Music and politics in San Francisco: from the 1906 quake to the Second World War

2012 ◽  
Vol 49 (07) ◽  
pp. 49-3773-49-3773
2014 ◽  
Vol 139 (1) ◽  
pp. 137-175 ◽  
Author(s):  
Kate Guthrie

ABSTRACTWhile biographical studies of British composers' experiences in the Second World War abound, little attention has been paid to how the demands of ‘total’ war impacted on music's ideological status. This article sheds new light on how composers and critics negotiated the problematic relationship between art music and politics in this period. John Ireland's Epic March – a BBC commission that caused the composer considerable anxiety – provides a case study. Drawing first on the correspondence charting the lengthy genesis of the work, and then on the work's critical reception, I consider how Ireland and his audiences sought to reconcile the conflicting political and aesthetic demands of this commission. With its conventional musical style, Epic March offers an example of a ‘middlebrow’ attempt to bridge the gap between art and politics.


2012 ◽  
Vol 7 (3) ◽  
pp. 461-482
Author(s):  
Hanne Hagtvedt Vik

AbstractAs the Second World War unfolded and became global, intellectuals of various backgrounds turned their minds to the problems of peace. Internal persecution bred external aggression, some believed. States had to be tamed. Such reasoning led the American Law Institute (ALI) to try to draft a globally acceptable bill of rights. Although originating in the USA, the project was essentially a transnational one. The ‘Statement of essential human rights’ became the most elaborate code created up to that point, in both scope and detail. Completed in the early winter of 1944, it was promoted by the Panamanian delegation to the 1945 San Francisco Conference, and used extensively by the UN Commission on Human Rights. Refuting suggestions that human rights originated in the 1970s, the ALI project reveals the great depth of the transnational conversation on human rights during the early 1940s, and even before.


2020 ◽  
pp. 27-35
Author(s):  
A.S. Ivashchenko

The problem of the «northern territories» in the relations between the USSR / Russia and Japan is a kind of echo of the Second World War, which makes itself felt up to the present time. The territorial issue between Moscow and Tokyo has turned into an anachronism, which Russia and Japan have been unable to overcome despite their efforts. In the article the works of Russian scientists have been analyzed and an attempt has been made to consider the key aspects of the historiography of the issue, including the discrepancy between points of view on its specific components. The author of the article studies the scientific works of domestic researchers on the topic and highlights the time of the emergence of the territorial dispute between the USSR and Japan; title documentation regulating the territorial delimitation between the USSR and Japan after the Second World War; points of view on the attachment of the legal rights of the Soviet Union to the Kuril Islands. Moreover, the assessments of Moscow’s refusal to sign the San Francisco Treaty of 1951; alternative points of view of researchers on the historical and legal foundations of the USSR and Japan to possess the Kuriles; pluralism of opinions regarding the belonging of Shikotan and Habomai to the Kuril Islands; whether the rights of the USSR / Russia to possess the Kuril Islands are vulnerable; views on the degree of importance of solving the territorial problem for Japan, etc. have been considered.


Author(s):  
Mark Glancy

Cary Grant and Betsy Drake’s marriage limped forward for two years after his affair with Sophia Loren. In the midst of this, Loren arrived in Hollywood and Grant began pursuing her again, asking her to marry him. He was finishing Kiss Them for Me (1957) at the time. Producer Jerry Wald had been trying to film this Second World War story for years, but it was only when Grant signed to star in it that the project got the green light. Grant enjoyed working with the film’s director, Stanley Donen, but he was ill-suited to play a soldier having weekend leave in San Francisco. The film was one of the very few flops in his later career. He then made Houseboat (1958). Drake had written the original screenplay thinking that she and Grant might star in the film together. At Grant’s request, the studio assigned other writers to rewrite it as a vehicle for Sophia Loren. The comedy, about an Italian nanny falling in love with her boss, culminates in their marriage. This was a difficult scene for the stars to film after Loren refused Grant’s own proposal. Indiscreet (1958), directed by Stanley Donen and co-starring Ingrid Bergman, was a happier production. This delightfully sophisticated romantic comedy benefits from Donen’s imaginative direction and from location shooting that captures the glamour of the London setting.


2019 ◽  
Vol 41 (3) ◽  
pp. 22-25
Author(s):  
Danielle Fauque ◽  
Brigitte Van Tiggelen

Abstract The League of Nations’ failure to ensure global peace by solving conflicts through diplomatic and peaceful means prompted Franklin Roosevelt and Winston Churchill to discuss the creation of a more efficient international organization as soon as the Second World War erupted. These preliminary efforts led to the signing of the Charter of the United Nations (UN) in San Francisco in 1945. In January 1946, the first general UN assembly took place, along with the Security Council and the Economic and Social Council. The latter created several international bodies, among them UNESCO. At first, UNESCO seemed to be the continuation of the International Institute for the Intellectual Cooperation (IIIC) coupled with the International Commission for the Intellectual Cooperation (ICIC), but was actually based on new rules [1].


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