scholarly journals Artivismo, activismo y sin autoría audiovisual: el caso del colectivo Cine sin Autor (CsA) / Artivism, activism and audiovisual authorship: the case of Cine sin Autor (CsA)

Author(s):  
Ana Sedeño-Valdellós

Resumen: El cine sin autor es un proceso de producción audiovisual que problematiza algunas de las ideas canónicas o fijas de la traslación de la autoridad desde un individuo hasta la gente común en temas de producción y realización audiovisual. En otros trabajos anteriores ya se han destacado algunas de sus características y analizado obras y prácticas de un colectivo (el de Cine sin Autor o CsA) que ha dado lugar a lo que llamábamos sinautoría audiovisual, con un objetivo pedagógico y de propuesta alternativa de lenguaje audiovisual.El texto presente trata de enmarcar este colectivo audiovisual en la tradición del artivismo y activismo audiovisual y analizar algunos últimos proyectos del colectivo, que respaldan una propuesta formal alternativa, y permiten hablar de una representación experimental alejada de una narración o representación clásica. Il corpo qui sogna, Ciak o Mátame si puedes son algunos de ellos.Abstract: Without authorship is an audiovisual production process that problematize some of the canonical or fixed ideas of the transfer about authorshio and authority from one individual to the common people on issues of audiovisual production. In previous works we have already highlighted some of its characteristics and analyzed some works and practices from a collective (Cine sin Autor or CsA) that we called as "audiovisual without authorship", an alternative for an audiovisual language and with a pedagogical purpose.This text tries to frame this audiovisual collective in the tradition of artivism and audiovisual activism and to analyze some recent projects of the group, which support a formal proposal for an alternative, and allow to speak about an alternative narrative and an experimental representation. Il corpo qui sogna, Ciak or Mátame si puedes are some of them.

2019 ◽  
Vol 7 (8) ◽  
pp. 12
Author(s):  
Kunal Debnath

High culture is a collection of ideologies, beliefs, thoughts, trends, practices and works-- intellectual or creative-- that is intended for refined, cultured and educated elite people. Low culture is the culture of the common people and the mass. Popular culture is something that is always, most importantly, related to everyday average people and their experiences of the world; it is urban, changing and consumeristic in nature. Folk culture is the culture of preindustrial (premarket, precommodity) communities.


2020 ◽  
Vol 11 (SPL1) ◽  
pp. 907-912
Author(s):  
Deepika Masurkar ◽  
Priyanka Jaiswal

Recently at the end of 2019, a new disease was found in Wuhan, China. This disease was diagnosed to be caused by a new type of coronavirus and affected almost the whole world. Chinese researchers named this novel virus as 2019-nCov or Wuhan-coronavirus. However, to avoid misunderstanding the World Health Organization noises it as COVID-19 virus when interacting with the media COVID-19 is new globally as well as in India. This has disturbed peoples mind. There are various rumours about the coronavirus in Indian society which causes panic in peoples mind. It is the need of society to know myths and facts about coronavirus to reduce the panic and take the proper precautionary actions for our safety against the coronavirus. Thus this article aims to bust myths and present the facts to the common people. We need to verify myths spreading through social media and keep our self-ready with facts so that we can protect our self in a better way. People must prevent COVID 19 at a personal level. Appropriate action in individual communities and countries can benefit the entire world.


2013 ◽  
Vol 83 ◽  
pp. 70-85 ◽  
Author(s):  
Xavier Domènech Sampere

“That the number of our Members be unlimited” … Today we might pass over such a rule as a commonplace: and yet it is one of the hinges upon which history turns. It signified the end to any notion of exclusiveness, of politics as the preserve of any hereditary elite or property Group … To throw open the doors to propaganda and agitation in this “unlimited” way implied a new notion of democracy, which cast aside ancient inhibitions and trusted to self-activating and self-organising processes among the common people.E.P. Thompson, The Making of the English Working Class The decline of labor history in the research agenda of senior Spanish scholars matches the surprising interest in it of young researchers as indicated by the opening of new lines of research and the explosion of studies on other social movements that also have a strong class character in their origins. Moreover, despite the progressive decline of published academic research on the quintessential social movement, the truth is that its history is still crucial for understanding the political and social dynamics of the late Franco regime and the first years of democracy for at least two reasons.


2019 ◽  
Vol 244 (1) ◽  
pp. 51-88 ◽  
Author(s):  
David Coast

Abstract The voice of the people is assumed to have carried little authority in early modern England. Elites often caricatured the common people as an ignorant multitude and demanded their obedience, deference and silence. Hostility to the popular voice was an important element of contemporary political thought. However, evidence for a very different set of views can be found in numerous polemical tracts written between the Reformation and the English Civil War. These tracts claimed to speak for the people, and sought to represent their alleged grievances to the monarch or parliament. They subverted the rules of petitioning by speaking for ‘the people’ as a whole and appealing to a wide audience, making demands for the redress of grievances that left little room for the royal prerogative. In doing so, they contradicted stereotypes about the multitude, arguing that the people were rational, patriotic and potentially better informed about the threats to the kingdom than the monarch themselves. ‘Public opinion’ was used to confer legitimacy on political and religious demands long before the mass subscription petitioning campaigns of the 1640s.


2005 ◽  
Vol 34 (3-4) ◽  
pp. 339-356
Author(s):  
Tracy Ames

This paper explores the phenomenon of non-priestly purity within the ancient Jewish purity system and examines passages in Tannaitic literature that refer to p'rushim (Pharisees), haverim and ne'e-manim, all of whom have been associated with practising non-priestly purity laws during the Second Temple period. The 'am ha-aretz, people accused of non-compliance with ritual purity, are also a focus of the paper. An analysis of the terms p'rushim, haverim, ne'emanim and 'am ha-aretz reveals that variant meanings have been attached to these categories in different passages of rabbinic literature and that the terms are fluid and resist classification. The findings of this paper challenge some of the prevailing theories that attempt to explain the phenomenon of non-priestly purity in ancient Israel.


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