The Dream Is Lost

Author(s):  
Julian Maxwell Hayter

The Dream Is Lost describes more than three decades of national/local racial politics and the unintended consequences of the civil rights movement. It uses the mid-twentieth-century urban history of Richmond, Virginia, to explain the political abuses that often accompanied American electoral reforms. The rights embodied in the Voting Rights Act of 1965 cannot be explained by separating the mobilization of black voters, on one hand, and federal policy directed toward race, on the other. The story first examines the suffrage crusades that predated the Voting Rights Act and how an organization called the Richmond Crusade for Voters mobilized African Americans a decade prior to 1965. As the Crusade mobilized voters, its members met firm resistance from their white counterparts. Local people and federal officials beat back the forces of white resistance by implementing majority–minority district systems. Although the reapportionment revolution led directly to the election of a black-majority city council in Richmond in 1977, it, too, had unintended consequences. The very forces that made Richmond’s majority–minority district system possible—an increase in African American populations in densely packed enclaves, unremitting residential segregation, white flight, and urban retrenchment—were the same that brought about intensifying marginalization in black communities during the twilight of the twentieth century. This story follows black voter mobilization to its logical conclusion: black empowerment and governance. It demonstrates that mid-twentieth-century urban redevelopment left a lasting impression on America’s cities. Richmond’s black-majority council struggled to negotiate the tension between rising expectations in black communities, sustained white resistance, and structural forces beyond the realm of politics.

2018 ◽  
Vol 142 (1) ◽  
pp. 91-123
Author(s):  
Jeffrey Knapp

Every historical film must contend with the possibility that its viewers will be scandalized by its mixture of fact and fiction, but no recent historical film has faced such pressure to justify its hybrid nature as Selma has, in large part because no recent film has taken on so momentous and controversial a historical subject: the civil rights marches from Selma to Montgomery that led to the passage of the Voting Rights Act in 1965. The renewed urgency of the issues Selma dramatizes, along with the film’s own commitment to the “moral certainty” of the civil rights movement, helps explain why Selma wavers in a self-defense that links the fictionality of its historical reenactments to the purposely theatrical element of the marches themselves. But politics are not the only problem for fiction in Selma, and to show why, this essay compares Selma to an earlier historical film, The Westerner (1940), that openly flaunts the commercial nature of its fictionality.


Author(s):  
Aniko Bodroghkozy

This chapter examines television news' reporting of the Selma campaign for voting rights that led directly to the passage of the 1965 Voting Rights Act. Television cameras present on the Edmund Pettus Bridge on Sunday March 7, 1965, were able to capture the beating, gassing, and brutalizing suffered by voting rights demonstrators as they attempted to march to Montgomery. The uproar generated by that footage generated more support, volunteers, and moral clout for the civil rights movement. This chapter considers how one news program, The CBS Evening News with Walter Cronkite, presented the Selma campaign as an ongoing nightly news story, with particular emphasis on its coverage of the campaign's three martyrs: Jimmie Lee Jackson, Rev. James Reeb, and Viola Liuzzo. It also discusses the response of white Selmians in the “glaring light of television” and the commentary in the African American press regarding the television coverage of the campaign.


2005 ◽  
Vol 67 (1) ◽  
Author(s):  
Jocelyn Benson

Forty years ago, civil rights activists across the country rejoiced in the passing of the Voting Rights Act1 (“VRA” or “the Act”). The Act was a crowning achievement of the classical civil rights movement and the culmination of a bloody series of events seeking political empowerment for African-Americans in the United States.


Author(s):  
Julian Maxwell Hayter

Chapter 1 reimagines the origins of the civil rights movement by examining the suffrage crusades that predated the Voting Rights Act (VRA) of 1965. The women and men of the Richmond Crusade for Voters were the legatees of a drawn-out struggle against racist civility and white paternalism in Virginia. Moderate racial reforms, led by men such as Gordon Blaine Hancock, characterized race relations in Richmond before the 1950s. Brown v. Board of Education (1954) ended racist civility in Virginia. The Crusade and the National Organization for the Advancement of Colored People (NAACP) more immediately emerged in opposition to massive resistance to public-school integration and racist urban-renewal policies. This organization eventually outmobilized Harry Byrd’s political machine by paying poll taxes. With the help of the NAACP and its “Miracle of 1960” campaign, the Crusade elected an African American, B.A. “Sonny” Cephas, to the Richmond City Council in 1964.


Author(s):  
Julian Maxwell Hayter

The introduction provides an overview of the American civil rights movement in Richmond, Virginia, and describes how slavery and segregation shaped Richmond’s development well into the twentieth century. The Dream Is Lost provides a narrative of Richmond’s contributions to the freedom struggle and the city coming to terms with racial political trends in America after 1965. The book aims to connect three subjects: 1) it demonstrates how middle-class African Americans used politics as a means to empower their communities; 2) the narrative emphasizes how local people helped influence national voting rights policy during the civil rights movement; and, 3) it delineates how race and racism shaped policy and politics in Richmond well into the twentieth century.


Poll Power ◽  
2019 ◽  
pp. 57-89
Author(s):  
Evan Faulkenbury

This chapter explores how the VEP empowered 129 separate African American voter campaigns during this period, spending over a million dollars, and registering 688,000 black southerners. This chapter argues that this surge of black voting power paved the way for the Voting Rights Act of 1965. Wiley Branton led the VEP during this period, and their support, with philanthropic backing, energized thousands of black civil rights activists across the American South. This chapter chronicles how VEP money and support empowered grassroots movements across the South, and how the civil rights movement relied on the VEP.


1999 ◽  
Vol 11 (2) ◽  
pp. 147-178 ◽  
Author(s):  
Timothy J. Minchin

In the last two decades, one of the central debates of civil rights historiography has concerned the role that the federal government played in securing the gains of the civil rights era. Historians have often been critical of the federal government's inaction, pointing out that it was only pressure from the civil rights movement itself that prompted federal action against Jim Crow. Other scholars have studied the civil rights record of the federal government by analyzing a single issue during several administrations. In this vein, there have been studies of the federal government's involvement in areas as diverse as black voting rights and racial violence against civil rights workers. These studies have both recognized the importance of federal intervention and have also been critical of the federal government's belated and half-hearted endorsement of civil rights.


2021 ◽  

The book is devoted to the works of James Baldwin, one of the most compelling writers of the twentieth century. The authors examine his most important contributions – including novels, essays, short stories, poetry, and media appearances – in the wider context of American history. They demonstrate the lasting importance of his oeuvre, which was central to the Civil Rights Movement and continues to be relevant at the dawn of the twenty-first century and the Black Lives Matter era.


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