Like Drifting Snow My Head Falls

Author(s):  
Robert Bingham

In this chapter, the author focuses on the somatic activity of imaging, which has played an important role in his engagement with dance and performance. He describes the feeling in the body as images arise in the mind and the stories that these images tell through a first-person phenomenological narrative. In particular, he discusses the somatic dimensions of mental imaging, highlighting the fickle, unpredictable nature of images as well as their affinity with somatic awakenings. He also talks about the use of image as a means to bring the body’s voice to the page and to dance, along with his research that aims document dreamlike image experiences. He concludes that somatic image generation requires trust and compares images to his arms, which he claims can support a shift in his consciousness and help him connect to himself and beyond.

2014 ◽  
Vol 3 (1) ◽  
Author(s):  
Ken J. Lipenga

This article examines the representation of disability by disabled black South African men as portrayed in two texts from the autosomatography genre, which encompasses first-person narratives of illness and disability. Drawing on extracts from Musa E. Zulu’s The language of me and William Zulu’s Spring will come, the article argues that physical disability affects heteronormative concepts of masculinity by altering the body, which is the primary referent for the construction and performance of hegemonic masculinity. In ableist contexts, the male disabled body may be accorded labels of asexuality. This article therefore reveals how male characters with disabilities reconstruct the male self by both reintegrating themselves within the dominant grid of masculinity and reformulating some of the tenets of hegemonic masculinity.


2021 ◽  
Vol 98 ◽  
pp. 02009
Author(s):  
Manon van de Water

The article dwells on the use of drama and performance techniques in education and social work in connection with multiple intelligence theory, emotional intelligence theory, and brain based learning. The author connects the use of drama in the alternative theories of teaching and learning based on recent neuroscientific research, and lays out an integrative approach to teaching and learning that promotes inclusion, diversity, and social awareness, through embodied and contextualized learning. If we perceive cognition and emotion as interrelated, then drama as an educational tool becomes essential. It creates metaphors of our lives, which we lead through both cognitive and emotional domains. Art and creativity play an essential role in connections between the body, emotions, and the mind. Moreover, as we live in relationship to the rest of the world around us, our learning is embodied, our brain, emotions, and physiology are constantly connected. Thus, the article demonstrates that drama and performance are vital in teaching the whole child, whether taught as a discipline or used as a teaching tool. This means, the author claims, educators, neuropsychologists, and theatre and drama specialists have to have open minds and be willing to step out of comfort zones and together make a case for using theatre and drama methods as a way to improve human lives.


Author(s):  
Christopher Hanlon

This chapter examines Emerson’s 1870–71 lecture series Natural History of Intellect, which formed as Emerson’s experience of memory loss became profound, and registers its author’s shifting protocols for producing texts as he contended with changing patterns of cognition. Natural History of Intellect reflects upon Emerson’s increasing reliance upon his daughter, Ellen Tucker Emerson, who assisted Emerson as he lectured and who eventually reshaped Emerson’s manuscript materials. Entering into conversation with other literary historians who challenge an account of Emerson’s thought that enshrines Emersonian individualism to the exclusion of more communal dimensions of transcendentalism, this chapter contends that the lecture series theorizes the terms of his collaboration with Ellen in ways that break with Emerson’s earlier tendency to lionize insular consciousness and to isolate the body from the mind, offering instead an account of first-person thought as if always interpenetrated with the thinking of other people.


2018 ◽  
Vol 32 (1) ◽  
pp. 30-42 ◽  
Author(s):  
Claudia Traunmüller ◽  
Kerstin Gaisbachgrabner ◽  
Helmut Karl Lackner ◽  
Andreas R. Schwerdtfeger

Abstract. In the present paper we investigate whether patients with a clinical diagnosis of burnout show physiological signs of burden across multiple physiological systems referred to as allostatic load (AL). Measures of the sympathetic-adrenergic-medullary (SAM) axis and the hypothalamic-pituitary-adrenal (HPA) axis were assessed. We examined patients who had been diagnosed with burnout by their physicians (n = 32) and were also identified as burnout patients based on their score in the Maslach Burnout Inventory-General Survey (MBI-GS) and compared them with a nonclinical control group (n = 19) with regard to indicators of allostatic load (i.e., ambulatory ECG, nocturnal urinary catecholamines, salivary morning cortisol secretion, blood pressure, and waist-to-hip ratio [WHR]). Contrary to expectations, a higher AL index suggesting elevated load in several of the parameters of the HPA and SAM axes was found in the control group but not in the burnout group. The control group showed higher norepinephrine values, higher blood pressure, higher WHR, higher sympathovagal balance, and lower percentage of cortisol increase within the first hour after awakening as compared to the patient group. Burnout was not associated with AL. Results seem to indicate a discrepancy between self-reported burnout symptoms and psychobiological load.


Sign in / Sign up

Export Citation Format

Share Document