scholarly journals Nick Couldry: Media, Society, World: Social Theory and Digital Media Practice. London: Polity. 2012.

Author(s):  
Lynn Schofield Clark
2017 ◽  
Vol 24 (1) ◽  
pp. 162-163
Author(s):  
Kruakae Pothong
Keyword(s):  

Author(s):  
Nick Couldry ◽  
Andreas Hepp

In this chapter, the authors argue that a phenomenological approach to sociology only can be preserved if a version of sociology is developed that takes seriously the existence of media and the entanglement of digital media technologies and interfaces in every aspect of daily life. That means, in turn, taking seriously the roles that data extraction and data processing play in both the operations of digital media and the production of what counts as knowledge of the social world. If so, then some adjustments to other key assumptions must be made, for example about the social world’s transparency. But those adjustments are worth making in order to preserve the project of phenomenological sociology, which still has much to contribute to a sense of the tensions at work in the social world and its forms of knowledge. To outline this, the authors first discuss the consequences of a mediated life for social theory, then reflect on how digital media and data changed processes of the mediated construction reality, and finally introduce “deep mediatization” as a “sensitizing concept” for such an analysis.


2019 ◽  
Vol 41 (8) ◽  
pp. 1176-1191 ◽  
Author(s):  
Eran Fisher ◽  
Yoav Mehozay

The rise of digital media has witnessed a paradigmatic shift in the way that media outlets conceptualize and classify their audience. Whereas during the era of mass media, ‘seeing’ the audience was based on a scientific episteme combining social theory and empirical research, with digital media ‘seeing’ the audience has come to be dominated by a new episteme, based on big data and algorithms. This article argues that the algorithmic episteme does not see the audience more accurately, but differently. Whereas the scientific episteme upheld an ascriptive conception which assigned individuals to a particular social category, the algorithmic episteme assumes a performative individual, based on behavioral data, sidestepping any need for a theory of the self. Since the way in which the media see their audience is constitutive, we suggest that the algorithmic episteme represents a new way to think about human beings.


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