Salvia Marcellina and the Collegium of Aesculapius and Hygia in Rome: Some Remarks on the Lex collegii Aesculapii et Hygiae (CIL VI 10234)

Palamedes ◽  
2019 ◽  
Vol 12 ◽  
pp. 141-164
Author(s):  
Przemyslaw Wojciechowski

Lex collegii Aesculapii et Hygiae is one of the most frequently cited source texts concerning the Roman private corporations. In this article I try to verify the traditional interpretation of this inscription. Firstly, the analysis of the provisions included in the lex collegii Aesculapii et Hygiae leads to the conclusion that what we have here is not the organisation’s statute but an agreement between the collegium and Salvia Marcellina and her brother-in-law, P. Aelius Zeno. Secondly, quite common conviction that the collegium Aesculapii et Hygiae was a funerary one is based on a very meagre source material. The term funeraticium used by the authors of the lex collegii with the utmost certainty is insufficient to claim that it was a collegium funeraticium. The statement that the college owned a graveyard is also based on an erroneous interpretation of the words defunctorum loca, found in the lex collegii, which supposedly meant places in the corporate graveyard, while in fact they referred to the membership of the college (members’ places in the college). Moreover, the commemorative services, collegial feasts and distributions which are mentioned in lex collegii should be considered in a wider social context. For members of the collegium the participation in these ceremonies was first of all an opportunity to demonstrate their position within the college and in the urban community. The same applies to patrons and benefactors of the collegium.

2018 ◽  
Vol 50 (3) ◽  
pp. 38-54
Author(s):  
Eugenia Cadús

Through close analysis of primary and secondary source material related to Katherine Dunham'sTango(1954), this article examines the protest message of this dance work within the political and social context of the time. The article focuses first on Dunham's understanding of the Argentine populist political movement known as Peronism, and secondly on the Argentine reception of the piece's protest against Juan Domingo Perón's government. The article argues that, contrary to existing interpretations of the work,Tangoarticulated with the cultural policies promoted by Perón's government, rather than working as a protest performance against it.


2018 ◽  
Vol 15 (1) ◽  
pp. 99-110
Author(s):  
Urša Vogrinc Javoršek

The analysis of three recent British novels: Neil Gaiman’s Neverwhere (1996), Iain Banks’ Transition (2009) and China Miéville’s The City & the City (2009) strives to uncover structural parallelisms and the inherent evolution in their development, plot structuring and presentation. It is centred on the exhibited relation to the structure and general mechanics of space. The interpretations of space are based on Foucault’s heterotopias, the rhizome of Deleuze and Guattari, and Certeau’s absent space, which show how the active force of space and the complexity of the genre identity are interconnected, and how they interact with the social and political engagement of the works and their wider cultural and social context. These seminal works of the British Boom provide a rich source material for an outline of the process of interplay of genre identity and political engagement, and an overview of how this interplay affects their plot, style and the protagonists.


Author(s):  
Antonia Fitzpatrick

This Introduction expresses the intent of this study to re-examine the place of the body in Thomas Aquinas’s thought on the composition of the human being and its identity through time. Aquinas is famous for holding that the soul is the one and only substantial form in a human being. The generally accepted view is that Aquinas accounted for the identity of the person almost exclusively with reference to their soul. This study will restore the significance of the body by placing Aquinas’s thought in its theological and social context: principally, his concern for the earthly and resurrected body to be identical and his polemic against heretics. The Introduction goes on to survey the source material from Peter Lombard, St. Augustine, Aristotle, and Averroes with which Aquinas would construct his account of the body, its identity over time, and its autonomy relative to the soul. It briefly outlines that account.


2018 ◽  
Vol 7 ◽  
pp. 34-52
Author(s):  
Karin Strand

What can street ballads tell us about the lives and realities of “common people”, of experiences “from below”? This article discusses the functional aesthetics and social context of one particular genre that has circulated in ephemeral song prints (skillingtryck) in Sweden: beggar verses of the blind. For centuries, such songs were sold in the streets and at market places as a means for the blind to earn a living, and a major part of them tell the life story, the sad fate, of their protagonists. Many prints declare the genre of autobiography on their very front page, quite literally selling the story of the protagonist’s life and addressing the audience’s compassion. How, then, do these narratives relate to real life? How is individuality and authenticity expressed within a genre that to a large extent relies upon conventions and formulas? As is argued, songs of this kind are a suggestive source material of vernacular literacy, as well as of social and personal history from below. Simultaneously, the discourse is marked by and shaped in a dialogue with the sighted world’s view of the blind.


1985 ◽  
Vol 48 (4) ◽  
pp. 1015-1023 ◽  
Author(s):  
Robert Gifford ◽  
Timothy M. Gallagher

1985 ◽  
Vol 30 (11) ◽  
pp. 853-858 ◽  
Author(s):  
Barbara Ross
Keyword(s):  

1987 ◽  
Vol 32 (12) ◽  
pp. 1004-1007
Author(s):  
Gregory M. Herek
Keyword(s):  

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