scholarly journals “Let me tell you my life in a song” On Autobiography and Begging in Broadside Ballads of the Blind

2018 ◽  
Vol 7 ◽  
pp. 34-52
Author(s):  
Karin Strand

What can street ballads tell us about the lives and realities of “common people”, of experiences “from below”? This article discusses the functional aesthetics and social context of one particular genre that has circulated in ephemeral song prints (skillingtryck) in Sweden: beggar verses of the blind. For centuries, such songs were sold in the streets and at market places as a means for the blind to earn a living, and a major part of them tell the life story, the sad fate, of their protagonists. Many prints declare the genre of autobiography on their very front page, quite literally selling the story of the protagonist’s life and addressing the audience’s compassion. How, then, do these narratives relate to real life? How is individuality and authenticity expressed within a genre that to a large extent relies upon conventions and formulas? As is argued, songs of this kind are a suggestive source material of vernacular literacy, as well as of social and personal history from below. Simultaneously, the discourse is marked by and shaped in a dialogue with the sighted world’s view of the blind.

2019 ◽  
Vol 1 (1) ◽  
pp. 40-50
Author(s):  
Jose Luis Turabian

Psychology and sociology share a common object of study, human behaviour, but from different perspectives. Sociologists have focused on macro variables, such as social structure, education, gender, age, race, etc., while psychology has focused on micro variables such as individual personality and behaviours, beliefs, empathy, listening, etc. Despite the importance of interpersonal relationship skills, they depend on the community or social context in which communication takes place, and by themselves may have little relevance in the consultation. The purely psychological analysis of the doctor-patient relationship often leads to an idyllic vision, with the patient-centred consultation as the greatest exponent, which rarely occurs in real life. The purely sociological or community / social analysis of the doctor-patient relationship leads to a negative view of the consultation, which is always shown as problematic. But, the psychological system in the doctor-patient relationship cannot be neglected, and its study is of importance, at least as an intermediate mechanism that is created through socio-community relations. Although the same social causes are behind the doctor-patient relationship, when acting on psychological factors in the consultation, they act as an optical prism scattering socio-community relations that affect the doctor and the patient, giving rise to a beam of different colors of doctor-patient relationship. In doctor-patient relationship there is a modality of psychotherapy, where attitudes, thoughts and behaviour of the patient, can be change, as well as it can be extended on the way of understanding and therefore changing, his social context. Because of the distance between socio-community relations and the form of doctor-patient relations is growing in complex societies, under these conditions, the sociological factor gives the important place to the psychological factor. Given these difficulties of the doctor-patient relationship one may ask how general medical practice can persist with the usual model of doctor-patient relationship. Pain and the desire to relieve them are the basic reasons for the patient and the doctor, and they do not disappear due to the contradictions of the doctor-patient relationship. In this way, the confrontation between sociological and psychological vision is replaced by an alliance of both currents, and each of them takes on meaning only in the general vision.


2020 ◽  
Vol 102 ◽  
pp. 471-478
Author(s):  
Peter A. Shevchenko

The article provides a comparative analysis of the influence of L.N. Tolstoy and I.I. Sergiev (John of Kronstadt) on the formation of personal worldview in Russian society. The analysis is based on the testimonies of the contemporaries and the previously not reissued publication of “Novy Put” (“New Way”) journal on the subject. In the context of the declared problematics, special attention is paid to the question of transformation of religious consciousness in the course of the personality formation in relation to the period under consideration (the beginning of the 20th century). The author reveals and analyzes the main components of the life stand of Tolstoy and Father John of Kronstadt in the context of their influence on contemporaries. The results of the study allow to reveal the following antitheses that characterize Tolstoy and John of Kronstadt, respectively: doubt - faith, search for oneself – following the once chosen path, preaching of non-resistance as part of the philosophy of not-doing (not doing evil) – preaching of active upholding of faith (doing good), “simple living” – real life with and for common people.


Film Matters ◽  
2021 ◽  
Vol 12 (1) ◽  
pp. 111-116
Author(s):  
Nathan Foster

Aaron Sorkin’s The Trial of the Chicago 7 (2020) may feature entertaining performances and his trademark wit, but it differs so much from its real-life story that it becomes more liberal fantasy than historical narrative.


2017 ◽  
Vol 43 (2) ◽  
Author(s):  
Barry Morton

This response to Marius Nel’s 2016 article (in Studia Historiae Ecclesiasticae no. 42, 1, 62-85) uses primary source material to refute his claims that John G Lake, the initiator of Pentecostalism in southern Africa, was an upstanding man of God. A wide array of American and South African sources show that Lake invented an extensive but fictitious life story, while also creating a similarly dubious divine calling that obscured his involvement in gruesome killings in America. Once in South Africa, he used invented “miracles” to raise funds abroad for the Apostolic Faith Mission. Before long, he faced many accusations of duplicity from inside his own church.


PeerJ ◽  
2018 ◽  
Vol 6 ◽  
pp. e4451 ◽  
Author(s):  
Katharina F. Brecht ◽  
Ljerka Ostojić ◽  
Edward W. Legg ◽  
Nicola S. Clayton

Previous research has suggested that videos can be used to experimentally manipulate social stimuli. In the present study, we used the California scrub-jays’ cache protection strategies to assess whether video playback can be used to simulate conspecifics in a social context. In both the lab and the field, scrub-jays are known to exhibit a range of behaviours to protect their caches from potential pilferage by a conspecific, for example by hiding food in locations out of the observer’s view or by re-caching previously made caches once the observer has left. Here, we presented scrub-jays with videos of a conspecific observer as well as two non-social conditions during a caching period and assessed whether they would cache out of the observer’s “view” (Experiment 1) or would re-cache their caches once the observer was no longer present (Experiment 2). In contrast to previous studies using live observers, the scrub-jays’ caching and re-caching behaviour was not influenced by whether the observer was present or absent. These findings suggest that there might be limitations in using video playback of social agents to mimic real-life situations when investigating corvid decision making.


2021 ◽  
pp. 127-146
Author(s):  
Gillian Kelly

This chapter explores Power’s work within the Western genre. When Power was cast in the title role of Hollywood’s first ‘A Western’ of the 1930s: Jesse James (Henry King) in 1939 it marked the first major curve in Power’s career trajectory. When it became Twentieth Century-Fox’s biggest hit of the year this proved that audiences were ready to accept Power in more masculine roles at the close of the decade. Released in the period directly preceding America’s entry into World War II, the film was integral in developing a much-needed shift in Power’s screen masculinity, appearance and performance style, reflecting the shifting industrial and social context in which it was made. In advancing his star image away from a womaniser, and instead placing it within an overtly homosocial environment, Power was able to convincingly demonstrate male bonding and leadership through a tougher masculinity which was essential for both the historical timeframe and Power’s own upcoming real-life war service. Despite the film’s huge success, it was another 12 years before Power starred in another Western, and made just four in overall: Jesse James, Rawhide (Henry Hathaway, 1951), Pony Soldier (Joseph M. Newman, 1952) and The Mississippi Gambler (Rudolph Maté, 1953).


Ridley Scott ◽  
2019 ◽  
pp. 204-210
Author(s):  
Vincent LoBrutto

This film follows the real-life story of the kidnapping of mega-rich John Paul Getty’s grandson, who was held in a remote area in Italy. Kevin Spacey was cast and filmed as Getty. After the film was complete, a major scandal broke out concerning allegations of the actor’s sexual misconduct. Scott made the difficult decision to remake the parts of the movie in which Spacey had appeared, an extensive undertaking. Veteran actor Christopher Plummer took on the role. Scott was applauded for his moral stance and for pulling off a major cinematic feat―he completed the reshoots and editing just before the release date.


Ridley Scott ◽  
2019 ◽  
pp. 110-113
Author(s):  
Vincent LoBrutto

White Squall is based on the book The Last Voyage of the Albatross, co-written by Chuck Gieg, who was a survivor of a prep school ship that sank during treacherous weather on the high seas. The voyage was planned to expose young men to different locales as they studied academic subjects during the trip. They also were part of the ship’s crew and learned to be seamen. White Squall is a rare successful re-creation of the early 1960s: the dawn of an era that saw much change but still maintained its innocence. Much of this picture was shot on a real schooner at sea. Scott directed many strong performances, especially from Jeff Bridges playing Captain Christopher “Skipper” Sheldon. The boys represent many different personality types and all are impacted by the voyage and the crew. The white squall event left many dead. In the real-life story, no punishment was given to the skipper, but Scott decided to end the film on a dramatic note so a fictional scene was created. Here the skipper faces a tribunal with his license at risk. The boys come to his aid with solid support and the issue is then resolved.


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