Engaged Musicology, Political Action, and Social Justice
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Art Form
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This chapter examines a new analytical paradigm called “Engaged Musicology” that allows for reading opera as an art form that has potential for being a site for critical inquiry, political activism, and social change. It is fleshed out in two real-life situations: a cutting-edge new production of Bizet’s Carmen (a Trans Carmen in prison) and a concert version performance of Mozart’s Die Entführung aus dem Serail. The potential of an engaged musicological practice allows old and new, standard and underrepresented narratives to be voiced in opera. Such a practice would both invite new audiences into the opera house and present traditional opera goers with new realities.
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2017 ◽
Vol 45
(1)
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pp. 137-157
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2014 ◽
Vol 1
(4)
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pp. 28-46
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Keyword(s):
Enforcing Performance: Disciplining Girls in British Co-educational Boarding School Stories, 1928–58
2008 ◽
Vol 1
(2)
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pp. 125-138
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