scholarly journals When a Translator Joins the Revolution: A Paratextual Analysis of Manuel García de Sena’s La independencia1

2016 ◽  
Vol 27 (1) ◽  
pp. 189-211 ◽  
Author(s):  
Gabriel González Núñez

During the complex period of Latin American independence, new states began to emerge and new ideas were implemented. Some of these ideas were made available in part due to the efforts of translators in the United States. Among them was Manuel García de Sena, a Venezuelan translator who published translations of North American texts. His translations enjoyed a prompt distribution. One of them became a vehicle that facilitated legal transplants from the United States to the new republics. While much has been lost to history regarding the details of the printing of this translation, its paratextual apparatus provides insights that help modern readers understand some things regarding the people involved, their ideas, and the times they lived in. By analyzing the title, the dedications, and the notes, we can see the translation’s intended function in changing the culture repertoire. In essence, the paratext allows us to see what this translator did as he joined the revolution.

2018 ◽  
Vol 7 ◽  
pp. 49-71
Author(s):  
Anastasia Ulanowicz

“We are the People”: The Holodomor and North American-Ukrainian Diasporic Memory in Marsha Forchuk Skrypuch’s Enough. Although the Holodomor — the Ukrainian famine of 1932–1933 — has played a major role in the cultural memory of Ukrainian diasporic communities in the United States and Canada, relatively few North American children’s books directly represent this traumatic historical event. One exception, however, is Marsha Forchuk Skrypuch’s and Michael Martchenko’s picture book, Enough 2000, which adapts a traditional Ukrainian folktale in order to introduce young readers to the historical and polit­ical circumstances in which this artificial famine occurred. By drawing on what scholar Jack Zipes has identified as the “subversive potential” of fairy tales, Skrypuch and Martchenko critique the ironies and injustices that undergirded Soviet forced collectivization and Stalinist famine policy. Additionally, they explicitly set a portion of their fairy tale adaptation in Canada in order to gesture to the role played by the Holodomor in structuring diasporic memory and identity, especially in relation to post-Independ­ence era Ukraine.«Мы — народ»: Голодомор и североамериканско-украинская диаспорная память в книге Enough Марши Форчук Скрыпух. Несмотря на то, что Голодомор — голод в Украине 1932–1933 гoдов — сыграл важную роль в культурной памяти украинских диаспорных общин в Соеди­ненных Штатах и Канаде, относительно мало североамериканских детских книг описывает это травматическое событие. Важное место в этом контексте является книга Марши Форчук Скры­пух и Майкла Мартченко «Достаточно» 2000, которая адаптирует традиционную украинскую сказку для того, чтобы познакомить молодых читателей с историческими и политическими обстоятельствами этого искусственного голода. Опираясь на то, что ученый Джек Зайпс назвал «подрывным потенциалом» сказок, Скрыпух и Мартченко критикуют иронию и несправедли­вость советской принудительной коллективизации и политики сталинского голода. Кроме того, они установили часть своей сказочной адаптации в Канаде, чтобы показать роль Голодомора в структурировании диаспорной памяти и самобытности, и связи последних с независимой Украиной.


Author(s):  
Richard D. Mahoney

How did the U.S.-Colombia free trade agreement come about? The officially named “U.S.-Colombia Trade Promotion Agreement” was the stepchild of a rancorous hemispheric divorce between the United States and five Latin American governments over the proposal to extend the North American Free Trade Agreement...


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