIÊNCIA FEMININA EM WEST BOSTON(1800 – 1820)

Revista Discente Ofícios de Clio ◽

10.15210/clio.v5i8.18858 ◽

2020 ◽

Vol 5 (8) ◽

pp. 321

Author(s):

Jaqueline Stafani Andrade

Keyword(s):

North America ◽

19Th Century ◽

Social Expectations ◽

Women And Gender ◽

History Of ◽

Female Roles ◽

And Gender ◽

The 19Th Century ◽

The City

O artigo trata de discussões e contribuições teóricas e metodológicas no campo da história no que se refere à história das mulheres e de gênero. Tem como principais objetivos o levantamento de algumas críticas e vertentes dessa temática na historiografia estrangeira e brasileira e, principalmente, tem como foco de análise os papéis femininos prescritos e expectativas morais e sociais para as mulheres no século XIX nos Estados Unidos, bem como, busca levantar àqueles que, cotidianamente, escaparam ao prescrito e ao normativo na cidade de Boston, Massachusetts.Palavras-chave: Gênero; Raça; Classe; Boston; Cotidiano.Abstract The article deals with discussions as well as theoretical and methodological contributions in the field of history regarding the history of women and gender. Its main objective is surveying critiques and trends of this theme in foreign and Brazilian historiography. Primarily, it focuses on the analysis of the prescribed female roles and moral and social expectations for women in the 19th century in North America, as well as, seeking to expose those which, every day, escaped the prescribed and normative roles in the city of Boston, Massachusetts.Keywords: Gender; Race; Class; Boston; Every day.

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Microfinance and microenterprise performance in Indonesia: an extended and updated survey

International Journal of Social Economics ◽

10.1108/ijse-02-2017-0031 ◽

2018 ◽

Vol 45 (6) ◽

pp. 957-972 ◽

Cited By ~ 4

Author(s):

Adwin Surja Atmadja ◽

Parmendra Sharma ◽

Jen-Je Su

Keyword(s):

Business Performance ◽

Design Methodology ◽

Middle Income ◽

Content Type ◽

History Of ◽

Analyse Data ◽

And Gender ◽

The Relationship ◽

The City ◽

Practical Implications

PurposeThe purpose of this paper is to address the small, women micro-entrepreneur dominated and heterogeneity limitations of the Atmadjaet al.(2016) study. The sample is much larger, includes more men and is more heterogeneous, which allows deeper insights and more meaningful explanation of the relationship between microfinance and microenterprise performance in the case of Indonesia, including the effects of gender, lending scheme and money separation.Design/methodology/approachThis study used a survey of 556 respondents across five microcredit providers in the city of Surabaya using an updated instrument. Ordered probit is used to analyse data.FindingsMicrofinance may not matter for microenterprise performance in the case of Indonesia. Additionally, microcredit schemes (individual vs group) and gender may also not matter for performance, but money separation might have some influence.Practical implicationsNon-financial factors such as human capital, spousal involvement, and money separation should be considered as important factors for improving microenterprise business performance in Indonesia, with less focus on microcreditper se.Originality/valueThis study provides further evidence that microfinance may not matter for microenterprise performance in the case of Indonesia, a populous middle income country with a very long history of microfinance.

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Downtown Mardi Gras

10.14325/mississippi/9781496823786.001.0001 ◽

2019 ◽

Author(s):

Leslie A. Wade ◽

Robin Roberts ◽

Frank de Caro

Keyword(s):

Hurricane Katrina ◽

New Orleans ◽

Performance Studies ◽

Age And Gender ◽

Mardi Gras ◽

Cultural Life ◽

History Of ◽

And Performance ◽

And Gender ◽

The City

After Hurricane Katrina devastated New Orleans and the surrounding region in 2005, the city debated whether to press on with Mardi Gras or cancel the parades. Ultimately, they decided to proceed. New Orleans’s recovery certainly has resulted from a complex of factors, but the city’s unique cultural life—perhaps its greatest capital—has been instrumental in bringing the city back from the brink of extinction. Voicing a civic fervor, local writer Chris Rose spoke for the importance of Carnival when he argued to carry on with the celebration of Mardi Gras following Katrina: “We are still New Orleans. We are the soul of America. We embody the triumph of the human spirit. Hell. We ARE Mardi Gras”. Since 2006, a number of new Mardi Gras practices have gained prominence. The new parade organizations or krewes, as they are called, interpret and revise the city’s Carnival traditions but bring innovative practices to Mardi Gras. The history of each parade reveals the convergence of race, class, age, and gender dynamics in these new Carnival organizations. Downtown Mardi Gras: New Carnival Practices in Post-Katrina New Orleans examines six unique, offbeat, Downtown celebrations. Using ethnography, folklore, cultural, and performance studies, the authors analyze new Mardi Gras’s connection to traditional Mardi Gras. The narrative of each krewe’s development is fascinating and unique, illustrating participants’ shared desire to contribute to New Orleans’s rich and vibrant culture.

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Sustaining the Culture of the City: Architecture and Cosmology in the Mantingan Mosque and Cemetery Complex in Jepara

E3S Web of Conferences ◽

10.1051/e3sconf/20186704037 ◽

2018 ◽

Vol 67 ◽

pp. 04037

Author(s):

Allifna Lie Ulin Nuha ◽

Yulia Nurliani Lukito

Keyword(s):

Social Sustainability ◽

Central Java ◽

History Of ◽

The City

This paper analyzes the architecture of the Mosque and the Cemetery Complex of Mantingan, in Jepara, Central Java. It is the basic idea in this paper that traditional local building philosophy may help to create cultural and social sustainability. The organization of the city especially shown at the city mosque and the cemetery reflect the culture of people live in the city and understanding the organization of the complex means sustaining the culture and the history of the city. The study will focus on understanding the connection of the architecture of the mosque and the cemetery complex in relation to Javanese architecture and cosmology. Based on this analysis, the finding of this paper is that theMantinganMosque and the Cemetery Complex adopted Javanese architectural forms and cosmology in the organization of the complex and help to sustain cultural, social and economic of the city.

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