Animating Gandhi

2017 ◽  
Author(s):  
Shilpa S. Davé
Keyword(s):  
South Asian ◽  
Asian Americans ◽  
Asian American ◽  
South Asians ◽  
The United States ◽  
White Masculinity ◽  
South Asian American ◽  
American Character ◽  
South Asian Americans ◽  
Asian History

This chapter discusses how the Indian American character is the accent or the suburban “sidekick” character to the dominant narratives of young, white masculinity that are prevalent in American culture. The representation and use of the historical figure Mohandas Gandhi in the MTV animated series Clone High revisits and challenges American representations of Asian Americans and South Asian Americans as model minorities. The use of the historical leader Gandhi as a teenage “geek” sidekick without recognition of how Gandhi fits into South Asian history and influences South Asian American communities shows how American stereotypes dwarf any other representation of South Asians or South Asian Americans in the United States.

Category Crisis: South Asian Americans and Questions of Race and Ethnicity

1998 ◽  
Vol 7 (3) ◽  
pp. 285-320
Author(s):  
Susan Koshy
Keyword(s):  
United States ◽  
South Asian ◽  
Asian Americans ◽  
Asian American ◽  
Race And Ethnicity ◽  
South Asians ◽  
The United States ◽  
Immigrant Community ◽  
South Asian American ◽  
South Asian Americans

The identity of South Asians in the United States has proved to be problematic, both for the self-identification of the group and for the identifying institutions and popular perceptions of the host society. As a result, a certain exceptionalism (commonly indexed as ambiguity) has come to attach itself to the historiography of South Asian American racial formation. This exceptionalism, in turn, has formed the ground for two competing constructions of South Asian American racial identity that wield significant influence today. One view, represented by some of the major immigrant organizations and reproduced by many middle-class immigrants, stresses ethnicity and class and denies or mitigates the historical salience of race for South Asians in the United States. This position emphasizes the anomalous status of South Asian Americans among racial minorities and embraces the rhetoric of a color-blind meritocracy. The second position, associated mainly with scholars and students in the humanities and social sciences and with some activists, treats South Asian color consciousness as equivalent to white racism and criticizes the immigrant community for denying its own blackness. These critics advocate that South Asian Americans politicize their identity, like their diasporic counterparts in Britain, by forming coalitions with other people of color. Ironically, both positions tend to construct racial identification as a choice, inadvertently reproducing the American ideology of self-making and possibility in discussing one of the social arenas where it has been least applicable.

Introduction

2018 ◽  
Author(s):  
Himanee Gupta-Carlson
Keyword(s):  
United States ◽  
Discourse Analysis ◽  
South Asian ◽  
Asian American ◽  
South Asians ◽  
The United States ◽  
The South ◽  
South Asian American ◽  
Auto Ethnography ◽  
Race And Religion

The introduction introduces the central themes of the book and highlights its significance. It opens by exploring the wedding of the (a Hindu female of Indian ancestry) to a white, Christian male and places racial and religious tensions embedded in that event within the larger context of race and religion as organizing forces in American life. The introduction also describes auto-ethnography and discourse analysis, and discusses how these methods are used throughout the work. It also offers a profile of the South Asian American community in Muncie and of South Asians in the United States.

The War on Terror and South Asian American Narrative Representation

2018 ◽  
Author(s):  
Anantha Sudhakar
Keyword(s):  
American Literature ◽  
South Asian ◽  
Asian American ◽  
War On Terror ◽  
South Asians ◽  
The United States ◽  
Cultural Practice ◽  
Asian American Literature ◽  
South Asian American ◽  
Muslim Communities

The social and political conditions actuated by 9/11 have been a major catalyst for new literature, television and film about South Asians and Muslims in America. Stemming from a 2001 speech by then-president George W. Bush, the concept of the “War on Terror” has served to rationalize the domestic regulation of Muslims, while also validating the need for US imperialist and capitalist expansion. Where US government discourse highlights first-person narratives that figure America as a benevolent global protector of freedom and democracy, South Asian American fictional and non-fictional narratives posit critiques of Islamophobia and the US security state. Spanning a breadth of genres and styles, including the paradigmatic 9/11 novel, the bildungsroman, comedic satire, dramatic monologue, magic realism, documentary film, and urban fiction, South Asian American literature and media highlight narratives of interfaith and cross-racial solidarity. The imaginary worlds of these texts confront the injustices of US imperialism and the global War on Terror for Muslim communities both in the United States and abroad. At the same, South Asian American representation engaged with the impacts of post-9/11 politics and society has enriched understanding of the complex lived experiences of Pakistani and Bangladeshi Americans, as well as those of Indian Americans who are Muslim or trace their ancestry to the Sikh-majority state of Punjab. By centering the perspectives of those communities most affected by detention, xenophobia, and surveillance, post-9/11 South Asian American literature and media reveal how the exigencies of history produce new forms of narrative and cultural practice.

Selling the East in the American South

2017 ◽  
Author(s):  
Vivek Bald
Keyword(s):  
South Asian ◽  
Asian American ◽  
American South ◽  
South Asians ◽  
The United States ◽  
South Asian American ◽  
Southern States ◽  
American Orientalism ◽  
The American South ◽  
Commercial Network

This chapter discusses the complex racializations and negotiations of South Asian sailors who jumped ship in Southern and Northeastern seaports and became entrepreneurs who traded ethnic notions within the larger cultural economy of Orientalism of the time. This early history expands the South Asian American narrative to include a group of previously unknown migrants who lived and worked in the United States as early as the 1880s. It points to the significance of the cultural and economic context of turn-of-the-century American Orientalism within which they were able to establish a viable commercial network. Moreover, it reveals different trajectories of migration from the subcontinent—trajectories that South Asians followed through the Southern states and into the economic and cultural orbit of the Caribbean and Central America.

scholarly journals Creative Pluralism in Indian and Romanian Accounts of Transnational Migration

2016 ◽  
Vol 27 (1) ◽  
pp. 94-116
Author(s):  
Adriana Elena Stoican
Keyword(s):  
South Asian ◽  
Asian American ◽  
Transnational Migration ◽  
The United States ◽  
South Asian American ◽  
American Character ◽  
Cultural Roots ◽  
Starting Point ◽  
Jhumpa Lahiri ◽  
Cultural Origins

Abstract The paper offers a comparative perspective on transmigrant cultural identities as illustrated in the works of two contemporary South Asian American and Romanian American authors, Jhumpa Lahiri and Aura Imbăruș. The comparison involves Gogol, a South Asian American character, and Aura, the author of the memoir Out of the Transylvania Night. Although Gogol is a fictional character and Aura is an actual transmigrant, their comparative assessment relies on the assumption that both narratives are inspired by the authors’ background of relocation. Despite their different cultural origins, both authors share thematic aspects related to the dynamics of cultural identity in the context of migration. This paper aims to provide a starting point for an enlarged framework of comparative analysis, in order to foreground intersections between different experiences of cultural negotiation in the context of displacement. Born and raised in America, Gogol is challenged by his cultural multiplicity and strives to suppress elements of his Indian identity. After years of rebelling against his parents’ norms, Gogol shifts to the Bengali model, when his father dies. Once he accepts the relevance of his cultural roots, Gogol is able to plunge into a dimension situated beyond his Bengali and American selves. His transcendent strategy is illustrated by his decision to plunge into a third space of redefinition, suggested by the Russian literature which is appreciated by Gogol’s father. Aura Imbăruș offers the example of a first generation Romanian transmigrant who undergoes voluntary relocation to the United States. Fascinated by the American world, Aura is eager to take over norms of material success and consumerism, overlooking the relevance of her cultural roots. When she undergoes a personal family crisis, Aura eventually reassesses the value of her Romanian background, aiming to reconcile her source culture with her Americanised self. In a manner similar to Gogol’s, Aura manages to integrate American norms of success, while forging enduring bonds with the Romanian American community in California.

scholarly journals Neighborhood Walkability and Walking for Transport Among South Asians in the MASALA Study

2016 ◽  
Vol 13 (5) ◽  
pp. 514-519 ◽  
Author(s):  
Elizabeth A. Kelley ◽  
Namratha R. Kandula ◽  
Alka M. Kanaya ◽  
Irene H. Yen
Keyword(s):  
Physical Activity ◽  
South Asian ◽  
Asian American ◽  
South Asians ◽  
The United States ◽  
Men And Women ◽  
South Asian American ◽  
Neighborhood Walkability ◽  
Asian Men ◽  
Walk Score

Background:The neighborhood built environment can have a strong influence on physical activity levels, particularly walking for transport. In examining racial/ethnic differences in physical activity, one important and understudied group is South Asians. This study aims to describe the association between neighborhood walkability and walking for transport among South Asian men and women in the United States in the Mediators of Atherosclerosis in South Asians Living in America (MASALA) Study.Methods:A cross-sectional study was conducted in 2014 using the baseline dataset of the MASALA study (N = 906). Mean age was 55 years old and 54% of the sample was male. Weekly minutes spent walking for transport was assessed using a questionnaire adapted from the Cross-Cultural Activity Participation Study. Neighborhood walkability was measured using Walk Score, a composite index of walkability.Results:After adjusting for covariates, with each 10-point increase in Walk Score, South Asian American men engaged in 13 additional minutes per week of walking for transport (P = .008). No association was observed between walkability and walking for transport in South Asian American women.Conclusions:Results provide new evidence for how the effects of environmental influences on walking for transport may vary between South Asian men and women.

Knowing Your Place

2018 ◽  
Author(s):  
Himanee Gupta-Carlson
Keyword(s):  
United States ◽  
Discourse Analysis ◽  
South Asian ◽  
Asian Americans ◽  
The United States ◽  
Close Reading ◽  
Religious Discrimination ◽  
Daily Lives ◽  
South Asian Americans ◽  
Auto Ethnography

This chapter discusses Hindu nationalism and its outreach to Indians living outside of India, particularly the United States. It describes how the movement has impacted the daily lives of Indian Americans in Muncie, Indiana, through a close reading and discourse analysis of conversations with Indian and other South Asian residents of Muncie. The author uses auto-ethnography to situate the analysis within the context of her experiences and argues that the manner in which South Asian Americans in Muncie of differing religious backgrounds might offer a template for challenging religious discrimination.

The (Asian) American Dream

2017 ◽  
Author(s):  
Shilpa S. Davé
Keyword(s):  
South Asian ◽  
Asian Americans ◽  
Asian American ◽  
American Dream ◽  
American Culture ◽  
National Identities ◽  
South Asian Americans ◽  
Hollywood Films ◽  
Film Comedy

This chapter focuses on the film comedy Harold and Kumar Go to White Castle (2004), an alternative to the immigrant journey often seen in Hollywood films where the old country is full of hardships, but the new country of America offers freedom and opportunity. Because the film is a stoner comedy, it is not readily recognizable as an Asian American story. However, within the genre of the stoner comedy, these films create a new narrative that normalizes Asian Americans and South Asian Americans as a central part of American culture and in the process redefines the boundaries of American regional, cultural, and national identities.

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