scholarly journals Arthurian Influence in the Lord of the Rings

Elements ◽  
2021 ◽  
Vol 16 (1) ◽  
pp. 59-65
Author(s):  
Michael Hayley

J.R.R. Tolkien's beloved Lord of the Rings has been considered one of the greatest works of English literature. This work analyzes Tolkien's inspiration and motivation in his writing process by situation middle-earth in the context of postwar England. Evaluation Tolkien's letters reveal his affinity for Arthurian legend, and his desire to reinvent it to create a myth that was distinctly English. A comparison of the two bodies of legend reveals similar Archetypal elements and characterizations that give Tolkien's legendarium credibility and weight. Through Sauron's destruction of middle-earth, Tolkien reveals his concerns for a modern, industrialized England and the consequences of war. In The Lord of the Rings, Tolkien reinvents the legend of Arthur into a synthesis of English national identity and exigency for the future. 

This chapter reviews the book Jewish Youth and Identity in Postwar France: Rebuilding Family and Nation (2015), by Daniella Doron. Jewish Youth and Identity in Postwar France examines how the French Jews shifted from immediate relief and rehabilitation activities following the Holocaust to longer-term efforts aimed at establishing communal stability and unity. Doron highlights the important role played by Jewish youth in these efforts, arguing that they can serve as a lens through which to study larger concerns such as the future of Jews in France, the reconstruction of families, and ideas about national identity in the reestablished republic. Doron shows that there were competing visions for reconstruction and that hope for the future was often complicated by anxiety and an underlying sense of crisis.


Meliora ◽  
2021 ◽  
Vol 1 (1) ◽  
Author(s):  
Chaya Sara Oppenheim

 This thesis proposes that “George Silverman’s Explanation”—the last short story completed by Charles Dickens—should be read as Dickens’s final and most comprehensive treatise on writing. The argument states that Dickens, instead of outlining an explicit approach to the writing process, utilizes the narrative of George Silverman as an allegory to detail the formation of a story. The thesis suggests that the framework of “George Silverman’s Explanation” portrays the growth trajectory of the writer and his eternal struggle to create original work from the world of literature that precedes him. For a renowned author like Dickens, approaching his last short story as his departing discourse on the construction of literature is invaluable instruction for future writers. Interestingly, “George Silverman’s Explanation” is also Dickens’s least analyzed work. For this reason, this thesis addresses essentially all of the scholarship that has been written on the short story before preceding to add a new perspective on how the short story can be approached. Understanding this short story as a blueprint for writers provides an innovative and unique angle for approaching literature, since a writer reads with their eyes on the future—and the original works that they can create.


2020 ◽  
pp. 217-248
Author(s):  
Roma Bončkutė

SOURCES OF SIMONAS DAUKANTAS’S BUDĄ SENOWĘS-LËTUWIÛ KALNIENÛ ĨR ƵÁMAJTIÛ (1845) The article investigates Simonas Daukantas’s (1793–1864) BUDĄ Senowęs-Lëtuwiû Kalnienû ĩr Ƶámajtiû (The Character of the Lithuanian Highlanders and Samogitians of the Old Times, 1845; hereafter Bd) with regards to genre, origin of the title, and the dominant German sources of the work. It claims that Daukantas conceived Bd because he understood that the future of Lithuania is closely related to its past. A single, united version of Lithuanian history, accepted by the whole nation, was necessary for the development of Lithuanian national identity and collective feeling. The history, which up until then had not been published in Lithuanian, could have helped to create the contours of a new society by presenting the paradigmatic events of the past. The collective awareness of the difference between the present and the past (and future) should have given the Lithuanian community an incentive to move forward. Daukantas wrote Bd quickly, between 1842 and May 28, 1844, because he drew on his previous work ISTORYJE ƵEMAYTYSZKA (History of the Lithuanian Lowlands, ~1831–1834; IƵ). Based on the findings of previous researchers of Daukantas’s works, after studying the dominant sources of Bd and examining their nature, this article comes to the conclusion that the work has features of both cultural history and regional historiography. The graphically highlighted form of the word “BUDĄ” used in the work’s title should be considered the author’s code. Daukantas, influenced by the newest culturological research and comparative linguistics of the 18th–19th centuries, propagated that Lithuanians originate from India and, like many others, found evidence of this in the Lithuanian language and culture. He considered the Budini (Greek Βουδίνοι), who are associated with the followers of Buddha, to be Lithuanian ancestors. He found proof of this claim in the language and chose the word “būdas” (character), which evokes aforementioned associations, to express the idea of the work.


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