The Obligation to Tear Through the Veil: An Analysis and Transformation of Mankind’s Insufficient Complacency Through the Novels of Jenny Offill

This thesis explores the ways in which we as humans are alienated by the fundamental social structures of our world and how the novels of Jenny Offill offer a possible remedy. With a specific focus on the psychological and evolutionary aspects of womanhood and motherhood, this text attempts to illustrate the ways in which these novels address the imposing weight of such fundamental structures in the 21st century. Through an analysis of the nuclear family, this thesis examines the debilitating and profound existence of women, and more specifically, mothers. Offill’s novels present a profoundly clear picture of the modern world as it depicts the reality and ramifications of psychoanalytic and evolutionary theory. This work demonstrates how Offill’s texts attempt to remedy the core dissonance of our binary-laden human existence with clarity and realization rather than acceptance of an oversimplified past and a debilitating future.

Subjecting Sentences: Syntax and Power in Ocean Vuong’s On Earth We’re Briefly Gorgeous

Ocean Vuong’s semi-autobiographical novel On Earth We’re Briefly Gorgeous opens as a letter to the narrator, Little Dog’s, mother—it is a letter she’ll never be able to read, as she is illiterate in both her Vietnamese mother tongue and the limited English she has learned following her immigration to America. Little Dog, having learned both languages, resists the rigidity of their respective, repressive syntaxes; if syntax functions as ideology—as an imagined set of rules and processes which govern a structure of sentences within a language and, in turn, the subjected bodies which are interpellated by the literal and subsequently constructed Subject of such sentences—then Little Dog opposes such ideology by subverting the hierarchical Subject/subject relationships created within the subject/object sentence structure. Rather than align with Ferdinand de Saussure’s structuralist argument towards language as based in such hierarchical binary oppositions, Little Dog searches for a new language—one that can truly act as a bridge, rather than a border—often intentionally breaking prosaic form and grammar rules in an effort to unearth it.

Illicit Ecologies: Queer Animacy and Epistemological Erasure in History of Wolves

This thesis attends to the slippages between life and nonlife in Emily Fridlunds 2017 novel History of Wolves. It traces the matter that is granted life or animacy, as well as the matter that is devitalized. Through the protagonist, Linda, the novel investigates the role of both scientific knowledge production and Christian Science in placing arbitrary biological limits on life forms, making some visible and others unseeable and unsayable. The thesis fleshes out the characters’ climate denial as yet another erasure of the animate agents. Ultimately, the thesis asks: if we can expand what is worthy of life, can we, in turn, expand what agents, actors, and matters are deserving of care?

"Comprehensive, Combining, and Subtle": Ishmael's Philosophy of Connection in Melville's Moby-Dick

This paper explores the lived philosophy of Ishmael in Herman Melville’s epic, Moby-Dick, particularly as it contrasts with Captain Ahab. Furthermore, this paper examines how Ahab’s narcissism ushers him towards death, while Ishmael’s collectivism guides him towards life. While Ahab is obsessed with himself and his goal of killing Moby Dick, which leads to his own demise, Ishmael is focused on exploring people and their respective philosophies in order to express the infinite spiritual aspects of human life. Ishmael learns from his mistakes, listens to the perspectives of others, and searches for spirituality through various religious and secular means. The form of the novel mirrors its narrator’s wide and wandering curiosity, as Ishamel shares with the reader both the narrative story of the Pequod and worldly facts about the sperm whale. The novel’s form enhances Ishamel’s actions within the story, revealing a nuanced philosophy that values human connection and curiosity. While some scholars have made claims that Ishmael’s narrative style reflects his confusion or ambiguity, this paper argues that it is actually evidence of a life-sustaining philosophy, one which eventually saves Ishmael from being swallowed by the whirlpool caused by Ahab’s pride.

Representing Shylock: The Performance History of Shakespeare’s Jew as an Indicator and Instigator of Cultural Change

Since its earliest performances, The Merchant of Venice garnered attention for its depiction of Shylock, the greedy Jewish moneylender who takes the protagonist of the play to court, demanding a pound of flesh. Over the centuries, depictions of this character have varied as much as the critical and popular reception to him. In the hands of each actor who newly embodies the character, Shylock can take the shape of a grotesque antisemitic caricature or a sympathetic anti-hero speaking truth to power. While Shylock began as a comic villain whose defeat allows the comedic resolution, almost all modern directors, actors, and audiences are forced to reckon with the cruel antisemitism voiced by the play’s protagonists. In tracing the performance history of this character from the turn of the 17th century, to the Third Reich, to his most recent incarnations, this research resists reducing Shylock to any single interpretation. Instead, this essay argues that Shylock serves as a reflection of the place and time in which he is performed, both an indicator of cultural attitudes and a potential instigator of cultural action towards oppression, justice, and representation of those deemed outsiders.

"Improved Countenance": Capitalist Relations in Mansfield Park

There is no neat division between the economic and the domestic. Not only are they connected, but their meaning, structure, and value are decidedly conditioned by one another. Yet, since it is capitalism’s nature to conceal exploitation, domesticity becomes outwardly coded as the domain of tradition, despite the productive forces of the market shaping domesticity through the process of social reproduction. Lise Vogel asks how the worker is produced in capitalism, analyzing the peculiar way women are exploited in this process. Using Vogel’s theory of labor and Marx’s analysis of commodity fetishism, this thesis analyzes Jane Austen’s Mansfield Park as a remarkable and salient example of capitalist relations invading and determining the realm of the domestic in the early 19th-century. At the beginning of the novel, Fanny Price, the protagonist of the novel, is intimately involved in social reproduction, but when she is displaced to the extravagant halls of Mansfield Park, her uncle’s estate, she enters the commodity sphere and becomes an ideological weapon, emptied out of her original and unique value to fervently justify the ruling class's power.

A Writer’s Guide to Understanding Charles Dickens’s "George Silverman’s Explanation"

This thesis proposes that “George Silverman’s Explanation”—the last short story completed by Charles Dickens—should be read as Dickens’s final and most comprehensive treatise on writing. The argument states that Dickens, instead of outlining an explicit approach to the writing process, utilizes the narrative of George Silverman as an allegory to detail the formation of a story. The thesis suggests that the framework of “George Silverman’s Explanation” portrays the growth trajectory of the writer and his eternal struggle to create original work from the world of literature that precedes him. For a renowned author like Dickens, approaching his last short story as his departing discourse on the construction of literature is invaluable instruction for future writers. Interestingly, “George Silverman’s Explanation” is also Dickens’s least analyzed work. For this reason, this thesis addresses essentially all of the scholarship that has been written on the short story before preceding to add a new perspective on how the short story can be approached. Understanding this short story as a blueprint for writers provides an innovative and unique angle for approaching literature, since a writer reads with their eyes on the future—and the original works that they can create.

"Writing into the Rupture": Visual Selves in Mary-Kim Arnold’s Litany for the Long Moment

Multimedia texts are gaining more footing in the Asian American literary world, especially following Theresa Hak Kyung Cha’s pre-eminent Dictee (1982). While lesser known, Mary-Kim Arnold’s Litany for the Long Moment (2018) is a highly referential lyric essay that employs visual elements, including personal ephemera, to consider the unrelenting complexities of Asian American identity. Analyzing Arnold’s formal intervention into Asian American literature through Francesca Woodman’s photography and Roland Barthes’ photography theory reveals that visual subjects are evasive and unknowable. Paradoxically, memorabilia has the power to rupture linear notions of time and cast into doubt what we know about past and present selves. Arnold’s engagement with the visual also extends to the body, and throughout the text she unsettles hegemonic constructions of gender and racial signification. Ultimately, an analysis of Litany for the Long Moment reveals that visual subjects rupture the concept of a stable self. Throughout this thesis, I draw from the fields of photography, poststructuralism, and critical race studies to argue that visual representation is not a sufficient mode of racial empowerment. Building off of Arnold’s claims about “writing into the rupture,” lack is not a closure, but an opening through which we can interrogate what it means to be a self.

Transcending the Elements: the Meaning in the Mist and Stars in Charles Dickens’s Great Expectations

In this senior thesis, I seek to explore the meaning of the mist and the stars in Charles Dickens's Great Expectations. I argue that through observation of the mist and the stars as an entrance point to the text, we as readers are able to expand our discussion of the text to incorporate other fundamental aspects of the story. I open with a contextualization of the mist and the stars in Dickens’ previous works, including Bleak House, Oliver Twist, and Sketches by Boz. I argue that the mist stands as a symbol for Pip’s uncertainty about the future and his place in the world, while the stars represent an inaccessible though alluring clarity and transparency. The mist stands as an obstructing force, and the rising of the mist connotes moments of growth and maturation for Pip. The stars act as the cosmic opposition to the mist, and they are synonymous with Pip’s elusive love interest, Estella. Through a reading of the mist and the stars, we gain a deeper connection to the nuances and foundational themes of Great Expectations.

From Muse to Material: The Defiance of Homeric Identity Through Creative Adaptation

The hero crossing the wine-dark sea, a king kneeling at the foot of his son’s killer, a boy defending his homeland in his father’s absence. The world of epic Greek myth is an alluring and vast web of heroic narrative and moral dilemma. These iconic moments transcend history and cultural decay. They live in the literature, art, and philosophical framework of the contemporary human experience. Homeric myth is intrinsically embedded in our cultural landscape; it is the thread that runs through the most mundane storytelling and the most epic fantasy narrative. The narratives of the Iliad and The Odyssey have been institutionalized in the Western canon and prescribed as the essential foundation of academic discourse. Yet these same myths also include a daughter sacrificed by the hand of her father, a woman raped and held hostage by the greatest of the Greeks, and a girl whose beauty launched a thousand ships and killed even more men. There is room, though, in the oeuvre of Homeric myth, for an elevation of otherwise silenced voices. Through reimagining epic narratives such as the Iliad and The Odyssey, women authors transform exclusionary texts into stories that encompass the identities reflected in contemporary society.