Visiting Earlswood: The Asylum Travelogue and the Shaping of ‘Idiocy’

2018 ◽  
Author(s):  
Patrick McDonagh
Keyword(s):  
Social Policy ◽  
Middle Class ◽  
Charles Dickens ◽  
Travel Writing ◽  
Primary Documents

In the 1850s, visitors to the Earlswood Asylum, also known as the National Asylum for Idiots, in Reigate, Surrey, wrote about their experiences for publication. Frequently, these reports were presented as forms of travel writing, with the narrator recounting the customs of the asylum natives. The middle-class, sane and (one assumes) intelligent target audiences lived far beyond the asylums, in terms of identity if not geography. The asylum inhabitants, meanwhile, are resolutely ‘other’, subjected to the visitors’ inquisitive, evaluative gaze. This chapter draws on primary documents including works by Charles Dickens and asylum propagandists such as Joseph Parkinson, Cheyne Brady and the Reverend Edwin Sidney, as well as numerous anonymous pieces, to explore how these asylum travelogues, through their own representations of ‘idiocy’, helped shape ideas of idiocy and inform social policy that affected the lives of people identified as ‘idiots’ and ‘imbeciles’ in the 1850s, 1860s and after.

Charles Dickens and the Properties of Fiction

2020 ◽  
Author(s):  
Ushashi Dasgupta
Keyword(s):  
Nineteenth Century ◽  
Middle Class ◽  
Real Estate ◽  
Charles Dickens ◽  
Dense Network ◽  
Social Psychological ◽  
Domestic Ideology ◽  
The Social ◽  
Literary Collaboration ◽  
Economic Relationship

This book explores the significance of rental culture in Charles Dickens’s fiction and journalism. It reveals tenancy, or the leasing of real estate in exchange for money, to be a governing force in everyday life in the nineteenth century. It casts a light into back attics and landladies’ parlours, and follows a host of characters—from slum landlords exploiting their tenants, to pairs of friends deciding to live together and share the rent. In this period, tenancy shaped individuals, structured communities, and fascinated writers. The vast majority of London’s population had an immediate economic relationship with the houses and rooms they inhabited, and Dickens was highly attuned to the social, psychological, and imaginative corollaries of this phenomenon. He may have been read as an overwhelming proponent of middle-class domestic ideology, but if we look closely, we see that his fictional universe is a dense network of rented spaces. He is comfortable in what he calls the ‘lodger world’, and he locates versions of home in a multitude of unlikely places. These are not mere settings, waiting to be recreated faithfully; rented space does not simply provide a backdrop for incident in the nineteenth-century novel. Instead, it plays an important part in influencing what takes place. For Dickens, to write about tenancy can often mean to write about writing—character, authorship, and literary collaboration. More than anything, he celebrates the fact that unassuming houses brim with narrative potential: comedies, romances, mysteries, and comings-of-age take place behind their doors.

Charles Dickens and the Victorian “Mormon Moment”

2013 ◽  
Vol 17 (5) ◽  
pp. 489-506
Author(s):  
Scott Dransfield
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Middle Class ◽  
Charles Dickens ◽  
Salt Lake ◽  
The United States ◽  
Religious Significance ◽  
Healthy Working ◽  
Cultural Status ◽  
New Religion

Abstract The growth of Mormonism in England in the middle of the nineteenth century presented a number of challenges relating to the cultural status of the new religion and its followers. Charles Dickens’s “uncommercial traveller” sketch describing a group of 800 Mormon converts preparing to emigrate to the United States, “Bound for the Great Salt Lake,” represents the challenge effectively. While Mormons were quickly identified by their heresies and by those qualities that characterized cultural and religious otherness, they were also observed to possess traits of Englishness, reflecting the image of a healthy working class. This article considers the tensions among these contradictory qualities and traces them to a middle-class “secular gospel” that Dickens articulates in his novels. Dickens utilizes this “gospel”—an ethic that valorizes work and domestic order as bearing religious significance—to perceive the followers of the new religion.

The path out of Haworth: mobility, migration and the global in Charlotte Brontë’s Shirley and the writings of Mary Taylor

2017 ◽  
Author(s):  
Jude Piesse
Keyword(s):  
Middle Class ◽  
Travel Writing ◽  
Charlotte Bronte ◽  
Labour Migration ◽  
Global Space

Following Elizabeth Gaskell’s defence of her friend’s posthumous reputation in The Life of Charlotte Brontë, Brontë has frequently been associated with ideas of static and feminised local place. In Shirley, however, the extent of Brontë’s preoccupation with a more expansive vision of global space and mobility becomes apparent. This chapter explores Shirley’s sophisticated understanding of global space and mobility and reveals Brontë’s topical fascination with labour migration for single, middle-class women in the light of her friendship and correspondence with the emigrant Mary Taylor, the model for Shirley’s Rose Yorke. It concludes by showing how Taylor’s own powerful fiction and travel writing can be viewed as one of Brontë’s most radical legacies; one which has been obscured by Gaskell’s more famous memorialisation.

Character

Picture World ◽  
2020 ◽  
pp. 21-83
Author(s):  
Rachel Teukolsky
Keyword(s):  
Nineteenth Century ◽  
Social Class ◽  
Middle Class ◽  
Charles Dickens ◽  
Urban Economy ◽  
Reform Era ◽  
Realist Novel ◽  
Lower Middle Class ◽  
History Of

“Character” is often studied as the deep psychological self crafted by the nineteenth-century realist novel. Yet Chapter 1 proposes an alternative history of character by looking to caricature, in some of the earliest comics (“Galleries of Comicalities”) appearing in sporting newspapers in the 1830s. Early caricatures portrayed an idea of character that was grotesque, masculinist, and brilliantly exteriorized, especially in depictions of “the cockney,” the urban mischief-man whose subversive masculinity reflected the economic pressures of the new urban economy. Cartoons featuring the cockney were anti-authoritarian, carnivalesque, and often laced with crude racism and misogyny. Their mock-violent energy gave voice to some of the explosive frustration felt by working- and lower-middle-class men after the failures of the Reform Bill of 1832. The young Charles Dickens borrowed many of his earliest subjects from extant caricature motifs, reflecting some of the fundamental instabilities of social class and economic precarity defining the Reform Era.

Introduction

2020 ◽  
pp. 1-40
Author(s):  
Ushashi Dasgupta
Keyword(s):  
Nineteenth Century ◽  
Middle Class ◽  
Everyday Life ◽  
Charles Dickens ◽  
Property Market ◽  
Spatial Turn ◽  
Domestic Ideology ◽  
Preliminary Discussion ◽  
History Of ◽  
Economic Transaction

The Introduction offers a preliminary discussion of what Charles Dickens calls the ‘lodger world’, and it establishes the book’s main lines of argument. It explains that tenancy, an economic transaction realized in space, was a central aspect of everyday life in the nineteenth century. An overwhelming majority of Victorians did not own their homes outright. Instead, they were tenants: while single families could take entire houses on lease, lodgers lived in rooms overseen by landladies, and these many kinds of rented space captured Dickens’s imagination. The pervasive need to rent in the period encourages a reassessment of middle-class domestic ideology. The Introduction surveys the history of the property market, reviews Dickens’s active participation in rental culture throughout his life, and describes a number of his creative relationships. It considers the ‘spatial turn’ in cultural studies, and ultimately sets up a link between rented space, narrative, and genre in Dickens’s thinking.

scholarly journals Disciplinary Social Policy and the Failing Promise of the New Middle Classes: The Troubled Families Programme

2016 ◽  
Vol 16 (1) ◽  
pp. 119-129 ◽  
Author(s):  
Alex Nunn ◽  
Daniela Tepe-Belfrage
Keyword(s):  
Social Policy ◽  
Middle Class ◽  
Welfare Reform ◽  
Ethnic Minorities ◽  
Well Being ◽  
Middle Classes ◽  
Life Styles ◽  
New Middle Class ◽  
Societal Responsibility

This article looks at the promise of the ‘New Middle Class’ (NMC) inherent in the neoliberal ideological ideal of individualising societal responsibility for well-being and success. The article points to how this promise enables a discourse and practice of welfare reform and a disciplining of life styles particularly targeting the very poor in society. Women and some ethnic minorities are particularly prone to poverty and then therefore also discipline. The article then provides a case study of the Troubled Families Programme (TFP) and shows how the programme and the way it is constructed and managed partly undermines the provision of the material needs to alleviate people from poverty and re-produces discourses of poor lifestyle and parenting choices as sources of poverty, thereby undermining the ‘middle-class’ promise.

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