Proposal for a suitable workflow for assessing the seismic vulnerability of historical buildings. Atlixco (Puebla, México) as a case study.

Author(s):  
Rafael Ramirez Eudave ◽  
Tiago Miguel Ferreira
2010 ◽  
Vol 133-134 ◽  
pp. 741-746 ◽  
Author(s):  
Maria Adelaide Parisi ◽  
Mariapaola Riggio ◽  
Chiara Tardini ◽  
Maurizio Piazza

Synthetic methods for the diagnosis of structures and particularly for their vulnerability assessment rely on simplified calculations and visual inspection. Their effectiveness strongly depends on an accurate calibration of the procedure by which data are collected. A recent methodology for the seismic vulnerability assessment of timber roofs in historical buildings has been applied to the Thun Castle during a study for its rehabilitation. The purpose was twofold: testing and calibrating the procedure on a heritage structure and estimating the capability of the roof structure to resist seismic action, as required in a zone of low but not negligible seismicity.


2010 ◽  
Vol 48 (1) ◽  
pp. 27-41 ◽  
Author(s):  
Kecklund Lena ◽  
Andrée Kristin ◽  
Bengtson Staffan ◽  
Willander Sara ◽  
Siré Elena

2009 ◽  
Vol 16 (4) ◽  
pp. 1039-1050 ◽  
Author(s):  
V. Pérez-Gracia ◽  
O. Caselles ◽  
J. Clapés ◽  
R. Osorio ◽  
J.A. Canas ◽  
...  
Keyword(s):  

Author(s):  
J. He ◽  
J. Liu ◽  
S. Xu ◽  
C. Wu ◽  
J. Zhang

This paper presents a framework of introducing GIS technology to record and analyse cultural heritages in continuous spatial scales. The research team is developing a systematic approach to support heritage conservation research and practice on historical buildings, courtyards, historical towns, and archaeological sites ad landscapes. These studies are conducted not only from the property or site scales, but also investigated from their contexts in setting as well as regional scales. From these continues scales, authenticity and integrity of a heritage can be interpreted from a broader spatial and temporal context, in which GIS would contribute through database, spatial analysis, and visualization. The case study is the construction of a information indexing framework of Dagu Dock industrial heritage to integrate physical buildings, courtyards, natural settings as well as their intangible characteristics which are affiliated to the physical heritage properties and presented through historical, social and culture semantics. The paper illustrates methodology and content of recording physical and social/cultural semantics of culture heritages on different scales as well as connection between different levels of database.


2015 ◽  
Vol 95 ◽  
pp. 153-159 ◽  
Author(s):  
Giovanna Franco ◽  
Anna Magrini ◽  
Marco Cartesegna ◽  
Marco Guerrini

Belleten ◽  
2012 ◽  
Vol 76 (276) ◽  
pp. 673-690
Author(s):  
Giorgio Gasco

The beginning of restoration works on a scientific base in Turkey dates back on 1933 when a specific committee for the protection of monuments (Anıtları Koruma Komisyonu) was officially appointed by the Ministry of Education. The preliminary working phase, carried on under the direction of this committee, was soon distinguished by the clear attempt to visualize the results in order to cast the monuments as national icons. The present paper's aim is to discuss this process of visualization focusing on the case study of a series of works realized in Edime from 1933 to 1944. Apart from the historical value of monuments included in the protection program, the study explores the ideological side of these works stressing their value as a pioneering enterprise of a modem nation that celebrated its emerging culture in the protection and preservation of monuments as a sign of progress and civilization. Edirne's restoration works in fact arouse a great deal of interest in the national press, becoming the best show-case for the effort of the Ministry. By this point of view the study focuses on the key-role played by the Turkish Historical Society in the construction of a visual narrative in the attempt to disseminate the result of these works. In particular the efforts of the Turkish Historical Society in advertising the scheduled interventions found their outlet in the editing of a set of postcards displaying Edirne's historical buildings. The result is a series of powerful images in which a number of buildings are re-casted as the first cultural-historical assets of the Turkish nation. The construction of this visual material was set according to a powerful aesthetic format, clear and instantly recognizable, in order to assure an immediate public reception of the historical heritage of the country. The collection of these images stands as a prime contribution in the construction of the national identity of the country thanks to the production of a collective visual heritage, that, on the ground of an effective popular aesthetics, was able to feature the idea of nation as a landscape of monuments.


Author(s):  
Mustafa Hrasnica ◽  
Amir Čaušević ◽  
Nerman Rustempašić

Traditional art of building in Bosnia and Herzegovina comprises brick or stone masonry structures. Most historical buildings belonging to national cultural heritage were made of stone-masonry. The country is situated in seismic active region of South-East Europe. In the case of strong earthquake motion such buildings could suffer heavy damages. Some structural elements of historical buildings, as domes and arches, cracked already by moderate earthquake but without the loss of stability. Substantial damages were caused by recent war disaster. Damages could be accumulated through the history as well. Generally, stone-masonry buildings in Bosnia and Herzegovina can be classified in vulnerability classes between A and C according to European Macroseismic Scale. Design and construction procedures for rehabilitation are presented here with examples of repair and strengthening of mosques, which present historical stone masonry structures dating from the Ottoman period in Bosnia and Herzegovina. Traditional and contemporary materials were used for their rehabilitation. It is important to preserve original forms, especially those of damaged elements. The challenge for structural engineers and architects was to find equilibrium between aesthetical and structural demands.


2019 ◽  
pp. 1142-1173
Author(s):  
Mustafa Hrasnica ◽  
Amir Čaušević ◽  
Nerman Rustempašić

Traditional art of building in Bosnia and Herzegovina comprises brick or stone masonry structures. Most historical buildings belonging to national cultural heritage were made of stone-masonry. The country is situated in seismic active region of South-East Europe. In the case of strong earthquake motion such buildings could suffer heavy damages. Some structural elements of historical buildings, as domes and arches, cracked already by moderate earthquake but without the loss of stability. Substantial damages were caused by recent war disaster. Damages could be accumulated through the history as well. Generally, stone-masonry buildings in Bosnia and Herzegovina can be classified in vulnerability classes between A and C according to European Macroseismic Scale. Design and construction procedures for rehabilitation are presented here with examples of repair and strengthening of mosques, which present historical stone masonry structures dating from the Ottoman period in Bosnia and Herzegovina. Traditional and contemporary materials were used for their rehabilitation. It is important to preserve original forms, especially those of damaged elements. The challenge for structural engineers and architects was to find equilibrium between aesthetical and structural demands.


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