Celia Thaxter's Ecological Realism and the Dawn of America's Summer Art Colony

2021 ◽  
Vol 53 (3) ◽  
pp. 230
Author(s):  
Taylor
1992 ◽  
Vol 37 (4) ◽  
pp. 287-289 ◽  
Author(s):  
Reuben M. Baron
Keyword(s):  

Author(s):  
Geneva M. Gano

D.H. Lawrence, like many of the artists affiliated with Taos’ modern little art colony, was invited there by Mabel Dodge Luhan to ‘see and feel and wonder’ the ‘essence’ of Taos and ultimately put it ‘between the covers of a book.’ Although Lawrence was leery of the highbrow’s fascination with Taos’ unique peoples and places, he nonetheless formally incorporated elements of the ‘Taos mystique’ into the work he produced while living there. In the novelette St. Mawr, which sympathetically portrays the wanderings of a cosmopolitan American woman who flees the ghastly modern metropolis of London, Lawrence details her discovery of ‘something else’ in the vital and otherworldly wilds of New Mexico. Although his protagonist is certain that she has found a final resting place in the gorgeous country in and around Taos, Lawrence’s inconclusive ending intimates that even at the far peripheries of the modern world-system, she can’t and won’t escape its soul-sucking reaches.


The Art Book ◽  
2009 ◽  
Vol 16 (2) ◽  
pp. 41-42
Author(s):  
SIMON TURNEY
Keyword(s):  

1984 ◽  
Vol 10 (8) ◽  
pp. 1281-1282 ◽  
Author(s):  
Brian A. Hazlett

Ecocycles ◽  
2021 ◽  
Vol 7 (1) ◽  
pp. 14-18
Author(s):  
Zoltán Bujdosó ◽  
Béla Benkő ◽  
Csaba Patkós

The current study's topic is the summary of the roles of art colonies in the local example. The theoretical basis of the study was given by the international scientific literature of art colonies and the role of culture in the life of settlements. The matter of research is relevant as an investigation based on a case study has not been made yet on this topic; moreover, it consists of important results for the professionals. On this basis, it can be determined that which factors affect positively the human and natural environment through an art colony. A further advantage of the study can conclude to the possible development ways of culture in the life of villages. The current research, regarding the future, is an ideal starting point to know the role of art in local (and regional) development. The main results of the case study are the tangible effects of the colony on the (natural and human) environment.


Oikos ◽  
2009 ◽  
Author(s):  
Tamara N. Romanuk ◽  
Richard J. Vogt ◽  
Jurek Kolasa
Keyword(s):  

2020 ◽  
Vol 12 (7) ◽  
pp. 2617 ◽  
Author(s):  
Toni Ruuska ◽  
Pasi Heikkurinen ◽  
Kristoffer Wilén

In this article, we study politics as domination. From our point of view, domination, especially in the Anthropocene, has had two vital components—power and supremacy. In order to dominate, one has to have power over others. In addition, the politics of domination, such as colonial oppression of Latin America, has required reasoning, justification, and legitimation, often connected to superiority (because of religion, society, or civilization) from the oppressor’s end. Past and present political ideologies and programs, such as colonialism, imperialism, but also welfare state capitalism, neoliberalism and increasingly popular Green New Deal are examples of what we call “anthropolitics”, an anthropocentric approach to politics based on domination, power, and supremacist exploitation. In contrast to the prevailing anthropolitics, this article discusses post-Anthropocene politics, characterized by localization and decentralization, as well as a steep reduction of matter–energy throughput by introducing a theoretical frame called ecological realism.


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