Claims to Fame

2020 ◽  
pp. 159-172
Author(s):  
Özpinar
Keyword(s):  
Women Artists ◽  
Modern Art ◽  
Art Museum ◽  
Important Case ◽  
Pivotal Role ◽  
Museum Of Modern Art ◽  
History Writing ◽  
History Of ◽  
The Media

Since the day it was inaugurated in 2004, the Istanbul Museum of Modern Art has assumed a pivotal role in re–establishing the history of modern and contemporary artistic practices in Turkey. The major all–woman exhibition titled ‘Dream and Reality: Modern and Contemporary Women Artists from Turkey’, which was opened in late 2011 at Istanbul Modern, constitutes an important case study to prompt deeper exploration into the narrative frameworks within which the art museum reproduces differences. This chapter revisits the institutional and the curatorial discourse of ‘Dream and Reality’ by examining the statements released in the media and in catalogue essays with a view to comprehending the allegedly conflicting notions of gender and feminism on which the exhibition was premised and how differences were articulated against the politics of the state and art history writing. With this reconsideration, the chapter addresses the reverberations of these framings in the art histories of Turkey but also relocates them within the debates of art’s new transnational landscape.

A Hero to Be Remembered:EbonyMagazine, Critical Memory and the “Real Meaning” of the King Holiday

2016 ◽  
Vol 52 (2) ◽  
pp. 503-527
Author(s):  
E. JAMES WEST
Keyword(s):  
Ronald Reagan ◽  
Important Case ◽  
Living History ◽  
Black America ◽  
Senior Editor ◽  
History Of ◽  
Color Blind ◽  
Martin Luther King

This article explores the role ofEbonymagazine as a key staging ground for competing political and ideological debates over Martin Luther King Jr's legacy, and the struggle for a national holiday in his name. In doing so, it provides an important case study into the contestations between what Houston Baker has described as “black critical memory” and “black conservative nostalgia.” In response to attempts by Ronald Reagan and other politicians to reimagine King as an advocate for color-blind conservatism,Ebony’s senior editor, Lerone Bennett Jr., sought to situate King's legacy within a radical “living history” of black America. However, the magazine's broader coverage of the King holiday movement betrayed underlying tensions within its discussion of King's legacy, and fed into the magazine's role as an inadvertent frame for color-blind ideologies during the 1980s.

Eat yourself fitter: John Latham and Clement Greenberg’s Art and Culture

2000 ◽  
Vol 25 (2) ◽  
pp. 40-44
Author(s):  
Simon Ford
Keyword(s):  
New York ◽  
Modern Art ◽  
Conceptual Art ◽  
Suitable Condition ◽  
Museum Of Modern Art ◽  
Art And Culture ◽  
History Of

In 1966 John Latham and some friends began chewing Clement Greenberg’s book Art and culture: collected essays. The resulting art work, entitled Art and Culture (1966-1969), is now recognised as a seminal conceptual art work and is part of the collection of the Museum of Modern Art, New York. Latham, however, had borrowed the book from St. Martin’s School of Art library and when he was unable to return it in a suitable condition his teaching contract was not renewed. This essay looks at the history of the work, the ideas behind its creation, and the issues it raises for the culture of the book today.

scholarly journals Media aesthetic component of communication and its manifestation in infographic content

Lumina ◽  
2020 ◽  
Vol 14 (1) ◽  
pp. 84-96
Author(s):  
Svetlana Simakova
Keyword(s):  
Visual Image ◽  
Integrated Approach ◽  
Visual Media ◽  
Media Culture ◽  
Media Content ◽  
Case Study Method ◽  
History Of ◽  
The Media

The goal of the present study is to demonstrate the media-aesthetic potential of infographic messages on particular cases. This can be done due to an integrated approach to the analysis of the visual content of media content. That indicates the case study method implementation as well as description and generalization. The theoretical basis of the research is represented by scientific studies of various directions. That includes the history of media and visual media culture; features of the concepts of media culture and media language, media aesthetics; infographics as a tool of media language. The empirical basis of the study is journalistic materials containing infographic content of such publications as by RIA Novosti (ria.ru), TASS (tass.ru). The examples of visual image implementation in the transmission of information — media content containing infographics — are given and analyzed. Considering media aesthetics as the formation of a sensory perception of the proposed media content, the author turns to the philosophical and aesthetic foundations of visual practices in the media and post-humanistic trends in journalism. As a result of the analysis of the theoretical and practical basis of the research, the author comes to the conclusion that today the role of the media aesthetic component of messages is most relevant. And infographics, as the connecting link of language and consciousness, is its most striking tool.

scholarly journals Cosplay on Demand? Instagram, OnlyFans, and the Gendered Fantrepreneur

2021 ◽  
Vol 7 (3) ◽  
pp. 205630512110423
Author(s):  
Lauren Rouse ◽  
Anastasia Salter
Keyword(s):  
Economic Viability ◽  
Sample Analysis ◽  
Digital Platforms ◽  
Brand Building ◽  
On Demand ◽  
Television Shows ◽  
History Of ◽  
The Media ◽  
Favorite Television

Fan producers engaged in monetization, or what Suzanne Scott has termed “fantrepreneurs,” struggle with legal mechanisms for brand-building given the limitations of both copyright and platform moderation. These challenges have been amplified during the COVID-19 pandemic, which has fundamentally changed the way that cosplayers, or fans who dress up as characters from their favorite television shows or movies, market themselves in an increasingly online space, as opposed to their initial public platforms of conventions. Restricted by digital platforms and their various moderation and monetization methods, cosplayer fantrepreneurs have developed new, multi-platform methods for sustaining their content and community connection. One prominent platform significant to this turn is OnlyFans, which is billed as a “peer-to-peer subscription app,” and allows users to “Sign up and interact with your fans!” Through a sample analysis of 50 cosplayers, this case study considers the approaches of cosplayers on integrating OnlyFans as part of a multiplatform struggle for economic viability. When we contextualize this platform labor in the history of cosplay, we note the hypersexualized labor that has always been central to monetization in this space, and the media franchise exploitation that profits from that labor at the expense of the fan producer, demonstrating the fundamental, gendered exploitation of the trend toward a patronage economy.

Gujarat in the History of the Indian Ocean

2019 ◽  
pp. 52-67
Author(s):  
Lakshmi Subramanian
Keyword(s):  
Indian Ocean ◽  
Western Indian Ocean ◽  
Maritime History ◽  
Historical Knowledge ◽  
History Writing ◽  
New Methods ◽  
History Of ◽  
The Indian Ocean

This chapter takes a stock taking exercise of the history writing on Gujarat and Indian maritime history over the last five decades. It identifies the major shifts and emphases that mark the nature of historical knowledge. What these hold for the discipline of history in general and how these inflect the case study of Gujarat in particular are examined. The intention of such a stock taking exercise is also to consider the importance of recovering and reading new and local archives and of incorporating new methods into standard historical work. The author also explores the most significant shifts that have emerged in the recent historiography of the Indian Ocean and of maritime Gujarat: study of law and piracy and Muslim seafaring and sailing practices in the western Indian Ocean.

CONVERGENCE AND THE FORMATION OF AFRIKAANS

2002 ◽  
Vol 14 (1) ◽  
pp. 57-93 ◽  
Author(s):  
Paul T. Roberge
Keyword(s):  
Language Contact ◽  
Historical Linguistics ◽  
Important Case ◽  
General Idea ◽  
Linguistic Features ◽  
Language Varieties ◽  
Languages In Contact ◽  
History Of

As a phenomenon to be explained, convergence in historical linguistics is substantively no different than in creolistics. The general idea is that accommodation by speakers of “established” languages in contact and the formation of new language varieties both involve a process of leveling of different structures that achieve the same referential and nonreferential effects. The relatively short and well-documented history of Afrikaans presents an important case study in the competition and selection of linguistic features during intensive language contact.

Romare Bearden Graduate Museum Fellowship Program—Outreach to Inreach—A Generation of Cultivating Tomorrow’s Leaders

2018 ◽  
Vol 40 (3) ◽  
pp. 193-210
Author(s):  
Renee Brummell Franklin
Keyword(s):  
Art Museum ◽  
Professional Staff ◽  
Fellowship Program ◽  
Saint Louis ◽  
Innovative Strategies ◽  
Diversity And Inclusion ◽  
History Of ◽  
Community Relationships

This article chronicles the twenty-six-year history of the Saint Louis Art Museum Romare Bearden Graduate Museum Fellowship, which was created to increase the number of professional staff from underrepresented backgrounds working in museums. It provides an overview of early supporters/founders of the program and details the trajectory of a generation of Bearden Fellows, most of whom are now professionally engaged in museums and arts-related careers. This case study also examines the benefits of staff diversity to the inclusive culture sought by museums as they cultivate new audiences and search for innovative strategies to maintain their relevance and community relationships. It calls upon museums to view diversity as an evolutionary conversation by examining the motivations and objectives that constitute the contemporary “diversity and inclusion” discourse.

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